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Beskrivning
This book addresses a major gap in sound art scholarship: the role of audience participation. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.
Vadim Keylin holds a PhD in Aesthetics and Culture from Aarhus University and is currently a research associate in the ERC project “Poetry in the Digital Age” (University of Hamburg). He has published peer-reviewed articles and book chapters on experimental musical instruments, interactive sound art and sound in participatory culture.