Peter Cook – författare

For his many friends and fans, Peter Cook was quite simply the funniest man they'd ever encountered. And nearly eight years since his death, his status as one of Britain's greatest comedians shows no sign of shrinking. Despite his reputation for idleness, Peter Cook was a great comedy writer, who created countless outrageous sketches and articles and was famed for his prolific role in the satire boom of the 1960s. The very best, the most famous and some of the most unusual of his comic masterpieces are collected here. Some of these pieces have never been published before, others are out of print, a few only survive in print, and many have only ever been seen or heard - never read. This collection ranges from Cook's first writing, at school and university, via Beyond The Fringe, with Dudley Moore, Alan Bennett and Jonathan Miller, his dualogues with Moore as Pete & Dud and Derek & Clive, and their brilliant TV series, Not Only But Also, to transcripts of his late, great TV appearances, and a selection of his journalism for the Daily Mail, the Evening Standard and Private Eye.

Why Doesn't my Floppy Disk Flop? And Other Kids' Computer QuestionsAnswered by the Compududes. For the best answers, coolest Web sites, and excellentcyber-activities, pick up Why Doesn't My Floppy Disk Flop? Thislively, informative guide provides the answers to dozens ofquestions that you (and your parents!) really want to know.Combining their popular brand of humor with cartoon illustrations,sidebars, and tons of advice, the Compududes make all the learningseem like play. From the ins and outs of hardware and software tothe best ways to take advantage of the Internet to the excitingfuture of computing, the answers and explanations in Why Doesn't MyFloppy Disk Flop? are guaranteed to plug you in, log you on, andturn you into a computer whiz in no time!

Too often, history and knowledge of Indigenous-settler conflict over land take the form of confidential reports prepared for court challenges. To Share, Not Surrender offers an entirely new approach, opening scholarship to the public and augmenting it with First Nations community expertise. The authors take us back to when James Douglas and his family relocated to Fort Victoria on Vancouver Island in 1849, critically tracing the transition from treaty-making in the colony of Vancouver Island to reserve formation in the colony of British Columbia. Informed by the spirit of cel'aṉ'en – "our culture, the way of our people" – this multivocal work includes essays, translations/interpretations of the treaties into the SENĆOŦEN and Lekwungen languages, and contributions by participants of the Songhees, Huu-ay-aht, and WSANEC peoples.As an all-embracing exploration of the struggle over land, To Share, Not Surrender advances the urgent task of reconciliation in Canada.

Too often, history and knowledge of Indigenous-settler conflict over land take the form of confidential reports prepared for court challenges. To Share, Not Surrender offers an entirely new approach, opening scholarship to the public and augmenting it with First Nations community expertise. The authors take us back to when James Douglas and his family relocated to Fort Victoria on Vancouver Island in 1849, critically tracing the transition from treaty-making in the colony of Vancouver Island to reserve formation in the colony of British Columbia. Informed by the spirit of cel'aṉ'en – "our culture, the way of our people" – this multivocal work includes essays, translations/interpretations of the treaties into the SENĆOŦEN and Lekwungen languages, and contributions by participants of the Songhees, Huu-ay-aht, and WSANEC peoples.As an all-embracing exploration of the struggle over land, To Share, Not Surrender advances the urgent task of reconciliation in Canada.

Dr Cook has worked and published extensively in the field of child and family mental health. He is the author of Early Childcare: Infants and Nations at Risk. In Mothering Matters he has created something of great value, summarising much research, making it accessible to those who wish to know more, as he draws on over half a century of thinking and learning about human infants and their mothers and fathers. "At the beginning of this new millennium, Peter Cook presents much evidence that there is a natural, 'best fit' pattern of human mothering. He also asks his readers to consider some ways in which significant departures from this pattern can harm infants, women, and society, and contribute to emotional, behavioural, and health problems. An increase in conduct disorders and aggression in young people, and changes in societal behaviour, have been the shared experience of many professionals dealing with such problems. A mother has a relationship with her child which no one else can share. At birth the total growth of the child's body and brain has been the result of environment supplied by the mother.The rapid growth of the brain and body of the infant, and the acquisition of communication skills, are also largely the result of the intimate interactions of mother and child. Fathers play an increasingly significant part in the infant's life, with the expanding ability of the child to communicate and learn through new experiences, usually mediated through play with the father and other family members in a safe and supportive environment. "I urge everyone with a social conscience to heed Peter Cook's sage words about early childhood. Failure to do so can only result in further damage to the young and the fabric of our society." - Forrester Cockburn, Emeritus Professor of Child Health, University of Glasgow, Scotland

DrawingThe Motive Force of Architecture Focusing on the creative and inventive significance of drawing for architecture, this book by one of its greatest proponents, Peter Cook, is an established classic. It exudes Cook’s delight and his wide-ranging, catholic tastes for the architectural. Readers are provided with perceptive insights at every turn. The book features some of the greatest and most intriguing drawings by architects, ranging from Frank Lloyd Wright, William Heath Robinson, Le Corbusier and Otto Wagner to Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Arata Isozaki, Eric Owen Moss, Bernard Tschumi and Lebbeus Woods; as well as key works by Cook and other members of the original Archigram group. For this new edition, Cook provides a substantial new chapter that charts the speed at which the trajectory of drawing is moving. It reflects the increasing sophistication of available software and also the ways in which ‘hand drawing’ and the ‘digital’ are being eclipsed by new hybrids – injecting drawing with a fresh momentum. These ‘crossovers’ provide a whole new territory as attempts are made to release drawing from the boundaries of a solitary moment, a single-viewing position or a single referential language. Featuring the likes of Toyo Ito, Perry Kulper, Izaskun Chinchilla, Kenny Kinugasa-Tsui, Ali Rahim, John Berglund and Lorène Faure, it leads to fascinating insights into the effect that medium has upon intention and definition of an idea or a place. Is a pencil drawing more attuned to a certain architecture than an ink drawing, or is a particular colour evocative of a certain atmosphere? In a world where a Maya® drawing is creatively contributing something different from a Rhinoceros® drawing, there is much to demand of future techniques.

Organised into 9 parts that highlight a wide range of architectural motives, such as 'Architecture as Theatre', 'Stretching the Vocabulary' and ‘The City of Large and Small’, the workbook provides inspiring key themes for readers to take their cue from when initiating a design. Motives cover a wide-range of work that epitomise the theme. These include historical and Modernist examples, things observed in the street, work by current innovative architects and from Cook’s own rich archive, weaving together a rich and vibrant visual scrapbook of the everyday and the architectural, and past and present.

Brain Based Enterprises offers a unique synthesis of intelligent thought fused with pragmatic and pithy insights on the art and discipline of leading enterprises, where intelligence, ideas and innovation are the currencies of Sustainable Coopetive Advantage (SCA). From the first signs of intelligence through making axes and fire, we now have access to unprecedented powers of creation through the convergence of humanity and technology. Rapid and dramatic advances in our understanding of genomics, biotechnology, computing and robotics make it possible for us to create a better world or destroy what we have created. The author explores both sides of the Man-Machine dynamic so that you can choose wisely.Expressed clearly and concisely, this book is essential reading for busy people seeking to inform and illuminate themselves with a rich mixture of pragmatism, inspiration and wisdom. Featuring numerous micro case-ettes from enterprises ranging from biotechnology to banking and bots, Brain Based Enterprises grounds the ideas for people seeking to make the most of the Fourth Industrial Revolution.

All aboard the daring voyage across the dangerous Atlantic!You are one of 102 pilgrims setting off for America to start a life in the new world. Prepare for a long journey of hardship, sickness and wild weather that not everyone will survive. Spoiler alert: arriving on land doesn't mean the treacherous journey is over - you really wouldn't want to set sail on the Mayflower!The ever-popular 'You Wouldn't Want to Be' series transports readers to some of the grisliest times and places in history, perfect for reluctant readers! The humorous, first-person narrative approach places children directly in the shoes of some of history's most unfortunate people ever to have lived, great for engaging students with the history curriculum and encouraging further non-fiction reading.

Peter Cook has been a pivotal figure within the architecture world forover half a century. He first came to international renown in the 1960s as afounder of the radical, experimental group Archigram, winners of the 2002 RIBA RoyalGold Medal. He is also former Director of the Institute of Contemporary Arts(ICA), London, and Emeritus Professor and former Chair of the Bartlett Schoolof Architecture (University College London).Suffused with Peter’s infectious energy,enthusiasm and charm, this intriguing memoir explores major themes inarchitecture through the lens of his life and work. Taking the reader on ajourney through his colourful and wide-ranging career, it touches on his early yearsand architectural education, his relationships with key figures within thearchitecture community and his work teaching and lecturing internationally. Italso provides an inside account of his leadership of the Bartlett, for which heis frequently credited as a central figure in rescuing the reputation of aonce-ailing, now world-famous, school of architecture. Featuring full-colour images of his mostfamous drawings, including Archigram’s ‘Plug-in City’, and built works, such asthe Kunsthaus Graz in Austria and the Vienna Economics and Business University’sDepartment of Law and Central Administration Buildings, this book is a window into the life of one ofarchitecture’s most celebrated rebels.

Peter Cook’s drawings speculate about an architecture freed from conventions of style and construction. Spanning from his student days to the present, this book charts an extraordinary architectural adventure.

In the 1960s and ‘70s, Archigram speculated on the nature of architecture in ways that influenced a generation. In an era defined by the space race, the group’s exploration of movable structures and modular systems stretched far beyond known technologies or contemporary realities. Archigram magazine became the platform for exploring and sharing many of these themes. Launched in 1961, the magazine ran for 9 ½ issues until 1974, when Archigram disbanded. Now, after a 50-year pause for thought, Archigram is back.Edited by Peter Cook, with contributions from Archigram founding members Dennis Crompton, David Greene and Michael Webb, and with inputs from numerous contemporary designers, technologists and critics, Archigram Ten takes a wry backward glance and imagines a bold leap forward. It looks at where architecture is going currently and asks: why? Contributors include: Hitoshi Abe, Odile Decq, Elizabeth Diller, Thom Mayne, and Eric Owen Moss.

Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a ‘high-tech’, lightweight, infra-structural approach that stretched far beyond known technologies or contemporary realities. They devised autonomous dwellings and focused on survival technology; they experimented with megastructures and modular construction systems; they explored mobility through the environment, and the use of portable living capsules: all through the medium of an incredible series of drawings and models. Archigram’s influence has been profound and enduring. They gave the high-tech movement its impetus; they inspired architects such as Renzo Piano and Norman Foster; and they laid the ground for the design of buildings such as the Pompidou Centre. Edited and designed by Archigram member Dennis Crompton, this book catalogues Archigram’s activities over fourteen years, together with commentaries by the architects and critics writing then and now.

Since 1961, when Archigram emerged as a visionary force, Peter Cook’s drawings have projected radical possibilities for architecture; and through drawing he has pursued a fascination with what he calls ‘the puzzlement of the strange thing’ to create compelling forms. Peter Cook Drawings presents some 200 of his coloured and line drawings, ranging from student projects at the Architectural Association, through the speculations of the Archigram years, to dazzling new work completed shortly before going to press. With an introduction by Andrew Holmes, commentaries by Peter Cook himself, and a timeline of all the built and drawn work, the book charts the course of a seven-decades long adventure in architecture.

While for many architects, drawing is a functional tool in the development of specific building projects, visionary British architect Sir Peter Cook has used the medium throughout his long career to channel his boundless imagination. From those made in the 1960s at Archigram to the present day, Cook’s colourful, highly detailed images resonate beyond the architectural sphere, as seen in his major solo exhibition at the Louisiana Museum of Modern Art, Denmark in 2022. Cook’s work pushes the boundaries of architectural norms of design and construction, with the freedom to imagine buildings, communities and cities that are, as he succinctly puts it, ‘possible or maybe nearly possible, but importantly, not consciously impossible’.For this book, Cook has selected the 18 projects — 16 drawings, one building and his Serpentine Play Pavilion — that he considers most essential to understanding his creative process. These are accompanied by texts that set them within a historical, cultural andpersonal context. His unorthodox and varied 60-year career is explored further in a conversation with Serpentine’s Artistic Director, Hans Ulrich Obrist, that delves further into Cook’s personal history, belief systems and creative processes from childhood to the present day.

Architecture's most influential, innovative and beloved underground magazine, reissued for the first time in a handsome clamshell boxPublished with Designers & Books.Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking City," "Plug-In City" and "Instant City." It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought Archigram's famous fourth pop-up issue to the US in 1966. Today Archigram is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.Archigram's influence has proved enduring, perhaps most famously in its widely acknowledged impact on Richard Rogers' and Renzo Piano's Centre Pompidou. Its members also taught and influenced the likes of Bernard Tschumi and Zaha Hadid, and inspired a later generation of nineties and noughties modernists embracing the potential of technology such as Future Systems, Foreign Office Architects, Diller Scofidio + Renfro, Anthony Dunne and Fiona Raby.This authorized publication features exact facsimiles of all 10 issues (from number 1 in 1961 to the final issue 9½ in 1974). All the original surprises and idiosyncrasies are faithfully reproduced: flyers, pockets, a pop-up centerfold, posters, gatefolds and an electronic resistor. (Only the seeds in the seed packet attached to issue 9 are not included, as seeds cannot be shipped across borders.) Accompanying the facsimile issues is a fully illustrated reader's guide featuring essays by Peter Cook, David Grahame Shane and Reyner Banham; tributes from the architectural community including Tadao Ando, Kenneth Frampton, Norman Foster, Zamp Kelp, David Rockwell and Patrik Schumacher; an index of key concepts and contents; a scrapbook of previously unseen archival images; a bibliography of the partners' publications; and biographies. This project was conceived and originated by Designers & Books, which acted as consulting editor.The architect-collaborative group Archigram was established in London by Warren Chalk, Peter Cook, Dennis Crompton, Ron Herron, David Greene and Michael Webb. Working together until 1975, the group operated as an experimental think tank, producing a magazine, projects, models, exhibitions and proposals that represented a shift in how architectural practice is considered, prioritizing processes and responsive structures for living over the notion of architecture as a static, form-based commodity. Influenced by popular culture and responding to the proliferation of technological advances at the time, as well as recognizing the increasing social and political discontent, Archigram's production emphasized mobility and flexibility in ways that continue to have currency today.Contributors include: Tadao Ando, Shigeru Ban, Aric Chen, Beatriz Colomina, Mike Davies, Odile Decq, Neil Denari, Norman Foster, Kenneth Frampton, Nicholas Grimshaw, Ivan Harbour, Tom Heneghan, Steven Holl, Bjarke Ingels, Toyo Ito, Zamp Kelp, Reed Kroloff, Toshiko Mori, Laurids Ortner and Manfred Ortner, Juhani Pallasmaa, Mónica Ponce de León, David Rockwell, Moshe Safdie, Annabelle Selldorf, Patrik Schumacher, Alan Stanton, Bernard Tschumi.