Alan Bennett – författare

THE INSTANT #1 SUNDAY TIMES BESTSELLER'Alan Bennett is our greatest living writer' Daily Mail'A legend of British letters' Financial Times'In an age of curated self-belief, his vulnerabilities feel refreshing, his reticence almost radical' The Times20 September. Have a notion for a radio series - Awkward Conversations.Enough Said is Alan Bennett's fourth collection of diaries and prose. Covering the turbulent years 2016 to 2024, the diaries take us through lockdown, Brexit, the reign of Johnson, the rise of Trump and the death of the Queen. In between, we take the train with him back and forth to Yorkshire, celebrate the herons, the newts and the street fairs, and lament the scarcity of curlews, the closure of the last local bank and the deteriorating welfare state. There is the premiere of Allelujah!, the revived Talking Heads, the publication of two Sunday Times bestsellers and the filming of The Choral.2024 is the year that Alan turns ninety; he reflects on old age and the importance of luck. He looks back to childhood and recalls an idyllic wartime month as an evacuee. A book for the bedside, this is poignant, funny, contemplative Alan Bennett, as he records life both personal and political in his most distinct of voices.

George III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.The Madness of George III premiered at the National Theatre, London, in November 1991.

A collection of four Alan Bennett plays, with an introduction by the author which describes the background to their writing and performance.

'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptation for the stage, a version which is both true to the original and yet carries that distinctive Bennett hallmark.Alan Bennett introduces this edition, writing about the history of the project and the staging of the production.'Bennett is even able to inject the odd sly joke for the adult without bewildering the tots... the result is a delightful evening, a treat for anyone.' The Times

This second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.

Adapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights.The Lady in the Van with Maggie Smith opened at the Queen's Theatre, London, in December 1999.

Alan Bennett's beloved, best-known play, with a beautiful typographic cover. The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - that you'd thought special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead.As an unruly bunch of bright, funny sixth-form boys pursue sex, sport and a place at university, adolescent anarchy and staffroom rivalry provoke insistent questions about history and education.The History Boys premiered at the National Theatre, London, 2004, winning Evening Standard, Critics' Circle, Olivier and South Bank Awards. On Broadway, it received numerous awards, including six Tonys.

Here, at last, is the astonishing sequel to Alan Bennett's classic Writing Home, updated for paperback.Untold Stories contains significant previously unpublished work, including a poignant memoir of his family and of growing up in Leeds, together with his much celebrated diary for the years 1996-2004, and numerous other exceptional essays, reviews and comic pieces. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with figures such as Maggie Smith, Thora Hird and John Gielgud.Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play.Untold Stories is published jointly with Profile Books.

Alan Bennett's A Life Like Other People's is a poignant family memoir offering a portrait of his parents' marriage and recalling his Leeds childhood, Christmases with Grandma Peel, and the lives, loves and deaths of his unforgettable aunties Kathleen and Myra. Bennett's powerful account of his mother's descent into depression and later dementia comes hand in hand with the uncovering of a long-held tragic secret. A heartrending and at times irresistibly funny work of autobiography by one of the best-loved English writers alive today.

Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn't otherwise have had, and in this respect versification and fornication are not so different. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. 'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'

A sale? Why not? Release all your wonderful treasures onto the open market and they are there for everyone to enjoy. It's a kind of emancipation, a setting them free to range the world... a sale room here, an exhibition there; art, Lady Stacpoole, is a rover.People spoil things; there are so many of them and the last thing one wants is them traipsing through one's house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

Already a bestseller, this is a wonderfully entertaining collection of Alan Bennett's prose writings. Writing Home brings together diaries, reminiscences and reviews to give us a unique and unforgettable portrait of one of England's leading playwrights. As a memoir it covers the production of his very first play, Forty Years On, which starred John Gieldgud, as well as many other important productions. His television series 'Talking Heads' has become a modern-day classic; as part of the 1960s revue 'Beyond the Fringe' Bennett helped to kick-start the English satire revolution, and has since remained one of our leading dramatists, most recently with The History Boys at the National Theatre. At the heart of the book is The Lady in The Van, since adapted into a radio play featuring Dame Maggie Smith. It is the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. This new edition also includes Bennett's introduction to his Oscar-nominated screenplay for The Madness of King George and his more recent diaries.

'We have, in the nick of time, a Play of the Year: Alan Bennett's The Lady in the Van is a wonderfully bittersweet comic diary of the years in which a lethally dotty and very smelly old bat parked her unroadworthy vehicle in Bennett's Camden garden, thereby providing him with a roughly equal amount of journalistic copy and guilty landlordly irritation.Sheridan Morley, Spectator

Writers like to elude their public, lead them a bit of a dance. They take them down untrodden paths, land them in unknown country where they have to ask for directions.In this personal anthology, Alan Bennett has chosen over seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail. Ranging from hidden treasures to famous poems, this is a collection for the beginner and the expert alike. Speaking with candour about his own reactions to the work, Alan Bennett creates profound and witty portraits of Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice and Philip Larkin, all the more enjoyable for being in his own particular voice.Anybody writing poetry in the thirties had somehow to come to terms with Auden. Auden, you see, had got a head start on the other poets. He'd got into the thirties first, like someone taking over the digs.

Adapted for the screen by the author from his celebrated memoir, Alan Bennett's The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who 'temporarily' parked her van in Bennett's London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film

Designed to meet the requirements for students at GCSE and A level, this accessible educational edition offers the complete text of The History Boys with a comprehensive study guide. Highlights of Andrew Bruff's guide include:- detailed analyses of character, theme and structure;- a clear introduction to the context of the play and its author;- key quotations and activities both for the student working alone and in the classroom.An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's award-winning and hugely popular play, staffroom rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it, about education and its purpose.

- What were you in life?- In life, as you put it, I was a schoolmaster. The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old people's choir, in readiness for next week's concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale. Alan Bennett's Allelujah! opened at the Bridge Theatre, London, in July 2018. With an introduction by Alan Bennett.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Thinking Betty was in the bath Graham was watching a late-night programme on Channel 4 called Footballers with Their Shirts Off when she unexpectedly came in on the trail of the hairdryer.'I didn't know you were interested in football,' said Betty.No one must ever find out that Graham is 'not the marrying sort'. Certainly not his wife, or his mother. As sex, blackmail and fanatical tidiness take over the West Yorkshire parish of Alwoodley, an unlikely caper unfolds.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Two brand-new monologues in the Talking Heads series, as seen on BBC1 and iPlayer 'Given the opportunity to revisit the characters from Talking Heads I've added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, they're in good company, and at least they've made it into print.' Alan Bennett's twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life. The two new Talking Heads were recorded for the BBC during the exceptional circumstances of coronavirus lockdown in the spring of 2020, directed by Nicholas Hytner and performed by Sarah Lancashire and Monica Dolan.The book contains a substantial preface by Nicholas Hytner and an introduction to each, by Alan Bennett.

*** Pre-order ENOUGH SAID, Alan Bennett's fourth collection of diaries and prose, now! Publishing March 2026 ***Killing Time is a wonderful surprise gift from Alan Bennett - a new story, set in a home for the elderly; a glorious, darkly comic treat. 'A mini-masterpiece.' THE TIMES'Full of wit and style.' OBSERVER'A terrific cast of characters, and secrets and chaos aplenty.' iNEWS'A geriatric Lord of the Flies.' SPECTATORWe have a choir and on special occasions a glass of dry sherry. It's less of a home and more of a club and very much a community.Hill Topp House is a superior council home for the elderly. Among the unforgettable residents are Mr Cresswell the ex-cruise ship hairdresser, Mr Peckover the deluded archaeologist, and the enterprising Mrs Foss. Covid is the cause of fatalities and the source of darkly comic confusion, but it's also the key to liberation. As staff are hospitalised, protocol breaks down and the surviving residents seize their moment, to scamper freely, arthritis allowing, in the warmth of the summer sun.'Violet? She'll be having a little lie-down,' said Mrs McBryde. 'She likes to give her pacemaker a rest. I'll rout her out.'THE SUNDAY TIMES BESTSELLER.Killing Time was a Sunday Times bestseller w/e 09/11/2024 to w/e 28/12/2024.

*** Pre-order ENOUGH SAID, Alan Bennett's fourth collection of diaries and prose, now! Publishing March 2026 ***Killing Time is a gift of a short story from Alan Bennett - a glorious, darkly comic treat. 'A mini-masterpiece.' THE TIMES'Full of wit and style.' OBSERVER'A terrific cast of characters, and secrets and chaos aplenty.' iNEWS'A geriatric Lord of the Flies.' SPECTATORWe have a choir and on special occasions a glass of dry sherry. It's less of a home and more of a club and very much a community.Hill Topp House is a superior council home for the elderly. Among the unforgettable residents are Mr Cresswell the ex-cruise ship hairdresser, Mr Peckover the deluded archaeologist, and the enterprising Mrs Foss. Covid is the cause of fatalities and the source of darkly comic confusion, but it's also the key to liberation. As staff are hospitalised, protocol breaks down and the surviving residents seize their moment, to scamper freely, arthritis allowing, in the warmth of the summer sun.'Violet? She'll be having a little lie-down,' said Mrs McBryde. 'She likes to give her pacemaker a rest. I'll rout her out.'THE SUNDAY TIMES BESTSELLER.Killing Time was a Sunday Times bestseller w/e 09/11/2024 to w/e 28/12/2024.

*** Pre-order ENOUGH SAID, Alan Bennett's fourth collection of diaries and prose, now! Publishing March 2026 ***You don't have to believe it. I always took the Matthew Passion with a pinch of salt.Ramsden, Yorkshire, 1916. The ambitious local Choral Society is depleted as men volunteer for the front and plans for their St Matthew Passion by German composer J. S. Bach are scuppered by patriotic fervour. Dr Guthrie, the mysterious, exacting new Chorus Master, finds a replacement in Elgar's Dream of Gerontius and swells the choir's numbers with teenage boys and girls. Together they discover the urgency of desire and the joy of singing as the new boys come to terms with their imminent conscription, and friendships and summer trysts are suffused with a melancholy sense of all that might soon be lost.This beautiful screenplay is published alongside the film's UK release (on 7 November 2025), and includes a preface by the author and an introduction from Nicholas Hytner.