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    1. Kultur
    2. Scenkonst och film
    3. Film

    Works of Steven Moffat

    AvWilliam Rabkin

    Inbunden, Engelska, 2027

    Del i serien Screen Storytellers

    853 kr

    Slutsåld

    Beskrivning

    The second book in the Screen Storytellers series, this is the first critical appraisal of television writer Steven Moffat. It spans the early sitcoms that draw on his own autobiography to the hugely successful reinventions of Doctor Who and Sherlock to his attempts to revise and revitalize Victorian horror classics and beyond.In a decades-long career as one of the world’s most successful television writers, Steven Moffat has reimagined almost every major character in British pop culture, from Sherlock Holmes and Doctor Who to Dracula and Dr. Jekyll. The scholars contributing to this volume offer diverse and wide-ranging viewpoints on Moffat’s career and work, as an immensely influential television creator whose impact is still underestimated. They present a comprehensive and insightful exploration of Moffat's contributions to screenwriting and television to provide a rich, multifaceted understanding of his unique storytelling techniques and the evolution of his style. The range of approaches blend academic analysis with practical insights to offer a unique look at Moffat's influence on modern television storytelling.

    Produktinformation

    • Utgivningsdatum:2027-02-18
    • Mått:140 x 216 x 10 mm
    • Vikt:228 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Screen Storytellers
    • Antal sidor:192
    • Förlag:Bloomsbury Publishing Plc
    • ISBN:9798765124673

    Utforska kategorier

    • Film inom Kultur
    • Television inom Kultur
    • Kreativt skrivande inom Språk och ordböcker

    Mer om författaren

    William Rabkin is Associate Professor of Screenwriting and Television Writing at the University of California Riverside-Palm Desert, USA.

    Innehållsförteckning

    • Acknowledgements IntroductionWilliam Rabkin (University of California Riverside-Palm Desert, USA)PART I: HOW HE WORKS1. A Boy That Dreamed of a Program That Could Go On ForeverJames Felder (New York University, USA)2. The British Friends: Moffat's CouplingKaren Jeynes (University of Pretoria, South Africa)3. The First Word: The Roots of Moffat’s Doctor Who in His Earliest WorksJamie Beckwith (Independent Scholar, UK) and Leslie Grace McMurtry (University of Salford, UK)4. Writing About Himself: Moffat’s Reinvention from Autobiography to GenreRobert J. Binney (Independent Scholar, USA)PART II: EARLY WORKS5. Voices, Silences, and Today’s Youth: Narrative Strategy in Press GangTom Muir (OsloMet – Oslo Metropolitan University, Norway)6. Man Up: Coupling and the Rom-ComMary Irwin (Queen Margaret University, UK)7. “That thing was not my master”: Steven Moffat’s Post-Oedipal Sequel JekyllLinda Belau (University of Texas, Rio Grande Valley, USA)8. Sub/Text: A Real Human Being and a Real Anti-Hero: An Analysis of Steven Moffat’s Character ConstructionDoga Çöl (Istanbul Medipol University, Turkey)PART III: LATER WORKS9. To Build a Genius: Narrative Templates and Visual Construction of Steven Moffat’s ProtagonistsSimona Adinolfi (Justus Liebig University Giessen, Germany) and Silvia Genovese (Independent Scholar, UK)10. Temporal Distortions: The Art of Non-Linearity in Moffat’s Doctor Who and SherlockSony Jalarajan Raj (MacEwen University, Canada) and Adith K. Suresh (MacEwen University, Canada)11. Watching as New Reading: Narratology, Intertextuality, and Audience Engagement in the Selected Works of Steven MoffatRoksana Zgierska (University of Gdansk, Poland)12. Moffat’s Sherlock: Challenging the Cartesian Thinking ManShreya Das (The Sanskrit College and University, India)13. The Complex Count and the Curing of Toxic Masculinity in Moffat’s DraculaAhmad Hayat (International College of Science and Technology, Kuwait)14. Sub/Text: Adapting the Queer Sadomasochism of DraculaIan M. Clark (Queen’s University Kingston, Canada)ContributorsBibliographyIndex