Adalgisa Giorgio – författare

Motherhood remains a complex and contested issue in feminist research as well as public discussion. This interdisciplinary volume explores cultural representations of motherhood in various contemporary European contexts, including France, Italy, Germany, Portugal, Spain, and the UK, and it considers how such representations affect the ways in which different individuals and groups negotiate motherhood as both institution and lived experience. It has a particular focus on literature, but it also includes essays that examine representations of motherhood in philosophy, art, social policy, and film. The book’s driving contention is that, through intersecting with other fields and disciplines, literature and the study of literature have an important role to play in nuancing dialogues around motherhood, by offering challenging insights and imaginative responses to complex problems and experiences. This is demonstrated throughout the volume, which covers a range of topics including: discursive and visual depictions of pregnancy and birth; the impact of new reproductive technologies on changing family configurations; the relationship between mothering and citizenship; the shaping of policy imperatives regarding mothering and disability; and the difficult realities of miscarriage, child death, violence, and infanticide. The collection expands and complicates hegemonic notions of motherhood, as the authors map and analyse shifting conceptions of maternal subjectivity and embodiment, explore some of the constraining and/or enabling contexts in which mothering takes place, and ask searching questions about what it means to be a ‘mother’ in Europe today. It will be of interest not only to those working in gender, women’s and feminist studies, but also to scholars in literary and cultural studies, and those researching in sociology, criminology, politics, psychology, medical ethics, midwifery, and related fields.

Motherhood remains a complex and contested issue in feminist research as well as public discussion. This interdisciplinary volume explores cultural representations of motherhood in various contemporary European contexts, including France, Italy, Germany, Portugal, Spain, and the UK, and it considers how such representations affect the ways in which different individuals and groups negotiate motherhood as both institution and lived experience. It has a particular focus on literature, but it also includes essays that examine representations of motherhood in philosophy, art, social policy, and film. The book’s driving contention is that, through intersecting with other fields and disciplines, literature and the study of literature have an important role to play in nuancing dialogues around motherhood, by offering challenging insights and imaginative responses to complex problems and experiences. This is demonstrated throughout the volume, which covers a range of topics including: discursive and visual depictions of pregnancy and birth; the impact of new reproductive technologies on changing family configurations; the relationship between mothering and citizenship; the shaping of policy imperatives regarding mothering and disability; and the difficult realities of miscarriage, child death, violence, and infanticide. The collection expands and complicates hegemonic notions of motherhood, as the authors map and analyse shifting conceptions of maternal subjectivity and embodiment, explore some of the constraining and/or enabling contexts in which mothering takes place, and ask searching questions about what it means to be a ‘mother’ in Europe today. It will be of interest not only to those working in gender, women’s and feminist studies, but also to scholars in literary and cultural studies, and those researching in sociology, criminology, politics, psychology, medical ethics, midwifery, and related fields.

The psychoanalytic discovery of the importance of the pre-oedipal mother-daughter bond in the 1970s generated a vast amount of feminist theory attempting to identify the specificity of, and give value to, the daughter's relationship to her mother. At the same time women writers engaged in the complex task of representing this highly conflictual relationship which had been largely absent in women's narrative until then. Although much criticism has been written on individual texts, no systematic study of the development of this theme in Western European fiction exists.This book offers the first comparative assessment of the subject-matter in England, France, Germany and Austria, Ireland, Italy, and Spain in the second half of last century. The six main chapters explore the interplay between narrative strategies, psychic structures, and socio-political and cultural processes in the textual representation of the relationship in each country, thus providing original interpretations both of classic texts by established writers and of more recent narratives by new or emerging authors. Among the writers featured are Steedman, Diski, Winterson, Tennant, de Beauvoir, Leduc, Djura, Wolf, Jelinek, Mitgutsch, Novak, Lavin, O'Brien, O'Faoláin, Morante, Sanvitale, Ramondino, Chacel, Rodoreda, Martín Gaite.

The psychoanalytic discovery of the importance of the pre-oedipal mother-daughter bond in the 1970s generated a vast amount of feminist theory attempting to identify the specificity of, and give value to, the daughter's relationship to her mother. At the same time women writers engaged in the complex task of representing this highly conflictual relationship which had been largely absent in women's narrative until then. Although much criticism has been written on individual texts, no systematic study of the development of this theme in Western European fiction exists.This book offers the first comparative assessment of the subject-matter in England, France, Germany and Austria, Ireland, Italy, and Spain in the second half of last century. The six main chapters explore the interplay between narrative strategies, psychic structures, and socio-political and cultural processes in the textual representation of the relationship in each country, thus providing original interpretations both of classic texts by established writers and of more recent narratives by new or emerging authors. Among the writers featured are Steedman, Diski, Winterson, Tennant, de Beauvoir, Leduc, Djura, Wolf, Jelinek, Mitgutsch, Novak, Lavin, O'Brien, O'Faoláin, Morante, Sanvitale, Ramondino, Chacel, Rodoreda, Martín Gaite.