For decades, Michael E. Jones has taught courses at the University of Massachusetts Lowell andauthored books on the intersection of technology, intellectual property, law, and art. He has a Bachelor's from Denison University, an MBA from the University of Pennsylvania, and a law degree from the University of Miami. He later continued his studies at Harvard.Michael Caballes is a photographer and curious explorer of artificial intelligence and virtual worlds. He earned his Bachelor's from the University of San Carlos. He lives in Rochester, NY and explores the creative possibilities of AI in art and narrative within virtual environments.

• Table of Contents PrefaceAcknowledgementsOne | What Art WasTwo | Redefining Art in the Digital AgeThree | Creative Divide: Human vs. MachineFour | Beyond the Algorithm: The Essence of AIFive | Borrowed Brushes: AI Training, Infringement and Fair Use Six | Cultural (Mis)appropriation in the Age of AISeven | Faces in the Machine: Artistic Innovation or InvasionEight | What Art is Now: Creativity in the Age of AIIndexAbout the Authors

For decades, Michael E. Jones has taught courses at the University of Massachusetts Lowell andauthored books on the intersection of technology, intellectual property, law, and art. He has a Bachelor's from Denison University, an MBA from the University of Pennsylvania, and a law degree from the University of Miami. He later continued his studies at Harvard.Michael Caballes is a photographer and curious explorer of artificial intelligence and virtual worlds. He earned his Bachelor's from the University of San Carlos. He lives in Rochester, NY and explores the creative possibilities of AI in art and narrative within virtual environments.

• Table of Contents PrefaceAcknowledgementsOne | What Art WasTwo | Redefining Art in the Digital AgeThree | Creative Divide: Human vs. MachineFour | Beyond the Algorithm: The Essence of AIFive | Borrowed Brushes: AI Training, Infringement and Fair Use Six | Cultural (Mis)appropriation in the Age of AISeven | Faces in the Machine: Artistic Innovation or InvasionEight | What Art is Now: Creativity in the Age of AIIndexAbout the Authors

For decades, Michael E. Jones has taught courses at the University of Massachusetts Lowell andauthored books on the intersection of technology, intellectual property, law, and art. He has a Bachelor's from Denison University, an MBA from the University of Pennsylvania, and a law degree from the University of Miami. He later continued his studies at Harvard.Michael Caballes is a photographer and curious explorer of artificial intelligence and virtual worlds. He earned his Bachelor's from the University of San Carlos. He lives in Rochester, NY and explores the creative possibilities of AI in art and narrative within virtual environments.

• Table of Contents PrefaceAcknowledgementsOne | What Art WasTwo | Redefining Art in the Digital AgeThree | Creative Divide: Human vs. MachineFour | Beyond the Algorithm: The Essence of AIFive | Borrowed Brushes: AI Training, Infringement and Fair Use Six | Cultural (Mis)appropriation in the Age of AISeven | Faces in the Machine: Artistic Innovation or InvasionEight | What Art is Now: Creativity in the Age of AIIndexAbout the Authors