Adolphe Belot – författare

Adolphe Belot was the envy of his contemporaries Émile Zola and Gustave Flaubert: his books, unlike theirs, were best-sellers. He specialized in popular fiction that provided readers with just the right mix of salaciousness and propriety. (Under the initials A. B. he dispensed entirely with propriety.)The sensational Mademoiselle Giraud, ma femme (published in 1870 with a preface by Zola) tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers. In the pitched battle between husband and wife, the sexes are evenly matched—until the end.Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men. This example of commercial fiction, Rivers argues, reveals tensions in nineteenth-century French society not apparent in canonical works of high culture.

Adolphe Belot was the envy of his contemporaries Émile Zola and Gustave Flaubert: his books, unlike theirs, were best-sellers. He specialized in popular fiction that provided readers with just the right mix of salaciousness and propriety. (Under the initials A. B. he dispensed entirely with propriety.)The sensational Mademoiselle Giraud, my Wife (published in 1870 with a preface by Zola) tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers. In the pitched battle between husband and wife, the sexes are evenly matched—until the end.Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men. This example of commercial fiction, Rivers argues, reveals tensions in nineteenth-century French society not apparent in canonical works of high culture.

Mademoiselle Giraud, My Wife (1870) is a novel by Adolphe Belot. Written at the height of his career as a popular playwright, the novel proved immensely popular and caused a stir with its depiction of homosexuality. Recognized today as an important work of French literature and in the history of sexuality, Mademoiselle Giraud, My Wife is a highly original, frequently funny, and ultimately tragic work of fiction from an underappreciated writer of nineteenth century France.

Having forged a life of success and financial security for himself as a businessman, Adrien returns to Paris to find a wife. Singularly obsessed with tying his fate to a respectable woman, he finds himself struggling to remain realistic in his standards. Just when he thinks he will remain a bachelor for the rest of his days, Adrien meets the beautiful Paule Giraud, a friend of the influential Countess Berthe de Blangy. After a brief courtship, he marries Giraud only to find himself rejected in the bedroom. As he succumbs to jealousy and suspicion, Adrien becomes abusive and petulant, eventually leaving his wife in Paris for the city of Nice. There, he meets the Count de Blangy, who reveals to the unsuspecting husband the secret of his wife’s sexual habits: for years, she has engaged in a lesbian affair with her friend Berthe. Enraged and dumbfounded, Adrien hatches a plan with the Count to separate their wives and punish them for their sexual deviancy. Tragic and scandalous, Mademoiselle Giraud, My Wife was a bestselling story of homosexuality told from the point of view of an author who clearly possessed his society’s reprehensibly oppressive views on sex and gender. Regardless, Belot’s novel remains an important landmark in the historical representation of homosexuality in literature.

This edition of Adolphe Belot’s Mademoiselle Giraud, My Wife is a classic work of French literature reimagined for modern readers.

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