Alan Wright – författare

This book aims to provide an accessible introduction to the study of organised crime - about those who commit it, the effect it has on individuals, businesses and states, and the ways in which states and the international community have sought to contain it. It explores all facets of what has become one of the key problems facing governments, policy makers and law enforcement agencies in the early twenty-first century.

Organised Crime has four predominant themes: the nature and central concepts of organised crime the specific activities with which it is associated its origins and growth nationally, regionally and globally the efforts by the international community and law enforcement agencies to contain, regulate and control the risks that it poses. The book contains a number of detailed case studies illustrating the growth of organised crime at national, international and transnational levels, ranging from the mafia, criminal gangs in the UK through to the new wave of organised crime in Russia and the post-Soviet states.

It will be essential reading for both students and practitioners in the police and other law enforcement agencies who have a concern with organised crime worldwide.

This book aims to provide an accessible introduction to the study of organised crime - about those who commit it, the effect it has on individuals, businesses and states, and the ways in which states and the international community have sought to contain it. It explores all facets of what has become one of the key problems facing governments, policy makers and law enforcement agencies in the early twenty-first century.

Organised Crime has four predominant themes: the nature and central concepts of organised crime the specific activities with which it is associated its origins and growth nationally, regionally and globally the efforts by the international community and law enforcement agencies to contain, regulate and control the risks that it poses. The book contains a number of detailed case studies illustrating the growth of organised crime at national, international and transnational levels, ranging from the mafia, criminal gangs in the UK through to the new wave of organised crime in Russia and the post-Soviet states.

It will be essential reading for both students and practitioners in the police and other law enforcement agencies who have a concern with organised crime worldwide.

This book provides the most comprehensive and authoritative book yet published on the subject of criminal investigation, a rapidly developing area within the police and other law enforcement agencies, and an important sub discipline within police studies.

The subject is rarely out of the headlines, and there is widespread media interest in criminal investigation. Within the police rapid strides are being made in the direction of professionalizing the criminal investigation process, and it has been a particular focus as a means of improving police performance. A number of important reports have been published in the last few years, highlighting the importance of the criminal investigation process not only to the work of the police but to public confidence in this. Each of these reports has identified shortcomings in the way criminal investigations have been conducted, and has made recommendations for improvement .

The Handbook of Criminal Investigation provides a rigorous and critical approach to not only the process of criminal investigation, but also the context in which this takes place, the theory underlying it, and the variety of factors which influence approaches to it. It will be an indispensable source of reference for anybody with an interest in, and needing to know about, criminal investigation. Contributors to the book are drawn from both practitioners in the field and academics.

This book provides the most comprehensive and authoritative book yet published on the subject of criminal investigation, a rapidly developing area within the police and other law enforcement agencies, and an important sub discipline within police studies.

The subject is rarely out of the headlines, and there is widespread media interest in criminal investigation. Within the police rapid strides are being made in the direction of professionalizing the criminal investigation process, and it has been a particular focus as a means of improving police performance. A number of important reports have been published in the last few years, highlighting the importance of the criminal investigation process not only to the work of the police but to public confidence in this. Each of these reports has identified shortcomings in the way criminal investigations have been conducted, and has made recommendations for improvement .

The Handbook of Criminal Investigation provides a rigorous and critical approach to not only the process of criminal investigation, but also the context in which this takes place, the theory underlying it, and the variety of factors which influence approaches to it. It will be an indispensable source of reference for anybody with an interest in, and needing to know about, criminal investigation. Contributors to the book are drawn from both practitioners in the field and academics.

Film has always played a crucial role in the imagination of disaster. The earthquake, especially, transforms our understanding of the limits and possibilities of cinema, as well as of life itself. After major quakes in countries as dissimilar as Japan, Chile, Iran and New Zealand, filmmakers have responded with films that challenge ingrained social, political, ethical and philosophical categories of thinking and being in the world. Film on the Faultline explores the fractious relationship between cinema and seismic experience and addresses the important role that cinema can play in the wake of such events.

Film has always played a crucial role in the imagination of disaster. The earthquake, especially, transforms our understanding of the limits and possibilities of cinema, as well as of life itself. After major quakes in countries as dissimilar as Japan, Chile, Iran and New Zealand, filmmakers have responded with films that challenge ingrained social, political, ethical and philosophical categories of thinking and being in the world. Film on the Faultline explores the fractious relationship between cinema and seismic experience and addresses the important role that cinema can play in the wake of such events.