Bara Kolenc is Assistant Professor of Philosophy at the University of Ljubljana. She is the author of Figura dvojnika: Od komedije k psihozi and Ponavljanje in uprizoritev: Kierkegaard, psihoanaliza, gledališče, and coeditor, with Gregor Moder and Jurij Simoniti, of Master/s.

"Repetition and Subjectivity is a truly extraordinary achievement of thinking through one of the most challenging and intriguing concepts to emerge at the site of contemporary philosophy, as well as psychoanalysis, with Lacan declaring repetition one of the 'four fundamental concepts of psychoanalysis.' Kolenc takes us through different facets of this concept with clarity, precision, and intellectual boldness. This is a profoundly engaging book, filled with new and crucial insights at every turn." — Alenka Zupančič, author of Disavowal"Lucidly written and incredibly readable, Repetition and Subjectivity puts repetition to work as a historical, spatial, and contemporary concept. Why, Bara Kolenc asks, does modernity keep repeating itself? Showing how Kierkegaard anticipates Freud, Kolenc argues that we can't quite lay modernity to rest, and perhaps we don't want to. Modernity functions like an otherworldly earworm in time, elevating muse-like figures—the poet, the thinker, the lover, and so on—to vain images of themselves, repeatedly. The subject serves as a willing dupe to this movement, and yet, Kolenc's notion of the 'duty,' as opposed to the 'command,' to repeat reinvigorates at least the minimal agency of the subject. Filled with 'a-ha!' moments, this book is sure to be seriously discussed and debated by scholars situated at the nexus of psychoanalysis and philosophy." — Cindy Zeiher, author of Stupidity and Psychoanalysis: Lacanian Perspectives on New Subjectivities and Social Form

• Acknowledgments Preface Introduction 1. Repetition Stems from Duality A Constitutive Difference The Four Matrices of Repetition 2. Repetition and Exception: Kierkegaard and the Greeks The Königstadt Theater A Venture in Experimental Psychology The Doublings of Gjentagelsen The Score of Experiential Experiments Mnéme, Anámnesis and the Doctrine of Metempsychosis Memory, Oblivion, and the Constitution of the Soul, or "Virtue Is Free": The Myth of Er A Moment, Transition The Choice of Life: False Hope and the Melancholy of Remembrance, the Comfort of Habits, or the Risk of Exception? Repetition Is a New Category Yet to Be Discovered 3. Repetition as a Fundamental Concept: Freud and Lacan Repetition Compulsion: The Three Theoretical Trajectories A Small, Private Ceremonial Erinnerung, Wiederholung Repression and the Structure of Substitution The Topography and the Dynamics of Repression The Metapsychological Puzzle and the Death Drive The Paradigm of Enjoyment Recollection Is Not Reminiscence, and Life Is Not a Dream Duality of the Real (De)Montage of the Drive: Vorstellungsrepräsentanz Conclusion Notes References Index

Bara Kolenc is Assistant Professor of Philosophy at the University of Ljubljana. She is the author of Figura dvojnika: Od komedije k psihozi and Ponavljanje in uprizoritev: Kierkegaard, psihoanaliza, gledališče, and coeditor, with Gregor Moder and Jurij Simoniti, of Master/s.

"Repetition and Subjectivity is a truly extraordinary achievement of thinking through one of the most challenging and intriguing concepts to emerge at the site of contemporary philosophy, as well as psychoanalysis, with Lacan declaring repetition one of the 'four fundamental concepts of psychoanalysis.' Kolenc takes us through different facets of this concept with clarity, precision, and intellectual boldness. This is a profoundly engaging book, filled with new and crucial insights at every turn." — Alenka Zupančič, author of Disavowal"Lucidly written and incredibly readable, Repetition and Subjectivity puts repetition to work as a historical, spatial, and contemporary concept. Why, Bara Kolenc asks, does modernity keep repeating itself? Showing how Kierkegaard anticipates Freud, Kolenc argues that we can't quite lay modernity to rest, and perhaps we don't want to. Modernity functions like an otherworldly earworm in time, elevating muse-like figures—the poet, the thinker, the lover, and so on—to vain images of themselves, repeatedly. The subject serves as a willing dupe to this movement, and yet, Kolenc's notion of the 'duty,' as opposed to the 'command,' to repeat reinvigorates at least the minimal agency of the subject. Filled with 'a-ha!' moments, this book is sure to be seriously discussed and debated by scholars situated at the nexus of psychoanalysis and philosophy." — Cindy Zeiher, author of Stupidity and Psychoanalysis: Lacanian Perspectives on New Subjectivities and Social Form

• Acknowledgments Preface Introduction 1. Repetition Stems from Duality A Constitutive Difference The Four Matrices of Repetition 2. Repetition and Exception: Kierkegaard and the Greeks The Königstadt Theater A Venture in Experimental Psychology The Doublings of Gjentagelsen The Score of Experiential Experiments Mnéme, Anámnesis and the Doctrine of Metempsychosis Memory, Oblivion, and the Constitution of the Soul, or "Virtue Is Free": The Myth of Er A Moment, Transition The Choice of Life: False Hope and the Melancholy of Remembrance, the Comfort of Habits, or the Risk of Exception? Repetition Is a New Category Yet to Be Discovered 3. Repetition as a Fundamental Concept: Freud and Lacan Repetition Compulsion: The Three Theoretical Trajectories A Small, Private Ceremonial Erinnerung, Wiederholung Repression and the Structure of Substitution The Topography and the Dynamics of Repression The Metapsychological Puzzle and the Death Drive The Paradigm of Enjoyment Recollection Is Not Reminiscence, and Life Is Not a Dream Duality of the Real (De)Montage of the Drive: Vorstellungsrepräsentanz Conclusion Notes References Index

Bara Kolenc is Assistant Professor of Philosophy at the University of Ljubljana. She is the author of Figura dvojnika: Od komedije k psihozi and Ponavljanje in uprizoritev: Kierkegaard, psihoanaliza, gledališče, and coeditor, with Gregor Moder and Jurij Simoniti, of Master/s.

"Repetition and Subjectivity is a truly extraordinary achievement of thinking through one of the most challenging and intriguing concepts to emerge at the site of contemporary philosophy, as well as psychoanalysis, with Lacan declaring repetition one of the 'four fundamental concepts of psychoanalysis.' Kolenc takes us through different facets of this concept with clarity, precision, and intellectual boldness. This is a profoundly engaging book, filled with new and crucial insights at every turn." — Alenka Zupančič, author of Disavowal"Lucidly written and incredibly readable, Repetition and Subjectivity puts repetition to work as a historical, spatial, and contemporary concept. Why, Bara Kolenc asks, does modernity keep repeating itself? Showing how Kierkegaard anticipates Freud, Kolenc argues that we can't quite lay modernity to rest, and perhaps we don't want to. Modernity functions like an otherworldly earworm in time, elevating muse-like figures—the poet, the thinker, the lover, and so on—to vain images of themselves, repeatedly. The subject serves as a willing dupe to this movement, and yet, Kolenc's notion of the 'duty,' as opposed to the 'command,' to repeat reinvigorates at least the minimal agency of the subject. Filled with 'a-ha!' moments, this book is sure to be seriously discussed and debated by scholars situated at the nexus of psychoanalysis and philosophy." — Cindy Zeiher, author of Stupidity and Psychoanalysis: Lacanian Perspectives on New Subjectivities and Social Form

• Acknowledgments Preface Introduction 1. Repetition Stems from Duality A Constitutive Difference The Four Matrices of Repetition 2. Repetition and Exception: Kierkegaard and the Greeks The Königstadt Theater A Venture in Experimental Psychology The Doublings of Gjentagelsen The Score of Experiential Experiments Mnéme, Anámnesis and the Doctrine of Metempsychosis Memory, Oblivion, and the Constitution of the Soul, or "Virtue Is Free": The Myth of Er A Moment, Transition The Choice of Life: False Hope and the Melancholy of Remembrance, the Comfort of Habits, or the Risk of Exception? Repetition Is a New Category Yet to Be Discovered 3. Repetition as a Fundamental Concept: Freud and Lacan Repetition Compulsion: The Three Theoretical Trajectories A Small, Private Ceremonial Erinnerung, Wiederholung Repression and the Structure of Substitution The Topography and the Dynamics of Repression The Metapsychological Puzzle and the Death Drive The Paradigm of Enjoyment Recollection Is Not Reminiscence, and Life Is Not a Dream Duality of the Real (De)Montage of the Drive: Vorstellungsrepräsentanz Conclusion Notes References Index