Alan R. Velie – författare
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3 produkter
3 produkter
Häftad, Engelska, 1991
254 kr
Skickas inom 5-8 vardagar
Along with the traditional, primarily oral, literature of tales, songs, memoirs, and oratory, this revised anthology offers a large selection of poetry and fiction by American Indian women, including an excerpt from Louise Erdrich's Love Medicine and poetry by Paula Gunn Allen, Rayna Green, Joy Harjo, nila northSun, and others. There is also a rich array of works by contemporary Indian men from different regions, such as N. Scott Momaday, James Welch, Gerald Vizenor, and Maurice Kenny.
Häftad, Engelska, 1995
270 kr
Skickas inom 5-8 vardagar
Native American Perspectives on Literature and History is a volume of essays by Indian and white scholars on issues such as ethnic identity, Indians in American mythology, how Indians write about Indians, and Indian crime and punishment.James Ruppert explores the bicultural nature of Indian writers and discusses strategies they employ in addressing several audiences at once: their tribe, other Indians, and other Americans.Helen Jaskoski analyzes the genre of autoethnography, or Indian historical writing, in an Ottawa writer's account of a smallpox epidemic. Kimberly Blaeser, a Chippewa, writes about how Indian writers reappropriate their history and stories of their land and people. Robert Allen Warrior, an Osage, examines the ideas of the leading Indian philosopher in America, Vine Deloria, Jr., who calls for a return to traditional tribal religions. Robert Berner exposes the incomplete myths and false legends pervading Indian views of American history. Alan Velie discusses the issue of historical objectivity in two Indian historical novels, James Welch's Fools Crow and Gerald Vizenor's The Heirs of Columbus. Kurt M. Peters relates how Laguna Indians retained their culture and identity while living in the boxcars of the Santa Fe Railroad Indian Village at Richmond, California. Juana Maria Rodriguez examines power relations in Gerald Vizenor's narrative of a Dakota Indian accused of murder in 1967, ""Thomas White Hawk."" Finally, Gerald Vizenor, a Chippewa, discusses Indian conceptions of identity in contemporary America, including simulations he calls ""postindian identity."" Editor Alan Velie, with Gerald Vizenor, provides an introduction to this volume of essays by the country's leading Indian and white scholars of Indian literature and history. It will be essential reading for those seeking to understand Native American approaches to fiction and history.
Häftad, Engelska, 2013
368 kr
Skickas inom 10-15 vardagar
The outpouring of Native American literature that followed the publication of N. Scott Momaday's Pulitzer Prize-winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver's own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume's concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature's legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.