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9 produkter
9 produkter
E-bok
PDF, Engelska, 2022727 kr
Läs direkt efter köp
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world.
The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations.
The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
E-bok
Engelska, 2022727 kr
Läs direkt efter köp
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world.
The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations.
The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
Inbunden, Engelska, 2022
2 504 kr
Skickas inom 10-15 vardagar
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world. The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations. The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
Häftad, Engelska, 2024
646 kr
Skickas inom 10-15 vardagar
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world. The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations. The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
Del 15 - Value: Art: Politics
All-women art spaces in Europe in the long 1970s
Inbunden, Engelska, 2018
2 001 kr
Skickas inom 5-8 vardagar
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art projects, groups and associations, organised in the long 1970s in Europe (1968-1984). These all-women art initiatives are closely related to developments within the political and politicized women’s movement in Europe and America but what emerges is the varied and plural manner of their engagements with feminism(s) alongside their creation of ‘heterotopias’ in relation to specific sites/ politics/ collaborative art practices. This book presents examples from Italy, Spain, UK, Portugal, Austria, Poland, Denmark, Germany (East and West), The Netherlands, France and Sweden. While each chapter is largely devoted to one country, the authors point to how the local and specific political situation in which these initiatives emerged is linked to global tendencies as well as inter-European exchanges. Each chapter of this book thus assesses the impact of travelling views of feminism, by considering connections made between women artists (often when travelling abroad) or their knowledge of art practices from abroad. Distinct and highly varied attitudes towards political activism (from strong engagement to a clearly pronounced distance and even hostility) are shown in each essay and, what is more, they are shown as based on radically different premises about feminism, politics and art.Contributors: Fabienne Dumont, Annika Öhrner, Katy Deepwell, Elke Krasny, Nina Hoechtl, Julia Wieger, Monika Kaiser, Kathleen Wentrack, Katia Almerini, Márcia Oliveira, Agata Jakubowska, and Susanne Altmann.
Del 15 - Value: Art: Politics
All-women art spaces in Europe in the long 1970s
Häftad, Engelska, 2021
544 kr
Skickas inom 5-8 vardagar
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art projects, groups and associations, organised in the long 1970s in Europe (1968-1984). These all-women art initiatives are closely related to developments within the political and politicized women’s movement in Europe and America but what emerges is the varied and plural manner of their engagements with feminism(s) alongside their creation of ‘heterotopias’ in relation to specific sites/ politics/ collaborative art practices. This book presents examples from Italy, Spain, UK, Portugal, Austria, Poland, Denmark, Germany (East and West), The Netherlands, France and Sweden. While each chapter is largely devoted to one country, the authors point to how the local and specific political situation in which these initiatives emerged is linked to global tendencies as well as inter-European exchanges. Each chapter of this book thus assesses the impact of travelling views of feminism, by considering connections made between women artists (often when travelling abroad) or their knowledge of art practices from abroad. Distinct and highly varied attitudes towards political activism (from strong engagement to a clearly pronounced distance and even hostility) are shown in each essay and, what is more, they are shown as based on radically different premises about feminism, politics and art.Contributors: Fabienne Dumont, Annika Öhrner, Katy Deepwell, Elke Krasny, Nina Hoechtl, Julia Wieger, Monika Kaiser, Kathleen Wentrack, Katia Almerini, Márcia Oliveira, Agata Jakubowska, and Susanne Altmann.
Inbunden, Engelska, 2025
475 kr
Skickas inom 5-8 vardagar
Spectacular colour spaces Hungarian painter Ilona Keserü celebrated her 90th birthday in 2023. With a career spanning seven decades, she is one of the most important abstract artists of the postwar period, to whom this first comprehensive monograph is dedicated. Keserü's painting combines elements of Hungarian folk culture with motifs from European modernism. With an organic-abstract style in bold colors and forms, she set herself apart from the state-prescribed Socialist Realism in the 1950s, the time of the Hungarian Revolution. In the following decade, Keserü began to experiment with different materials and techniques. Motifs alluding to her female identity increasingly came to the fore—even before and independently of the emerging second-wave feminism. The bright colors of her sensual abstractions are always the result of scientific and artistic experimentation.
E-bok
PDF, Engelska, 2025484 kr
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This first-ever monograph celebrates the Hungarian artist''s remarkable seven-decade career, marking her 90th birthday in 2023. Known for her bold color palette and organic abstractions, Keserü masterfully blends Hungarian folk traditions with European modernist ideals.Explore the groundbreaking art of Ilona Keserü, one of Europe''s most influential post-war abstract artists- Vibrant and bold colors: A hallmark of Keserü''s work, reflecting her artistic and scientific experiments.- Early feminist themes: Her works from the 1960s emphasize female identity, preceding second-wave feminism.- Defying conformity: Her art stood as a bold statement against Soviet ideals, embracing creative freedom.Immerse yourself in Keserü''s luminous color spaces and discover her lasting impact on European abstraction. This beautifully illustrated book is a must-have for art lovers, collectors, and anyone passionate about abstract art and feminist pioneers.ILONA KESERÜ (*1933 in Pécs, Hungary) graduated from the Academy of Fine Art in Budapest in 1958 (the István Szőnyi fresco painting studio). Keserü initially worked as an illustrator. She started exhibiting her art in the mid-1960s and participated in the important exhibitions that formed the so-called Iparterv generation. In parallel, she began developing her career as a theatre designer. Since 1983, she taught at the University of Pécs and then became one of the founders of the Master School of Fine Arts in Pécs. Recently, her works have been included in exhibitions featuring the most important abstract artist such as "Women in Abstraction" at Center Pompidou, Paris, among others. She lives and works in Budapest.
Häftad, Engelska, 2020
307 kr
Skickas inom 5-8 vardagar
Zofia Kulik’s rich artistic career has a dual nature. Between 1970 and 1987, she worked alongside Przemysław Kwiek as a member of the duo KwieKulik, after which she began to develop a successful individual career. While KwieKulik’s work has been well established as central to the East European neo-avant-garde art lexicon of the 1970’s and ’80s, Kulik’s solo work has yet to be examined in depth. The first publication devoted solely to her work, this monograph analyzes the themes of her rich and complex oeuvre, addressing the (post)communist condition, artistic labor, intermediality, and the conditions of working as a female artist. The book forms a portrait of Kulik as an artist whose work is both deeply focused and rich in variations that reflect the socio-political shifts in her native Poland. With contributions from leading art historians, including Edit András, Angela Dimitrakaki, Ewa Lajer-Burcharth, Suzana Milevska, and Tomasz Załuski.