Alberto Moravia – författare

Secrecy and Silence are second nature to Marcello Clerici, the hero of The Conformist, a book which made Alberto Moravia one of the world's most read postwar writers. Clerici is a man with everything under control - a wife who loves him, colleagues who respect him, the hidden power that comes with his secret work for the Italian political police during the Mussolini years. But then he is assigned to kill his former professor, now in exile, to demonstrate his loyalty to the Fascist state, and falls in love with a strange, compelling woman.

The novels that the great Italian writer Alberto Moravia wrote in the years following the World War II represent an extraordinary survey of the range of human behavior in a fragmented modern society. Boredom, the story of a failed artist and pampered son of a rich family who becomes dangerously attached to a young model, examines the complex relations between money, sex, and imperiled masculinity. This powerful and disturbing study in the pathology of modern life is one of the masterworks of a writer whom as Anthony Burgess once remarked, was "always trying to get to the bottom of the human imbroglio."

Contempt is a brilliant and unsettling work by one of the revolutionary masters of modern European literature. All the qualities for which Alberto Moravia is justly famous—his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard's no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.

Thirteen-year-old Agostino is spending the summer at a Tuscan seaside resort with his beautiful widowed mother. When she takes up with a cocksure new companion, Agostino, feeling ignored and unloved, begins hanging around with a group of local young toughs. Though repelled by their squalor and brutality, and repeatedly humiliated for his weakness and ignorance when it comes to women and sex, the boy is increasingly, masochistically drawn to the gang and its rough games. He finds himself unable to make sense of his troubled feelings. Hoping to be full of manly calm, he is instead beset by guilty  curiosity and an urgent desire to sever, at any cost, the thread of troubled sensuality that binds him to his mother. Alberto Moravia’s classic, startling portrait of innocence lost was written in 1942 but rejected by Fascist censors and not published until 1944, when it became a best seller and secured the author the first literary prize of his career. Revived here in a new translation by Michael F. Moore, Agostino is poised to captivate a twenty-first-century audience.

In this modern classic from the renowned Italian author, an aspiring writer’s career and marriage threaten to come undone against the heady backdrop of 1930s Tuscany. To begin with I’d like to talk about my wife. To love means, in addition to many other things, to delight in gazing upon and observing the beloved.When Silvio, a rich Italian dilettante, and his beautiful wife agree to move to the country and forgo sex so that he will have the energy to write a successful novel, something is bound to go wrong: Silvio’s literary ambitions are far too big for his second-rate talent, and his wife Leda is a passionate woman. This dangerously combustible situation explodes when Leda accuses Antonio, the local barber who comes every morning to shave Silvio, of trying to molest her. Silvio obstinately refuses to dismiss him, and the quarrel and its shattering consequences put the couple’s love to the test.

Luca, 15 Jahre alt, fährt mit den Eltern nach den Sommerferien am Meer zurücknach Rom, die Schule beginnt, aber seine Welt ist alles andere als in Ordnung:Ein seltsamer Widerwille gegen alle Dinge beschleicht ihn, und er begibt sichin eine innerliche Opposition zu allem, was ihn umgibt: die wohlhabenden Eltern,deren Fürsorge er fortan zurückweist, der Unterricht, die Freunde – alleswird ihm langweilig, alle Bindungen sind ihm lästig und zuwider. Seinen Besitzverschenkt er an ihm vollkommen gleichgültige Personen, was ihn mit finstererFreude erfüllt.Zwei Frauen befreien Luca aus seiner Todessehnsucht: Die eine, das Kindermädchenseiner Cousinen, sorgt für sein erotisches Erwachen, die andere, eineKrankenschwester, die ihn nach langem Fieber gesundpflegt, wird seine ersteleidenschaftliche Liebe.Der Ungehorsam ist einer der schönsten Romane Alberto Moravias. Meisterhaftbeschreibt er in wenigen Sätzen das gutsituierte römische Milieu und dieaufgewühlte innere Welt des jungen Luca. Messerscharf beobachtet und mituntergründigem Witz erzählt – ein Buch zum Wiederlesen!

Der große Menschenkenner Moravia lässt die Frage im großen und ganzen offen, beantwortet sie aber im erotischen Detail.Der wegen seiner Freizügigkeit umstrittene und vom Klerus heftig bekämpfte Roman wurde mit Horst Buchholz verfilmt.

Die Geschichte eines Mannes, den eine Schuld zur größtmöglichen gesellschaftlichen Anpassung treibt und das Psychogramm des Mitläufers schlechthin.Marcello Clerici hat als Jugendlicher jemanden niedergeschossen, der versucht hatte, ihn zu verführen. Die Tat bleibt unentdeckt, doch Marcello wird von Schuldgefühlen gequält. Fortan ist sein ganzes Bestreben, zu zeigen, dass er wie alle anderen ist. Er wird zum willfährigen Beamten unter der neuen faschistischen Regierung. Die Ereignisse nehmen ihren unheilvollen Verlauf … Marcello wird zum Mittäter in einem verbrecherischen System.»Der Konformist« gilt in Italien als Moravias Meisterstück. Der Roman zeigt den berühmten Autor auf der Höhe seiner Kunst der seelischen Demaskierung: den Mörder im normalen Bürger. Das Buch wurde 1969 von Bernardo Bertolucci mit Stefania Sandrelli und Jean-Louis Trintignant verfilmt.

Alberto Moravias provozierender, weltberühmter Erstlingsroman über den erotischen Reigen einer Familie. Die psychologische Charakterstudie einer ganzen Epoche hat bis heute nichts von ihrer Aktualität eingebüßt.Eines von 12 bisher vergriffenen Meisterwerken aus der ZEIT Bibliothek der verschwundenen Bücher.

África es un continente que siempre ha atraído la atención de escritores e intelectuales. Alberto Moravia, uno de los autores italianos más destacados y prolíficos en el género de la literatura de viajes, lo visitó en numerosas ocasiones, casi siempre en compañía de Pier Paolo Pasolini, Dacia Maraini y Maria Callas, y plasmó sus vivencias en varios reportajes y artículos que constituyen una parte importante de la producción literaria del autor. Este libro reúne las crónicas —en su mayoría publicadas en la sección cultural del Corriere della Sera— de algunos de estos viajes «hechos por diversión, para evadirme y recoger un acervo de impresiones, la historia de una feliz y arrobada predisposición hacia África», como afirmó el mismo Moravia. Pero no se trata de una simple recopilación de artículos periodísticos: los textos aquí propuestos conforman una narración unitaria de una extraordinaria calidad literaria que se puede leer como un pequeño tratado antropológico y, a la vez, como una novela de aventuras con pasajes dramáticos, escenas melancólicas, momentos apasionados y anécdotas entrañables. El lector tiene entre las manos no solo un completo mapa de descripciones y observaciones sobre distintos lugares y culturas africanos, sino también un conjunto de afinadas reflexiones sociales, políticas y económicas cuya profundidad analítica sigue sorprendentemente vigente. Como el Stendhal de Paseos por Roma —un libro de referencia para Moravia— el autor de estas páginas mira al otro, a lo desconocido para verse reflejado en él y así conocerse mejor a sí mismo y poner en tela de juicio Europa y su cultura.

Alberto Morvavia was the famous and prolific Italian writer. It is not easy to count everything he wrote, but it is possible to point out his most prominent works, some of which were transmitted by cinema and most of which were translated into various languages ​​​​of the world, including Arabic of course, such as his novels, "Disobedience" and "Marital Love." And "A Woman from Rome," then especially "The Nonconformist," which Bertolucci transferred into a film bearing the same name, and it is considered one of the most beautiful things presented by Italian cinema, and "Two Women," which "De Sica" turned into his wonderful and distinguished film, and then "Contempt," which was Among the best films of Jean-Luc Godard, "Boredom" and others. There were also, "Roman Tales" and "Stories from Rome."We have chosen eighteen stories included in this book, which we present to fans of Italian literature in general, and the literature of Alberto Moravia in particular. The most prominent features of the Moravian style are evident in these stories, including tight control over the event, and focus on its brief and influential data and details in the course of the narrative.

The famous Italian novelist Alberto Moravia lived most of his life in the city of Rome, which was the scene of most of his stories. Thus, all of his stories are stories from Rome, so it was natural for them to appear in his books, starting with their title. Among the most famous of them is the novel "A Woman from Rome," which he published in 1947 after the end of World War II, in which he exposes the Italian middle class and shows its social and moral contradictions, including "Tales from Rome," which is a collection of short stories that he published in 1954. It consists of seven stories and anecdotes, each of which shows an aspect of the ancient city''s society. What distinguishes Moravian literature in general, and this collection of short stories in particular, is the great ability to narrate situations that reveal the sexual feelings and desires of its heroes, and the events that arise through satisfying those feelings and desires. In it, it avoids the character of superficial excitement, but it is distinguished by focusing on the psychological analysis of the type of relationship between the sexes or spouses.

In the novel "Contempt", Moravia depicts a social life that took place in Italy. It is based on a couple whose cultures differ, and how the feeling of contempt destroys the love between the spouses, as if it were a kind of acid that hits a metal and eventually causes it to corrode until nothing remains of it.The narration in the novel has a slow rhythm, as the narrator reveals the story incrementally and very slowly, consuming a large part of the novel in his analyzes and ideas that he imposes on the events, which makes the narration dominated by the abundance of ideas rather than the flow of events. Emily''s character also appears dull even though she is the heroine, and the novel It does not depend on suspense, but rather on presenting the hero, his visions, ideas, and personality, and imposing his opinions and judgments on the characters.

The works of the Italian writer Alberto Moravia Moravia were distinguished by realism and his ability to penetrate the depths of the human soul, and to depict moments of human weakness with sensitivity and sensitivity. He excelled at fabricating events that arise by satisfying feelings and desires, and most of his works dealt with moral transgression in Italy. Moravia is considered one of the most famous Italian writers of the twentieth century. He writes in Italian, most of his works have been translated into several languages, and many of his novels have been turned into cinematic films.This novel took place in Italy between a couple whose cultures differed, which led to the collapse of their love life. The narrative is characterized by a focus on the psychological analysis of the relationship between spouses, as it delves into the depths of its heroes, and narrates the events simply and capably.