Michele Di Monte is an art historian and the director of the educational department of the Gallerie Nazionali d’Arte Antica di Roma, Palazzo Barberini e Galleria Corsini. He teaches Art History and Museum Communication at the master program in Esthetic and Museum Communication at the Scuola IAD of the University of Rome Tor Vergata, as well Esthetic and Museum Communication in the Master of Art at LUISS (Rome).Flaminia Gennari is the director of the Gallerie Nazionali di Arte Antica di Roma, Palazzo Barberini and Galleria Corsini.

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• 6 ForewordFlaminia Gennari Santori12 Figures of Figures:Pasolini and the Resistance of ImagesMichele Di Monte42 Chaplin, Dreyer, Murnau, and the Others.Auteur Cinema in Pasolini’s FilmakingRoberto Chiesi70 The Caravaggio TheoremAndrea Cortellessa106 “Cardboard Man”Pier Paolo Pasolini, Accattone, 1961Philippe-Alain Michaud130 Prologue | Figures | Epilogue132 Prologue | The Virtual Body of Images138 Figure I | The Epiphanic Body150 Figure II | The Body of the Scandal162 Figure III | The Body of Grief172 Figure IV | The Body of the People184 Epilogue | The Body as Subject192 Bibliography: Pasolini and Visual Art

Michele Di Monte is an art historian and the director of the educational department of the Gallerie Nazionali d’Arte Antica di Roma, Palazzo Barberini e Galleria Corsini. He teaches Art History and Museum Communication at the master program in Esthetic and Museum Communication at the Scuola IAD of the University of Rome Tor Vergata, as well Esthetic and Museum Communication in the Master of Art at LUISS (Rome).Flaminia Gennari is the director of the Gallerie Nazionali di Arte Antica di Roma, Palazzo Barberini and Galleria Corsini.

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• 6 ForewordFlaminia Gennari Santori12 Figures of Figures:Pasolini and the Resistance of ImagesMichele Di Monte42 Chaplin, Dreyer, Murnau, and the Others.Auteur Cinema in Pasolini’s FilmakingRoberto Chiesi70 The Caravaggio TheoremAndrea Cortellessa106 “Cardboard Man”Pier Paolo Pasolini, Accattone, 1961Philippe-Alain Michaud130 Prologue | Figures | Epilogue132 Prologue | The Virtual Body of Images138 Figure I | The Epiphanic Body150 Figure II | The Body of the Scandal162 Figure III | The Body of Grief172 Figure IV | The Body of the People184 Epilogue | The Body as Subject192 Bibliography: Pasolini and Visual Art

Michele Di Monte is an art historian and the director of the educational department of the Gallerie Nazionali d’Arte Antica di Roma, Palazzo Barberini e Galleria Corsini. He teaches Art History and Museum Communication at the master program in Esthetic and Museum Communication at the Scuola IAD of the University of Rome Tor Vergata, as well Esthetic and Museum Communication in the Master of Art at LUISS (Rome).Flaminia Gennari is the director of the Gallerie Nazionali di Arte Antica di Roma, Palazzo Barberini and Galleria Corsini.

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• 6 ForewordFlaminia Gennari Santori12 Figures of Figures:Pasolini and the Resistance of ImagesMichele Di Monte42 Chaplin, Dreyer, Murnau, and the Others.Auteur Cinema in Pasolini’s FilmakingRoberto Chiesi70 The Caravaggio TheoremAndrea Cortellessa106 “Cardboard Man”Pier Paolo Pasolini, Accattone, 1961Philippe-Alain Michaud130 Prologue | Figures | Epilogue132 Prologue | The Virtual Body of Images138 Figure I | The Epiphanic Body150 Figure II | The Body of the Scandal162 Figure III | The Body of Grief172 Figure IV | The Body of the People184 Epilogue | The Body as Subject192 Bibliography: Pasolini and Visual Art