Aileen Gonsalves – författare

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner’s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner’s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner’s note to his actors that 'text is your greatest enemy’, Shakespeare and Meisner are often considered ‘strange bedfellows’. The rhetorical complexity of Shakespeare’s text can often be perceived as rules an actor must learn in order to perform Shakespeare ‘properly’. Meisner’s main rule is that 'you can’t say ouch until you’ve been pinched’: in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner’s tools of ‘acting is reacting’ to discover the infinite freedom within the apparent constraints of Shakespeare’s text.

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner’s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner’s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner’s note to his actors that 'text is your greatest enemy’, Shakespeare and Meisner are often considered ‘strange bedfellows’. The rhetorical complexity of Shakespeare’s text can often be perceived as rules an actor must learn in order to perform Shakespeare ‘properly’. Meisner’s main rule is that 'you can’t say ouch until you’ve been pinched’: in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner’s tools of ‘acting is reacting’ to discover the infinite freedom within the apparent constraints of Shakespeare’s text.

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner''s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner''s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner''s work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner''s note to his actors that ''text is your greatest enemy'', Shakespeare and Meisner are often considered ''strange bedfellows''. The rhetorical complexity of Shakespeare''s text can often be perceived as rules an actor must learn in order to perform Shakespeare ''properly''. Meisner''s main rule is that ''you can''t say ouch until you''ve been pinched'': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner''s tools of ''acting is reacting'' to discover the infinite freedom within the apparent constraints of Shakespeare''s text.

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner''s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner''s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner''s work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner''s note to his actors that ''text is your greatest enemy'', Shakespeare and Meisner are often considered ''strange bedfellows''. The rhetorical complexity of Shakespeare''s text can often be perceived as rules an actor must learn in order to perform Shakespeare ''properly''. Meisner''s main rule is that ''you can''t say ouch until you''ve been pinched'': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner''s tools of ''acting is reacting'' to discover the infinite freedom within the apparent constraints of Shakespeare''s text.

The Gonsalves Method is an inspiring, comprehensive and replicable theatre process that builds skills, develops trust and opens hearts in any rehearsal room. It offers a systematic approach to acting and directing that builds on the techniques developed by Sanford Meisner and updates them for the pressures and contexts of the modern world. Five Conditions: As Ifs, Prep, Objectives, Stakes and Entitlement, offer a clear, relatable performance language and a simple step-by-step guide to practicable and powerful ways to breathe life into the words of any playwright. Five Rehearsal Stages work alongside the Five Conditions in offering a clear path to performance that showcases both ensemble practice and the uniqueness of each performer. Fun, accessible rehearsal exercises are detailed throughout, along with a wealth of practical tips for casting, line learning, auditions, self-tapes and direct address. For whatever stage in your career, this book offers actors, directors and theatre teachers insights and approaches to develop alive, responsive, authentic performances that meet Meisner’s instruction that actors should ‘live truthfully under a given set of circumstances’.