Ada S. Jaarsma – författare

Placing pressure on what it means to “do” feminist philosophy, Feminist Making, Doing, and Sensing offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking. Seeking to decenter disciplinary norms about content, authority, and belonging, this collection disrupts the status quo of feminist philosophy through its insistence on formal experimentation and creative methods as well as its refusal to take philosophy and its disciplinary attachments at face value. The essays argue for ways of thinking, making, and doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial, often looking to experimental and art-based practices such as film, music, poetry, comedy, crocheting, and more. Meant to encourage a collaborative dialogue with readers, several essays conclude with prompts, exercises, and activities, inviting readers to participate in creative philosophical making alongside their own practices.

Placing pressure on what it means to “do” feminist philosophy, Feminist Making, Doing, and Sensing offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking. Seeking to decenter disciplinary norms about content, authority, and belonging, this collection disrupts the status quo of feminist philosophy through its insistence on formal experimentation and creative methods as well as its refusal to take philosophy and its disciplinary attachments at face value. The essays argue for ways of thinking, making, and doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial, often looking to experimental and art-based practices such as film, music, poetry, comedy, crocheting, and more. Meant to encourage a collaborative dialogue with readers, several essays conclude with prompts, exercises, and activities, inviting readers to participate in creative philosophical making alongside their own practices.

Placing pressure on what it means to "e;do"e; feminist philosophy, Feminist Making, Doing, and Sensing offers an innovative and critical rethinking of feminist philosophical practice and feminist philosophy as a disciplinary field of thought. The collection raises questions about how disciplines are made, how philosophy gets done, and the collaborative nature of thinking. Seeking to decenter disciplinary norms about content, authority, and belonging, this collection disrupts the status quo of feminist philosophy through its insistence on formal experimentation and creative methods as well as its refusal to take philosophy and its disciplinary attachments at face value. The essays argue for ways of thinking, making, and doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial, often looking to experimental and art-based practices such as film, music, poetry, comedy, crocheting, and more. Meant to encourage a collaborative dialogue with readers, several essays conclude with prompts, exercises, and activities, inviting readers to participate in creative philosophical making alongside their own practices.

Dissonant Methods is an innovative collection that probes how, by approaching teaching creatively, postsecondary instructors can resist the constrictions of neoliberalism. Based on the foundations of Scholarship of Teaching and Learning, whereby educators are asked to explore teaching as scholarship, these essays offer concrete and practical meditations on resistant and sustainable teaching. The contributors seek to undermine forms of oppression frequently found in higher education, and instead advance a vision of the university that upholds ideals such as critical thinking, creativity, and inclusivity. Essential reading for faculty and graduate students in the humanities, Dissonant Methods offers urgent, galvanizing ideas for anyone currently teaching in a college or university. Contributors: Kathy Cawsey, Kit Dobson, Ada S. Jaarsma, Rachel Jones, Kyle Kinaschuk, Namrata Mitra, Guy Obrecht, Katja K. Pettinen, Kaitlin Rothberger, Ely Shipley, Martin Shuster

This book brings Søren Kierkegaard’s nineteenth-century existentialist project into our contemporary age, applying his understanding of “freedom” and “despair” to science and science studies, queer, decolonial and critical race theory, and disability studies. The book draws out the materialist dimensions of belief, examining the existential dynamics of phenomena like placebos, epigenetics, pedagogy, and scientific inquiry itself. Each chapter dramatizes the ways in which abstractions like “race” or “genes” and even “belief” are sites of contested practices with pressing political significance. Focusing on the existential dangers posed by neo-liberal and finance capitalist systems, the book brings to life the resources for resistance found within science studies and critical approaches to race, secularity, and disability. Throughout the book, Kierkegaard becomes an ally with ecological and developmental evolutionary theorists, as well as with science studies, critical race, andcrip theorists who foreground the relational and impassioned nature of existence.