Adrian Danks – författare

Offers an important insight into the formative moments of transnational film culture in AustraliaProvides vibrant textual studies of under-evaluated Australian international picturesDevelops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970sCorrects the perception that there was no significant feature film production in Australia after the 1930s and before the revivalOffers background and important precedents for the more recent practices of global co-productions and 'Hollywood Down-under'Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946 75.Case Studies:The Overlanders (1946) and Ealing Down UnderKangaroo (1952)On the Beach (1959)The Sundowners (1960)The Drifting Avenger (1968)Age of Consent (1969)Color Me Dead (1970)Ned Kelly (1970)Walkabout (1971)Wake in Fright (1971)The Man from Hong Kong (1975)

A Companion to Robert Altman presents myriad aspects of Altman’s life, career, influence and historical context. This book features 23 essays from a range of experts in the field, providing extensive coverage of these aspects and dimensions of Altman’s work. The most expansive and wide-ranging book yet published on Altman, providing a comprehensive account of Altman’s complete careerProvides discussion and analysis of generally neglected aspects of Altman’s career, including the significance of his work in television and industrial film, the importance of collaboration, and the full range and import of his aesthetic innovationsIncludes essays by key scholars in “Altman studies”, bringing together experts in the field, emerging scholars and writers from a broad range of fieldsMulti-disciplinary in design and draws on a range of approaches to Altman’s work, being the first substantial publication to make use of the recently launched Robert Altman Archive at the University of Michigan Offers specific insights into particular aspects of film style and their application, industrial and aesthetic film and TV history, and particular areas such as the theorisation of space, place, authorship and gender

Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946 75.

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood.