Edward Stokes studied at Oxford University. A photographer and writer, and the founder of the Photographic Heritage Foundation, his special interest is presenting, with texts that reflect the times, photographs taken in the mid-twentieth century. Stokes' many books have been widely praised.

“...beautifully produced with top-quality photographic reproductions" and "excellent introductions and commentaries packed full of biographical and historical information which adds depth and contextuality to the photographs.”“Significantly, Marjorie Doggett’s photos are the first seriously published visual record of Singapore’s urban landscape to have superbly captured many of the island’s grand structures as well as its more modest vernacular buildings. . . . In Asia, the few women who did create photo books were virtually unknown, with Marjorie Doggett blazing the path.”“[It] is important in focusing on a photographer who, though she was productive, was neither commercial nor an artist, but who remained, in the true sense, an amateur, a dedicated documentarian. . . . this book serves handsomely as an example to others harboring (or hoarding!) a collection of historical photographs.”“Doggett captured what turned out to be the end of an era. . . . This beautifully produced book is a fitting testament to an outstanding woman who led a life of quiet significance.”

Edward Stokes studied at Oxford University. A photographer and writer, and the founder of the Photographic Heritage Foundation, his special interest is presenting, with texts that reflect the times, photographs taken in the mid-twentieth century. Stokes' many books have been widely praised.

“...beautifully produced with top-quality photographic reproductions" and "excellent introductions and commentaries packed full of biographical and historical information which adds depth and contextuality to the photographs.”“Significantly, Marjorie Doggett’s photos are the first seriously published visual record of Singapore’s urban landscape to have superbly captured many of the island’s grand structures as well as its more modest vernacular buildings. . . . In Asia, the few women who did create photo books were virtually unknown, with Marjorie Doggett blazing the path.”“[It] is important in focusing on a photographer who, though she was productive, was neither commercial nor an artist, but who remained, in the true sense, an amateur, a dedicated documentarian. . . . this book serves handsomely as an example to others harboring (or hoarding!) a collection of historical photographs.”“Doggett captured what turned out to be the end of an era. . . . This beautifully produced book is a fitting testament to an outstanding woman who led a life of quiet significance.”

Edward Stokes studied at Oxford University. A photographer and writer, and the founder of the Photographic Heritage Foundation, his special interest is presenting, with texts that reflect the times, photographs taken in the mid-twentieth century. Stokes' many books have been widely praised.

“...beautifully produced with top-quality photographic reproductions" and "excellent introductions and commentaries packed full of biographical and historical information which adds depth and contextuality to the photographs.”“Significantly, Marjorie Doggett’s photos are the first seriously published visual record of Singapore’s urban landscape to have superbly captured many of the island’s grand structures as well as its more modest vernacular buildings. . . . In Asia, the few women who did create photo books were virtually unknown, with Marjorie Doggett blazing the path.”“[It] is important in focusing on a photographer who, though she was productive, was neither commercial nor an artist, but who remained, in the true sense, an amateur, a dedicated documentarian. . . . this book serves handsomely as an example to others harboring (or hoarding!) a collection of historical photographs.”“Doggett captured what turned out to be the end of an era. . . . This beautifully produced book is a fitting testament to an outstanding woman who led a life of quiet significance.”