Adam Frank – författare

A compelling argument for including the human perspective within science, and for how human experience makes science possible. 'This is by far the best book I've read this year.' Michael Pollan, Professor of the Practice of Non-fiction, Harvard University; #1 New York Times bestselling author. It s tempting to think that science gives us a God s-eye view of reality. But we neglect the place of human experience at our peril. In The Blind Spot, astrophysicist Adam Frank, theoretical physicist Marcelo Gleiser, and philosopher Evan Thompson call for a revolutionary scientific worldview, where science includes rather than ignores or tries not to see humanity s lived experience as an inescapable part of our search for objective truth. The authors present science not as discovering an absolute reality but rather as a highly refined, constantly evolving form of human experience. They urge practitioners to reframe how science works for the sake of our future in the face of the planetary climate crisis and increasing science denialism. Since the dawn of the Enlightenment, humanity has looked to science to tell us who we are, where we come from, and where we re going, but we ve gotten stuck thinking we can know the universe from outside our position in it. When we try to understand reality only through external physical things imagined from this outside position, we lose sight of the necessity of experience. This is the Blind Spot, which the authors show lies behind our scientific conundrums about time and the origin of the universe, quantum physics, life, AI and the mind, consciousness, and Earth as a planetary system. The authors propose an alternative vision: scientific knowledge is a self-correcting narrative made from the world and our experience of it evolving together. To finally 'see' the Blind Spot is to awaken from a delusion of absolute knowledge and to see how reality and experience intertwine. The Blind Spot goes where no science book goes, urging us to create a new scientific culture that views ourselves both as an expression of nature and as a source of nature s self-understanding, so that humanity can flourish in the new millennium.

Light of the Stars tells a radically new story about what we are: one world in a universe awash in planets. Building on his widely discussed scientific papers and The New York Times op-eds, astrophysicist Adam Frank shows that not only is it likely that alien civilisations have existed many times before but that many of them have driven their own worlds into dangerous eras of change. He explains how dust storms on Mars, the greenhouse effect on Venus, Gaia Theory, the threat of nuclear winter, and efforts to prove or disprove the plurality of worlds from Aristotle to Copernicus to Carl Sagan have contributed to our understanding of our place in the universe and the growing challenge of climate change. And he explores what may be the largest question of all: if there has been life on other worlds, what its presence can tell us about our own fate.

Light of the Stars tells a radically new story about what we are: one world in a universe awash in planets. Building on his widely discussed scientific papers and The New York Times op-eds, astrophysicist Adam Frank shows that not only is it likely that alien civilisations have existed many times before but that many of them have driven their own worlds into dangerous eras of change. He explains how dust storms on Mars, the greenhouse effect on Venus, Gaia Theory, the threat of nuclear winter, and efforts to prove or disprove the plurality of worlds from Aristotle to Copernicus to Carl Sagan have contributed to our understanding of our place in the universe and the growing challenge of climate change. And he explores what may be the largest question of all: if there has been life on other worlds, what its presence can tell us about our own fate.

Eloquent, urgent, and inspiring, "The Constant Fire" tackles the acrimonious debate between science and religion, taking us beyond its stagnant parameters into the wider domain of human spiritual experience. From a Neolithic archaeological site in Ireland to modern theories of star formation, Adam Frank traverses a wide terrain, broadening our sights and allowing us to imagine an alternative perspective. Drawing from his experience as a practicing astrophysicist and from the writings of the great scholars of religion, philosophy, and mythology, Frank locates the connective tissue linking science and religion - their commonality as sacred pursuits - and finds their shared aspiration in pursuit of 'the True and the Real'. Taking us from the burning of Giordano Bruno in 1600 to Einstein and on to today's pressing issues of global warming and resource depletion, "The Constant Fire" shows us how to move beyond this stale debate into a more profound experience of the world as sacred - a world that embraces science without renouncing human spirituality.

The question of affect is central to critical theory, psychology, politics, and the entire range of the humanities; but no discipline, including psychoanalysis, has offered a theory of affect that would be rich enough to account for the delicacy and power, the evanescence and durability, the bodily rootedness and the cultural variability of human emotion.Silvan Tomkins (1911–1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness, a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now-in the context of postmodernism-beginning to be understood. With Shame and Its Sisters, editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins’s work. Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins’s most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins’s work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins’s longtime friend and collaborator.

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book's historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction.

The Second Edition of Adam Frank’s groundbreaking book supports the mission of helping students become scientifically educated citizens. He shows students that the process of science is a human endeavor by introducing them, via interviews, to scientists from across the field. New Anatomy of a Discovery features help students visualize the excitement of discovery while Interactive Simulations ask students to engage in the scientific method by making observations, manipulating variables, and answering questions.

From Stonehenge to beyond the Big Bang, an exhilarating scientific exploration of how we make time Time is the grandest conception of the universe that we humans have been able to imagine – and its most intimate, the very frame of human life. In About Time, astrophysicist and award-winning writer Adam Frank tells the scientific story of this wonderful and tyrannical invention.A Palaeolithic farmer moved through the sun-fuelled day and star-steered night in a radically different way than the Elizabethan merchants who set their pace to the clocks newly installed in their town squares. Since then, science has swept time into increasingly minute and standardized units – the industrial efficiency of ironworks’ punch clocks; the space-age precision of atomic fountains and GPS satellites; the fifteen-minute increments of Outlook’s digital revolution. And in the past decade, string-theory branes, multiverses, and “clockless” physics have begun to overturn our ideas about how the universe began – the Big Bang – in ways that will completely rewrite time and our experience of it. Weaving cosmology with day-to-day chronicles and a down-to-earth style, About Time is both dazzling and riveting as it confronts what comes next.