This issue of Alif: Journal of Comparative Poetics is devoted to the intersection of the imaginary and the documentary, the fictional and the cultural in the three genres of literature (poetry, fiction, and drama), in history, in film (feature and documentary), in photography, in plastic arts, and in architecture. Collage in art, portrait paintings, political poetry, archival footage in films, the historical novel, and the metaphors of historiography are some of the examples that demonstrate the interfacing between the imaginary and the documentary. Subjectivity and ideology of the artist and scholar might be couched in a flight of fantasy or in a rational argument, but in both cases they are joined to a specific worldview that is analyzed and discussed.Contributors: Abdel Rahman El Abnoudy, Emad Abdel Latif, Saeed Alwakil, Tamim El Barghouti, Judith Butler, Safaa Fathy, Tahany El Gebaly, Ahmed Haddad, Sabry Hafez, Chouaib Halifi, Stuart Hall, Barbara Harlow, Ahmed Heakl, Jeffrey Herlihy, Ahmed Abdel Mo‘ty Higazi, Abdullah Ibrahim, Walid El Khachab, Jalal Uddin Khan, Hasna Lebbady, Iman Mersal, Helmi Salem, Stephanie Schwerter, Basheer El Sibaei, Larbi Touaf, John Carlos Rowe, Angela Vaupel, Elizabeth Wickett, Shaaban Yusuf.
