Florian Mussgnug – författare
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9 produkter
9 produkter
Del 11 - New Comparative Criticism
Thinking Through Relation
Encounters in Creative Critical Writing
Häftad, Engelska, 2021
786 kr
Skickas inom 5-8 vardagar
«Thinking Through Relation brings together an outstanding collection of essays that explore the diverse ways in which works of art and aesthetic experience generate a richness of relation which escapes the straightjackets of rigid disciplinary and institutional boundaries. Clearly demonstrating the creative potential of critical writing, these essays are a fitting tribute to the creativity, originality and subtlety of Timothy Mathews’s scholarly accomplishment and his contribution to our understanding of art and of the aesthetic relation.»(Dr Ian James, University of Cambridge) «This book in honour of Timothy Mathews is much more than a Festschrift. It is a collection of thought-provoking, daring insights into the crucial place of literature and the arts in our world and in our being human. It is an exhilarating multifarious demonstration of how creativity can undo, without for a moment losing intellectual rigour, the disciplinary and academic structures that constrain our thinking. Driven by curiosity and by care – love, even – the many contributions to the volume show, in their different ways, how criticism can be at its most effective by being at its most imaginative and its least predictable.»(Professor Lucia Boldrini, Goldsmiths, University of London) This book is an offering. It contains eighteen essays in honour of Timothy Mathews, written by leading scholars in the fields of French, Comparative Literature, Visual Culture and Creative Critical Writing. These essays examine the power of serendipitous encounter between artists, thinkers and artistic media as well as the importance of creative interjection in the arts and humanities. They advance fresh interpretations of some important figures in twentieth-century European culture – Apollinaire, Beckett, Benjamin, Calvino, Dalí, Genet, Nooteboom, Roubaud – using modes of reading that are both intellectually brave and open to fragility, intimate as well as critical, at once playful and earnest. They bring texts and artworks into relation in order to amply demonstrate that relation itself is a form of thinking.
Häftad, Engelska, 2021
275 kr
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Del 13 - New Comparative Criticism
Decolonizing the Literary Imagination
Dialogue and the Postcolonial Encounter
Häftad, Engelska, 2024
714 kr
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What do we mean by ‘dialogue’? What can the use of dialogue tell us about a text, its author, and the larger cultural or political climate of the author’s production? This book examines the notion of dialogue adapted from the work of Russian linguist Mikhail Bakhtin, who elaborated a critical methodology for interpreting the East–West postcolonial encounter. His concept is further complicated by issues of race, gender, class, nationality, and ethnic and religious identity that proliferate in such contexts and serves to reconfigure the power dynamics that characterize these encounters.This study explores dialogue in a selection of twentieth- and early twenty-first-century ethnography, fiction, and travel writing by authors as diverse as Laura Bohannan, Ryszard Kapuściński, Amitav Ghosh, V. S. Naipaul, and Zadie Smith, set in Africa, India, and Europe. These dialogues are viewed through the lenses of phenomenology, history, the philosophy of language, and postcolonial theory. The book also explores how these writing genres have evolved over time in correspondence with crucial historical transitions.
Häftad, Engelska, 2023
724 kr
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Giorgio Manganelli (1922-1990), one of Italy’s most radical and original writers, went further than most in exploring the creative possibilities of hybrid genres and open forms. Ostentation, theatricality, and a love of drapery and verbal excess are defining features of his body of work, which ranges from prose fiction, literary criticism, and drama to travel writing, treatises, commentaries, and imaginary interviews.This study examines the wealth of Manganelli’s imagination – his grotesque animals, speaking corpses, and melancholy spectres – and argues that his spectacular eloquence was shaped by an exceptional awareness of literary and philosophical models. Following Manganelli’s lead, the author addresses issues such as the boundaries of meaningful language, the relationship between literary and visual texts, fantasy and realism, and the power of literature to express the apprehensions and intimations of human consciousness.
Del 14 - New Comparative Criticism
I, Daniel
An Illegitimate Reading of Jacques Derrida's «Envois»
Häftad, Engelska, 2024
708 kr
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«How to become Jacques Derrida’s reader? By letting his texts engender you. Such a birth is taken literally by Jeremy Stewart, who proves by algebra that he is the author’s bastard son. In this wonderful, intense, witty, and gripping exercise in autotheory, deconstruction meets autofiction with a vengeance.»(Jean-Michel Rabaté, Professor of English at the University of Pennsylvania, American Academy of Arts and Sciences)«With I, Daniel, Jeremy Stewart offers a reading, both rigorous and adventurous, of ‘Envois,’ one of Jacques Derrida’s most fascinating works. Unfolding and refolding the text around a blind spot in the philosopher’s journey, seeking to recognize in the twists and turns of this variously encrypted text the traces of an unutterable filiation, he takes us with him into the labyrinth, losing ourselves to better find ourselves. Through his personal commitment, Jeremy Stewart gives this close reading its full legitimacy, with the name ‘Daniel’ playing the role of révélateur, in the photographic sense of the term.»(Benoît Peeters, author of Derrida: A Biography) Jacques Derrida’s book The Post Card: From Socrates to Freud and Beyond (1987) has often been read in purely philosophical terms. Derrida, alluding to Freud’s talk of «theoretical fiction,» describes the opening section («Envois») as a «project for a «fiction.» «Envois» (that is, «sendings») takes the form of hundreds of postcards to an unnamed lover. Enter a figure called «Daniel.» In some ways, he resembles Derrida’s unrecognized third son. In others, he resembles the author; this book’s creative-critical approach thus turns scandalously personal. In addressing literary questions, it draws on dreams, faith, the author’s middle name, and a testimony to illegitimacy. One of «Envois» key conceits is that it is «the preface to a book […] not [yet] written.» Taking, as cues, fleeting references to the biblical book of Daniel and George Eliot’s novel Daniel Deronda, «Envois» is read as a preface not so much to an unwritten book as to the text that is the name «Daniel.»
Del 22 - Transcript
Dwelling on Grief
Narratives of Mourning Across Time and Forms
Inbunden, Engelska, 2022
1 509 kr
Skickas inom 5-8 vardagar
Del 22 - Transcript
Dwelling on Grief
Narratives of Mourning Across Time and Forms
Häftad, Engelska, 2025
272 kr
Skickas inom 5-8 vardagar
Del 6 - Visual Culture
Intermedia in Italy
From Futurism to Digital Convergence
Inbunden, Engelska, 2024
1 563 kr
Skickas inom 3-6 vardagar
Del 4 - Italian Modernities
Postmodern Impegno - Impegno postmoderno
Ethics and Commitment in Contemporary Italian Culture - Etica e engagement nella cultura italiana contemporanea
Häftad, Engelska, 2009
959 kr
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This book challenges widespread and largely negative assumptions about Italian postmodernism and postmodernism in general. It considers contemporary Italian culture as a particularly interesting testing-ground for pluriform struggles of an ethical or political kind, struggles which build upon, whilst rejecting the essentialist assumptions behind, conventional notions of artistic commitment, or impegno.Drawing on a variety of cultural fields and artistic media – from cinema to the literary genres of autobiography, romance and the giallo; from feminism to pensiero debole; from theatrical performance to shared practices of cultural memory – the volume charts instances of ethical commitment and emancipatory social and political intervention in Italian culture within a post-ideological and post-hegemonic framework, siding with a more constructive and less ‘apocalyptic’ analysis of the cultural climate of the past two decades in Italy. This balancing act is described by the contributors as ‘postmodern impegno’. The authors, artists and thinkers discussed in the essays include, among others, Eraldo Affinati, Adriana Cavarero, Marco Tullio Giordana, Carlo Lucarelli, Nanni Moretti, Marco Paolini, Roberto Saviano, Gianni Vattimo and Antonio Tabucchi.Questo libro mette in discussione la diffusa posizione critica che tende a svalutare l’esperienza culturale della postmodernità e del postmodernismo in Italia. Il contesto italiano contemporaneo è di fatto un esempio quanto mai interessante e sintomatico per il definirsi di forme plurali e non monologiche di impegno politico-culturale, che pur rifiutando forme di assolutismo o essenzialismo epistemico o ideologico, mantengono fede a una consolidata tradizione di engagement artistico.Partendo dall’analisi di vari generi e strategie discorsive – cinema, teatro, filosofia, letteratura di genere (romance, giallo, autobiografia) o di denuncia – e di vari autori – Eraldo Affinati, Adriana Cavarero, Marco Tullio Giordana, Carlo Lucarelli, Nanni Moretti, Marco Paolini, Roberto Saviano, Antonio Tabucchi, Gianni Vattimo, e altri – questo volume raccoglie e analizza esempi di impegno etico e di intervento socio-politico all’interno di una prospettiva post-ideologica e post-egemonica, proponendo una visione più costruttiva e meno «apocalittica» del clima culturale generale degli ultimi vent’anni in Italia.