Visar resultat för..."Dianas"

Diana's Tree is an important book - written in Paris, where she lived for four years - and the first really mature work (1963) by Alejandra Pizarnik (1936-1972), increasingly recognised as one of the major poetic voices of the second half of the 20th century in Latin America. "Reading Anna Deeny Morales's incisive translation of Alejandra Pizarnik is like experiencing Walter de Maria's Lightning Field - not in the New Mexico desert, but inside you. Psychologically strained and emotionally saturated, Pizarnik's poetry has electrified readers for more than sixty years. As gnomic, dreamy, passionate, and dark as the originals, Deeny's translations leave you singed- and glowing. " - Forrest Gander

In the week following the death of Princess Diana, the media presented images of the entire British nation united in tearful hysterical grief to mourn their 'People's Princess'. However, despite this emphasis on the response of the 'people', their has so far been no detailed examination of popular attitudes or media coverage during September 1997. James Thomas radically challenges the myths surrounding the mourning with the first ever 'people's history' of the week. He combines a detailed survey of media coverage with analysis of a range of qualitative and quantitative evidence about popular attitudes, especially those of the 'ordinary' people across Britain who recorded their views and actions for the Mass-Observation of Britain project. 'Diana's Mourning' provides fascinating evidence of the diversity, complexity and ambiguity of popular reactions to Diana's death, and demonstrates that far from being united, the British people were in fact deeply divided in grief in September 1997. It not only questions the accuracy of media representations of popular opinion, but also illustrates the media's power to influence attitudes and shape the myth of a nation in mourning.

In the week following the death of Princess Diana, the media presented images of the entire British nation united in tearful hysterical grief to mourn their 'People's Princess'. However, despite this emphasis on the response of the 'people', their has so far been no detailed examination of popular attitudes or media coverage during September 1997. James Thomas radically challenges the myths surrounding the mourning with the first ever 'people's history' of the week. He combines a detailed survey of media coverage with analysis of a range of qualitative and quantitative evidence about popular attitudes, especially those of the 'ordinary' people across Britain who recorded their views and actions for the Mass-Observation of Britain project. 'Diana's Mourning' provides fascinating evidence of the diversity, complexity and ambiguity of popular reactions to Diana's death, and demonstrates that far from being united, the British people were in fact deeply divided in grief in September 1997. It not only questions the accuracy of media representations of popular opinion, but also illustrates the media's power to influence attitudes and shape the myth of a nation in mourning.

Giovanni Boccaccio is one of the most influential writers in the Western tradition, yet his first literary work, "Diana's Hunt," has never been translated into English, and the Italian text has long been out of print. Anthony Cassell and Victoria Kirkham redeem Boccaccio's early effort in this dual-language edition, with an extensive introduction and commentary, that goes far beyond assuring its accessibility.The plot of "Diana's Hunt" is simple enough: the narrator observes the goddess Diana convening a band of Neapolitan court ladies to hunt in a wood. After slaying an impressive number of beasts, the huntresses are incited to rebellion against Diana by the fairest of their number. They invoke the goddess Venus, who transforms the beasts into young men ready to be faithful to her. As a final twist, the narrator himself, who we now learn was actually a stag all along, undergoes a similar transformation and is offered to the fairest lady.Cassell and Kirkham have edited the Italian text of "La Caccia di Diana," drawing from the six extant manuscripts of the original work. Their critical interpretation of the poem redefines the ground on which we evaluate the merits of "Diana's Hunt" and points to ways in which it looks forward to Boccaccio's later work. The poem emerges as an allegory of the struggle in the soul before Christian baptism and entrance into the active life of virtue. This theme will be central in the early fictions, such as the Filocolo and Ameto, and will be parodied and reversed in the later Elegy of Madonna Fiammetta and Corbaccio.The editors offer a readable translation, extensive notes, and a glossary of female historical characters that will prove invaluable to students and scholars of medieval and Renaissance literature, women's studies, and art history.