Visar resultat för..."Linda Thea"

This is the first major research publication on the life and work of the Swedish artist Thea Ekström. Through newspaper clippings, letters, diary entries and close reading of artworks, art historian Linda Fagerström guides the reader through Thea Ekström extensive oeuvre and varied life. Thea Ekström (1920-1988) grew up in Söndrum outside Halmstad but soon moved to Stockholm to study music. She was a singer and supported herself for a long time as a touring pianist. It wasn´t until a period of convalescence in the 1950s that she took up painting seriously and quickly developed a very distinctive style. Her early imagery was influenced by surrealism, but the work soon became more abstract, as she filled her drawings and paintings with idiosyncratic signs and symbols that recur in diffrent guises. Her breakthrough as an artist came in 1960s with exhibitions in Paris and New York. In the following decades she showed regulary in USA, France, and Germany, as well as in Sweden. In many ways, Thea Ekström is a typical representive of the European generation that grew up during the Nazi rise to power and lived through the horrors of the following world war, only to experience the post-war period economic boom of the 1950s and the social, cultural, and emotional upheavals of the 1960s. Her artistic expression, however, is atypical and specific. It cannot be mistaken for anyone else´s.

A riveting, imaginative new novel of paranormal romance from bestselling authors Linda Howard and Linda Jones.Lenna is Strength, a manifestation of the Tarot card, and powerful beyond reckoning. But when she's pulled into the human realm, tasked with protecting a young boy, everything is thrown into chaos. Lenna's not supposed to be here, interacting with mortals. She's definitely not supposed to be drawn to the sexy mercenary sent to retrieve her by any means necessary . . . As a Hunter for magical beings, Caine's duty is simple: return this compelling, impossibly attractive woman-or eliminate her. Instead he's drawn into Lenna's dangerous rescue mission and blindsided by his growing feelings. But there is more than one enemy to contend with. And as the clock runs out, failure means not just the loss of an innocent life and the woman Caine has come to love, but the destruction of Lenna's entire world.

We all know Dorothea Lange's iconic photos—the Migrant Mother holding her child, the shoeless children of the Dust Bowl—but now renowned American historian Linda Gordon brings them to three-dimensional life in this groundbreaking exploration of Lange's transformation into a documentarist. Using Lange's life to anchor a moving social history of twentieth-century America, Gordon masterfully re-creates bohemian San Francisco, the Depression, and the Japanese-American internment camps. Accompanied by more than one hundred images—many of them previously unseen and some formerly suppressed—Gordon has written a sparkling, fast-moving story that testifies to her status as one of the most gifted historians of our time. Finalist for the Los Angeles Times Book Prize; a New York Times Notable Book; New Yorker's A Year's Reading; and San Francisco Chronicle Best Book.

«Thinking Through Relation brings together an outstanding collection of essays that explore the diverse ways in which works of art and aesthetic experience generate a richness of relation which escapes the straightjackets of rigid disciplinary and institutional boundaries. Clearly demonstrating the creative potential of critical writing, these essays are a fitting tribute to the creativity, originality and subtlety of Timothy Mathews’s scholarly accomplishment and his contribution to our understanding of art and of the aesthetic relation.»(Dr Ian James, University of Cambridge) «This book in honour of Timothy Mathews is much more than a Festschrift. It is a collection of thought-provoking, daring insights into the crucial place of literature and the arts in our world and in our being human. It is an exhilarating multifarious demonstration of how creativity can undo, without for a moment losing intellectual rigour, the disciplinary and academic structures that constrain our thinking. Driven by curiosity and by care – love, even – the many contributions to the volume show, in their different ways, how criticism can be at its most effective by being at its most imaginative and its least predictable.»(Professor Lucia Boldrini, Goldsmiths, University of London) This book is an offering. It contains eighteen essays in honour of Timothy Mathews, written by leading scholars in the fields of French, Comparative Literature, Visual Culture and Creative Critical Writing. These essays examine the power of serendipitous encounter between artists, thinkers and artistic media as well as the importance of creative interjection in the arts and humanities. They advance fresh interpretations of some important figures in twentieth-century European culture – Apollinaire, Beckett, Benjamin, Calvino, Dalí, Genet, Nooteboom, Roubaud – using modes of reading that are both intellectually brave and open to fragility, intimate as well as critical, at once playful and earnest. They bring texts and artworks into relation in order to amply demonstrate that relation itself is a form of thinking.