Mathelinda Nabugodi – författare
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8 produkter
8 produkter
208 kr
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Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience – for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma DabiriWordsworth, Shelley, Byron, Keats – the Romantic poets are titans of English literature, taught and celebrated around the world. Their work is associated with sublime passions, violent stormscapes and a questing search for the inner self. It is rarely associated with the racial politics of the transatlantic slave economy.But these literary icons lived through a period when individual and collective resistance by Black people in Britain and her overseas colonies was making it increasingly difficult – and increasingly costly – to ignore their demands for freedom. A time when popular support for the abolition movement exploded across the country – and was met by a vehement, reactionary campaign from the establishment. A time when white supremacist ideologies were fomented to justify the abuse and exploitation of non-white 'races'. This cultural context is not immediately obvious in the canon of Romantic poetry. But that doesn’t mean it’s not there.The Trembling Hand turns an urgent critical gaze onto six major Romantic authors, examining how their lives and works were entangled with the racist realities of their era. Mathelinda Nabugodi pores over carefully preserved manuscripts, travels to the houses where these writers lived and died, examines the personal objects which survived them: a teacup, a baby rattle, a lock of hair. Amid this archive, she searches for traces of Black figures whose lives crossed paths with the great Romantics. And she grapples with the opposing forces of reverence and horror as her fascination with literary relics collides with feelings of sorrow and rage.
145 kr
Kommande
Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience – for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma Dabiri‘A masterpiece about how history is made, written with power and ferocity’ Boston GlobeWordsworth, Shelley, Byron, Keats – the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures – a teacup, a baby rattle, a lock of hair – to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.‘Urgent . . . One will never look at these poets in quite the same way’ The New York Times‘Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past’ Colm Tóibín
366 kr
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2 212 kr
Skickas inom 10-15 vardagar
Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the final volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse.Most of the poems in the present volume were composed between late January 1822 and Shelley’s death on 8 July 1822. These include the lyrics to Jane Williams, Fragments of an Unfinished Drama and The Triumph of Life as well as translations from Goethe’s Faust (1822) and Calderón’s El mágico prodigioso. The appendices include editions of Poetical Essay on the Existing State of Things (1811), a poem made publicly accessible by the Bodleian Libraries in 2015 for the first time since its publication, and translations by Shelley from Goethe’s Faust (1815), Aeschylus’ Prometheus Bound (1817) and Homer’s Odyssey (probably 1817).In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars.
606 kr
Skickas inom 10-15 vardagar
Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the final volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse.Most of the poems in the present volume were composed between late January 1822 and Shelley’s death on 8 July 1822. These include the lyrics to Jane Williams, Fragments of an Unfinished Drama and The Triumph of Life as well as translations from Goethe’s Faust (1822) and Calderón’s El mágico prodigioso. The appendices include editions of Poetical Essay on the Existing State of Things (1811), a poem made publicly accessible by the Bodleian Libraries in 2015 for the first time since its publication, and translations by Shelley from Goethe’s Faust (1815), Aeschylus’ Prometheus Bound (1817) and Homer’s Odyssey (probably 1817).In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars.
606 kr
Skickas inom 10-15 vardagar
Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the fifth volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse.Most of the poems in the present volume were composed between late summer 1821 and late January 1822. They include Hellas, a lyrical drama written in support of the Greek War of Independence, composed in September–November 1821 and published in February–March 1822, his unfinished tragedy Charles the First which he had been planning for several years, as well as important shorter poems such as ‘The Indian Girl’s Song’, ‘Autumn: a Dirge’ and his ‘Epitaph’ for John Keats.In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars.
2 212 kr
Skickas inom 10-15 vardagar
Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the fifth volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse.Most of the poems in the present volume were composed between late summer 1821 and late January 1822. They include Hellas, a lyrical drama written in support of the Greek War of Independence, composed in September–November 1821 and published in February–March 1822, his unfinished tragedy Charles the First which he had been planning for several years, as well as important shorter poems such as ‘The Indian Girl’s Song’, ‘Autumn: a Dirge’ and his ‘Epitaph’ for John Keats.In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars.
Del 11 - New Comparative Criticism
Thinking Through Relation
Encounters in Creative Critical Writing
Häftad, Engelska, 2021
793 kr
Skickas inom 5-8 vardagar
«Thinking Through Relation brings together an outstanding collection of essays that explore the diverse ways in which works of art and aesthetic experience generate a richness of relation which escapes the straightjackets of rigid disciplinary and institutional boundaries. Clearly demonstrating the creative potential of critical writing, these essays are a fitting tribute to the creativity, originality and subtlety of Timothy Mathews’s scholarly accomplishment and his contribution to our understanding of art and of the aesthetic relation.»(Dr Ian James, University of Cambridge) «This book in honour of Timothy Mathews is much more than a Festschrift. It is a collection of thought-provoking, daring insights into the crucial place of literature and the arts in our world and in our being human. It is an exhilarating multifarious demonstration of how creativity can undo, without for a moment losing intellectual rigour, the disciplinary and academic structures that constrain our thinking. Driven by curiosity and by care – love, even – the many contributions to the volume show, in their different ways, how criticism can be at its most effective by being at its most imaginative and its least predictable.»(Professor Lucia Boldrini, Goldsmiths, University of London) This book is an offering. It contains eighteen essays in honour of Timothy Mathews, written by leading scholars in the fields of French, Comparative Literature, Visual Culture and Creative Critical Writing. These essays examine the power of serendipitous encounter between artists, thinkers and artistic media as well as the importance of creative interjection in the arts and humanities. They advance fresh interpretations of some important figures in twentieth-century European culture – Apollinaire, Beckett, Benjamin, Calvino, Dalí, Genet, Nooteboom, Roubaud – using modes of reading that are both intellectually brave and open to fragility, intimate as well as critical, at once playful and earnest. They bring texts and artworks into relation in order to amply demonstrate that relation itself is a form of thinking.