Ronny Delrue's (°1957) paintings are congeals of emotional and intellectual experiences. His diary entries provide the breeding ground for his paintings. Opposites such as abstraction and figuration, beautiful and ugly, knowing and forgetting are essential to him. Delrue initially worked expressionistically. Since then, his work has continued to relate to expressionism, in the sense that he consciously ignores it: the expressionist gesture is restrained, excesses are suppressed. The often small canvases are not literal translations of his feelings, but reflections on them. What you think is painting, turns out to be painting away. The painter does not improve or add, but makes disappear. The tension between the will and the fear of destruction plays a major role in his work. Certain figures, present in the initial stages of the painting process, may have become invisible in the end result, but they still remain suspect. It is such twilight zones that interest Delrue. The edges of his canvases show the underlying layers of colour and reveal something of the history of the canvas. In other words, an image does not tell everything at once, but reveals something different each time. The viewer can get lost in what the work can be.