Agata Jakubowska is Associate Professor at the Institute of Art History, Warsaw University. Katy Deepwell is Founder and Editor of n.paradoxa: international feminist art journal and Professor of Contemporary Art, Theory and Criticism at Middlesex University, London.

Reviews'The volume is characterized by its wealth of information [...] It is a knowledgeable and multifaceted contribution to the history of the women-specific and feminist art movement of the 1970s in a comparative and global perspective, and continues into the following decades.' (Translated from German.) Edith Futscher, FrauenKunstWissenschaft

• Acknowledgements vii Introduction 1 Katy Deepwell and Agata Jakubowska 1 Women Artists’ Collectives in France: A Multiplicity of Positions in a Turbulent Context 19 Fabienne Dumont 2 Making Space for Feminism. All-Women Art Exhibitions in Sweden in the 1970s 47 Annika Öhrner 3 Feminist Collaborative Projects in the UK in the 1970s 71 Katy Deepwell 4 ‘For Us, Art is Work’: In♀Akt – International Action Community of Women Artists 96 Elke Krasny 5 The VBKÖ’s Archive as a Site of Political Confrontation, or How Can You Sing Out of Tune? 119 Nina Hoechtl and Julia Wieger 6 The International Exhibition Kvindeudstillingen XX på Charlottenborg in Copenhagen and the Idea of Feminist Art Space 144 Monika Kaiser 7 Heterotopian Spaces of Feminist Art Practice: The Schule für kreativen Feminismus and the Stichting Vrouwen in de Beeldende Kunst 167 Kathleen Wentrack 8 Women’s Art Spaces: Two Mediterranean Case Studies 189 Katia Almerini 9 Portuguese Women Artists at the National Society of Fine Arts: Why Was This Not a Feminist Exhibition? 209 Márcia Oliveira 10 No Groups but Friendship. All-Women Initiatives in Poland at the Turn of the 1980s 229 Agata Jakubowska 11 ‘And – I have not taken him’. The Erfurt Women Artists’ Group 248 Susanne Altmann Notes on Contributors 269 Index 273

Agata Jakubowska is Associate Professor at the Institute of Art History, Warsaw University. Katy Deepwell is Founder and Editor of n.paradoxa: international feminist art journal and Professor of Contemporary Art, Theory and Criticism at Middlesex University, London.

Reviews'The volume is characterized by its wealth of information [...] It is a knowledgeable and multifaceted contribution to the history of the women-specific and feminist art movement of the 1970s in a comparative and global perspective, and continues into the following decades.' (Translated from German.) Edith Futscher, FrauenKunstWissenschaft

• Acknowledgements vii Introduction 1 Katy Deepwell and Agata Jakubowska 1 Women Artists’ Collectives in France: A Multiplicity of Positions in a Turbulent Context 19 Fabienne Dumont 2 Making Space for Feminism. All-Women Art Exhibitions in Sweden in the 1970s 47 Annika Öhrner 3 Feminist Collaborative Projects in the UK in the 1970s 71 Katy Deepwell 4 ‘For Us, Art is Work’: In♀Akt – International Action Community of Women Artists 96 Elke Krasny 5 The VBKÖ’s Archive as a Site of Political Confrontation, or How Can You Sing Out of Tune? 119 Nina Hoechtl and Julia Wieger 6 The International Exhibition Kvindeudstillingen XX på Charlottenborg in Copenhagen and the Idea of Feminist Art Space 144 Monika Kaiser 7 Heterotopian Spaces of Feminist Art Practice: The Schule für kreativen Feminismus and the Stichting Vrouwen in de Beeldende Kunst 167 Kathleen Wentrack 8 Women’s Art Spaces: Two Mediterranean Case Studies 189 Katia Almerini 9 Portuguese Women Artists at the National Society of Fine Arts: Why Was This Not a Feminist Exhibition? 209 Márcia Oliveira 10 No Groups but Friendship. All-Women Initiatives in Poland at the Turn of the 1980s 229 Agata Jakubowska 11 ‘And – I have not taken him’. The Erfurt Women Artists’ Group 248 Susanne Altmann Notes on Contributors 269 Index 273

Agata Jakubowska is Associate Professor at the Institute of Art History, Warsaw University. Katy Deepwell is Founder and Editor of n.paradoxa: international feminist art journal and Professor of Contemporary Art, Theory and Criticism at Middlesex University, London.

Reviews'The volume is characterized by its wealth of information [...] It is a knowledgeable and multifaceted contribution to the history of the women-specific and feminist art movement of the 1970s in a comparative and global perspective, and continues into the following decades.' (Translated from German.) Edith Futscher, FrauenKunstWissenschaft

• Acknowledgements vii Introduction 1 Katy Deepwell and Agata Jakubowska 1 Women Artists’ Collectives in France: A Multiplicity of Positions in a Turbulent Context 19 Fabienne Dumont 2 Making Space for Feminism. All-Women Art Exhibitions in Sweden in the 1970s 47 Annika Öhrner 3 Feminist Collaborative Projects in the UK in the 1970s 71 Katy Deepwell 4 ‘For Us, Art is Work’: In♀Akt – International Action Community of Women Artists 96 Elke Krasny 5 The VBKÖ’s Archive as a Site of Political Confrontation, or How Can You Sing Out of Tune? 119 Nina Hoechtl and Julia Wieger 6 The International Exhibition Kvindeudstillingen XX på Charlottenborg in Copenhagen and the Idea of Feminist Art Space 144 Monika Kaiser 7 Heterotopian Spaces of Feminist Art Practice: The Schule für kreativen Feminismus and the Stichting Vrouwen in de Beeldende Kunst 167 Kathleen Wentrack 8 Women’s Art Spaces: Two Mediterranean Case Studies 189 Katia Almerini 9 Portuguese Women Artists at the National Society of Fine Arts: Why Was This Not a Feminist Exhibition? 209 Márcia Oliveira 10 No Groups but Friendship. All-Women Initiatives in Poland at the Turn of the 1980s 229 Agata Jakubowska 11 ‘And – I have not taken him’. The Erfurt Women Artists’ Group 248 Susanne Altmann Notes on Contributors 269 Index 273