Abraham Merritt – författare

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Abraham Grace Merritt was born on January 20th, 1884 in Beverly, New Jersey. He was originally steered towards a career in law but this later diverted to journalism. It was an industry where he would excel. Eventually he would edit The American Weekly but even from his early years he was remarkably well paid. Merritt was also an avid hobbyist and loved to make collections of his interests and, of course, also found time to write. As a writer Merritt was undeniably pulp fiction and heavily into supernatural. He first published in 1917 with Through the Dragon Glass. Many short stories followed including novels that were published whole as well as serialized. His stories would typically take on board the conventional pulp magazine themes: lost civilizations, hideous monsters and their ilk. His heroes were almost always brave, adventurous Irishmen or Scandinavians, whilst his villains were usually treacherous Germans or Russians and his heroines often virginal, mysterious and, of course, scantily clad. Many pulp fiction writers had a terse, spare style that never got in the way of plot but Merritt was more considered. His style was lush, florid and full of adjective laden detail. He was, in essence, a remarkable talent.

Epic romances, fearsome dragons and alien worlds lie between the pages of this volume. Containing more than 35 stories from the early masters of fantasy literature, the narratives here transport the reader to alternate worlds where magic abounds, cosmic terrors lie around the corner and intrepid heroes fight for justice.Drawing inspiration from Norse, Japanese and Chinese mythology as well as from traditional fairytales and modern fears, the authors collected here span the breadth of the genre. Including tales from William Morris, H. G. Wells, Robert E. Howard and H. P. Lovecraft amongst others, they demonstrate the plethora of imaginative literature that was written in the late 19th and early 20th centuries. Many of these tales were foundational works, bringing ideas of the supernatural into the mainstream, and through their efforts creating entirely new genres.Before Tolkien, there were many writers embracing the realm of fantastic fiction. The man responsible for its origin was George MacDonald (1824-1905), a Calvinist minister and Celtic scholar, who wrote the first true fantasy novel. He was followed by a number of imaginative successors at the end of the 19th century, including H. G. Wells, Arthur Machen, and Ernest Bramah. After the end of World War I, the pulp magazines opened up the genre to a new generation of writers - particularly H. P. Lovecraft and Robert E. Howard - who provided exciting, magical and horrifying tales that fascinated a multitude of readers. By the outbreak of World War II, the outlines of the fantasy genre had been sketched out by these pioneers, and an entirely new type of fiction had been created.This collection includes stories by:Robert E. HowardH. P. LovecraftG. G. PendarvesH. G. WellsWilliam MorrisLafcadio HearnAbraham MerrittArthur MachenErnest BramahRobert W. ChambersGeorge MacDonald