Adrian Barlow – författare

A collection of anthologies, resource and reference books, including titles from Oscar Wilde, Mary Shelley, Alex Madina, Jo Phillips and Adrian Barlow.

A collection of anthologies, resource and reference books, including titles from Oscar Wilde, Mary Shelley, Alex Madina, Jo Phillips and Adrian Barlow.

Critical introductions to a range of literary topics and genres. This book explores the world in which Chaucer wrote; it offers opportunities for comparison between his work and that of his near contemporaries; and discusses stylistic variations to be found between Chaucer and other writers, and within Chaucer's own texts.

Critical introductions to a range of literary topics and genres. The Great War of 1914-18 continues to fascinate readers and writers. This book aims to explore the different ways in which this war has featured both as a genre and as a theme in British literature of the past century; it asks what actually is the literature of the Great War, and looks at different ways in which people have read this literature, reacted to it and used it.

Critical introductions to a range of literary topics and genres. Providing an invaluable resource for any teacher of English: it both presents a fascinating overview of teaching Literature today, and offers a valuable and practical guide to anyone teaching advanced courses in the subject. The book asks whether it is possible to combine the recent focus on the contextual study of literary texts with a continuing emphasis on close reading and discusses the key literary skills that universities expect students of literature to have developed. The book demonstrates surprising ways in which the study of context can give a new and sharper focus to the words on the page.

Critical introductions to a range of literary topics and genres. The modern short story has suffered critical neglect in Britain. This book is something of an attempt to redress the situation. It focuses on short stories written in English mainly in Britain and America and is in three sections: short stories in the 19th century; modernism and short stories; and contemporary and post-modern short stories.

Critical introductions to a range of literary topics and genres. The gothic influence on modern writers such as Angela Carter, Iain Banks and Stephen King is vivid and great as is the effect on the world of film and rock music. Part of the function of this book is to offer some guidance: not in terms of a fixed or definitive set of Gothic characteristics, but rather in giving a framework for questions and explorations.

Critical introductions to a range of literary topics and genres. The emotional power and intellectual challenge of metaphysical poetry are such that it still appeals to modern readers. This book looks at the many ways in which readers at different times have read metaphysical poetry, suggesting approaches for readers today.

Critical introductions to a range of literary topics and genres. Looking back on 20th century British drama from its' historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.

Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe''s name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe''s achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe''s stunning Sussex country house, Old Place, his ''Palace of Art''. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.

Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe''s name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe''s achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe''s stunning Sussex country house, Old Place, his ''Palace of Art''. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.

Espying Heaven presents the first full-scale and full-colour survey of the achievement of Charles Eamer Kempe (1837-1907), the outstanding stained-glass designer of his era, and his Studio. From the start, Kempe gathered around him a close-knit team of artists and craftsmen who together developed his vision of a distinctive aesthetic setting for worship based on late medieval art, especially the stained glass of northern Europe. Espying Heaven illustrates the evolution of the ''Kempe style'' and allows readers to judge for themselves the extent to which the later firm of C.E. Kempe & Co. (1907- 1934), set up by Kempe himself, succeeded in working within the tradition established by his founding artists. This book is meant to be a companion to Adrian Barlow''s biographical study, Kempe: the Life, Art and Legacy of Charles Eamer Kempe (2018). In its own right, Espying Heaven both documents and celebrates a style of church art and decoration that has had a defining influence upon the Anglican Church worldwide. It highlights key features of Kempe glass, exploring questions of representation, symbolism and technique and suggesting new ways of ''reading'' a Kempe window.

Espying Heaven presents the first full-scale and full-colour survey of the achievement of Charles Eamer Kempe (1837-1907), the outstanding stained-glass designer of his era, and his Studio. From the start, Kempe gathered around him a close-knit team of artists and craftsmen who together developed his vision of a distinctive aesthetic setting for worship based on late medieval art, especially the stained glass of northern Europe. Espying Heaven illustrates the evolution of the ''Kempe style'' and allows readers to judge for themselves the extent to which the later firm of C.E. Kempe & Co. (1907- 1934), set up by Kempe himself, succeeded in working within the tradition established by his founding artists. This book is meant to be a companion to Adrian Barlow''s biographical study, Kempe: the Life, Art and Legacy of Charles Eamer Kempe (2018). In its own right, Espying Heaven both documents and celebrates a style of church art and decoration that has had a defining influence upon the Anglican Church worldwide. It highlights key features of Kempe glass, exploring questions of representation, symbolism and technique and suggesting new ways of ''reading'' a Kempe window.

An impassioned defence of the enduring importance of lifelong learning, and the value of literary education for those expanding their horizons in adult life.More than a personal account of a career in education, but an argument for an idea, Extramural is an argument for the lifelong pursuit of knowledge and the invaluable part Cambridge Institute of Continuing Education has played in helping people pursue this. Barlow explains how the study of literature - as thoughts expressed in language - is central to education, and utilises his own vast knowledge of literature from Tom Paine and John Ruskin to Alan Bennett and E. M. Forster, to illustrate the depth that the study of literature can bring to continuing one's own development. A stimulating and engaging exploration of the world of adult literary education, Barlow offers the reader the chance to gain an insight into a world that depends on the support of those participating.

A biographical study of the Victorian church artist Charles Eamer Kempe and his considerable influence on church decoration worldwide.Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe's name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe's achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe's stunning Sussex country house, Old Place, his 'Palace of Art'. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.