This book explains the uses of laughter in contemporary China, and demonstrates how humour in China is put to many uses. Through the use of examples from different mediums such as film, sketch comedy, stand-up and sitcoms, this book demonstrates that Chinese comedy is not just about telling jokes or presenting funny scenarios—humour is also used to criticise social trends, to mock people in authority and to allow the public to reflect on China’s dramatic economic and cultural changes. The authors bring comedy figures who are well-known in China, such as Zhao Benshan, Feng Xiaogang, and Guo Degang, to the attention of international readers, using translation and explanations to explain why Chinese people find their work both amusing and meaningful. They explore uniquely Chinese forms of comedy, like xiangsheng dialogues, and consider how international genres like stand-up and situation comedy are localised in China. They demonstrate how comedy can be used to sidestep censorship and satirise the humourless restrictiveness of the Chinese government. This book appeals readers who are interested in how humour is used as a form of political communication, how humour can cross national borders, and those interested in contemporary Chinese media and politics.
