Visar resultat för..."Boris Godunóv"

'The people are silent'So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy , while Rusalka is a tragedy of a different kind - a lyric fairytale of despair and transformation.James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's most cosmopolitan playwright. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The tale of Boris Godunov—tsar, usurper, tsarecide—dating from the early seventeenth-century Time of Troubles, inspired three major nineteenth-century Russian cultural expressions: in history by Nikolai Karamzin, in drama by Alexander Pushkin, and in opera by Modest Musorgsky. Each of these famous creations was a vehicle for generic innovation, in which a specifically Russian concept of genre was asserted in opposition to the reigning European models: German historiography, French melodrama, and Italian opera. Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships.

Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretative piece of scholarship. The topics discussed include: the 'Boris Tale' in history; Karamzin's history and Pushkin's drama as literary sources; Musorgsky's innovations as a librettist and as a theorist of the sung Russian word; the strange story of the opera's composition and revision; its first productions at home and abroad; and an in-depth musical analysis. In the process, several often-met errors in Musorgsky scholarship are clarified and corrected. A final chapter speculates on the opera's themes of political murder, guilt and legitimacy - so important to Russian literary and national identity in the nineteenth and twentieth centuries - and the new role the 'Boris plot' and its composer might come to play in more recent phases of Russian cultural life.

Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretative piece of scholarship. The topics discussed include: the 'Boris Tale' in history; Karamzin's history and Pushkin's drama as literary sources; Musorgsky's innovations as a librettist and as a theorist of the sung Russian word; the strange story of the opera's composition and revision; its first productions at home and abroad; and an in-depth musical analysis. In the process, several often-met errors in Musorgsky scholarship are clarified and corrected. A final chapter speculates on the opera's themes of political murder, guilt and legitimacy - so important to Russian literary and national identity in the nineteenth and twentieth centuries - and the new role the 'Boris plot' and its composer might come to play in more recent phases of Russian cultural life.

A drama of ambition, murder, remorse and retribution, Boris Godunov charts the decline of a Russian statesman, whose dynastic aims were foiled by a guilty past and an audacious upstart. Based on history and inspired by Shakespeare, Alexander Pushkin’s daring masterwork is presented here in its rarely published uncensored version of 1825.Set in Vienna, Flanders, Madrid and London, Pushkin’s celebrated Little Tragedies – Mozart and Salieri, The Mean-Spirited Knight, The Stone Guest and A Feast during the Plague – each focus on a protagonist’s driving obsession – with status, money, sex or risk-taking – and its devastating consequences.

Widely accepted to have been inspired by Shakespeare’s Macbeth, Boris Godunov recounts the tragic conflict between Tsar Boris and the pretender Dimitri. Following the death of Ivan the Terrible, Boris Godunov became regent for the feeble-minded Tsar Fyodor, the heir to whose throne, the boy-prince Dimitri, died mysteriously in 1591. It was widely rumoured that Boris had murdered him, and when a renegade monk later appeared claiming to be Dimitri, he rapidly became a focus for revolt.This adaptation by acclaimed playwright & novelist Adrian Mitchell, was Mitchell’s final project before his death in 2008 and forms part of the Royal Shakespeare Company’s Winter 2012 season.

This edition of Pushkin's tragedy "Boris Godunov" is part of the Bristol Classical Press Russian Texts series. The series is designed to meet the needs of the growing A Level and undergraduate market for texts in the Russian language. Each text comes with English notes and vocabulary, and with an introduction by an editor with an expert knowledge both of the work and of its literary and cultural context.