Each Student Book and ActiveBook have has clearly laid out pages with a range of supportive features to aid learning and teaching:

Exam Board: Pearson BTECAcademic Level: BTEC NationalSubject: Information TechnologyFirst teaching: September 2016First Exams: Summer 2017

This Revision Workbook delivers hassle-free hands-on practice for the externally assessed units.

Please note: This title does not cover the externally assessed Units 11 or 14, which are required for the Diploma and Extended Diploma

Updates to this title

If you purchased this title before 3rd April 2017, you will have an older edition. In light of updates to the qualification, there may be changes required to this older edition, which will be outlined at www.pearsonfe.co.uk/BTECchanges.

An updated edition of this title will release in time for the new academic year in September 2017. This new edition will reflect updates to the qualification that have been made.

If you have the older edition and would like a copy of the new edition, please contact our customer services team, with proof of purchase, on 0845 313 6666 or email customersolutions@pearson.com

This is an unusual memorial to an unusual man. Douglas Duncan was a Torontonian who, by his patronage of the arts, has had an almost incalculable influence on their development in Canada. A bibliophile all his life, he began by espousing bookbinding as his chosen profession and after studying in Paris he returned to Toronto to set up as a bookbinder  in 1928. But this was only one part of his life, and while in Paris his interest in music and painting had grown and matured. In 1936 the Picture Loan Society was founded and Duncan, at first one of the Committee, soon became solely responsible for it. It is in this capacity that his influence was greatest: literally hundreds of Canadian artists owe to him, in some measure, a debt of gratitude for sound advice, encouragement, and help generously given.

Ten informal essays have been contributed by people who knew Duncan well at different times and at various stages in his career. Because each contributor concentrates on the Douglas Duncan he knew the result is a personal, vivid and immediate portrait of a very attractive man. The book also includes reproductions of paintings by some of the artists whose work Duncan encouraged and collected, and examples of his work as a bookbinder and a photographer.

Each Student Book and ActiveBook have has clearly laid out pages with a range of supportive features to aid learning and teaching:

Exam Board: Pearson BTECAcademic Level: BTEC NationalSubject: Information TechnologyFirst teaching: September 2016First Exams: Summer 2017

This Revision Workbook delivers hassle-free hands-on practice for the externally assessed units.

Please note: This title does not cover the externally assessed Units 11 or 14, which are required for the Diploma and Extended Diploma

Updates to this title

If you purchased this title before 3rd April 2017, you will have an older edition. In light of updates to the qualification, there may be changes required to this older edition, which will be outlined at www.pearsonfe.co.uk/BTECchanges.

An updated edition of this title will release in time for the new academic year in September 2017. This new edition will reflect updates to the qualification that have been made.

If you have the older edition and would like a copy of the new edition, please contact our customer services team, with proof of purchase, on 0845 313 6666 or email customersolutions@pearson.com

This is an unusual memorial to an unusual man. Douglas Duncan was a Torontonian who, by his patronage of the arts, has had an almost incalculable influence on their development in Canada. A bibliophile all his life, he began by espousing bookbinding as his chosen profession and after studying in Paris he returned to Toronto to set up as a bookbinder  in 1928. But this was only one part of his life, and while in Paris his interest in music and painting had grown and matured. In 1936 the Picture Loan Society was founded and Duncan, at first one of the Committee, soon became solely responsible for it. It is in this capacity that his influence was greatest: literally hundreds of Canadian artists owe to him, in some measure, a debt of gratitude for sound advice, encouragement, and help generously given.

Ten informal essays have been contributed by people who knew Duncan well at different times and at various stages in his career. Because each contributor concentrates on the Douglas Duncan he knew the result is a personal, vivid and immediate portrait of a very attractive man. The book also includes reproductions of paintings by some of the artists whose work Duncan encouraged and collected, and examples of his work as a bookbinder and a photographer.