Alessandra Aloisi – författare

In reconstructing the birth and development of the notion of ‘unconscious’, historians of ideas have heavily relied on the Freudian concept of Unbewussten, retroactively projecting the psychoanalytic unconscious over a constellation of diverse cultural experiences taking place in the eighteenth and nineteenth centuries between France and Germany. Archaeology of the Unconscious aims to challenge this perspective by adopting an unusual and thought-provoking viewpoint as the one offered by the Italian case from the 1770s to the immediate aftermath of WWI, when Italo Svevo’s La coscienza di Zeno provides Italy with the first example of a ‘psychoanalytic novel’. Italy’s vibrant culture of the long nineteenth century, characterised by the sedimentation, circulation, intersection, and synergy of different cultural, philosophical, and literary traditions, proves itself to be a privileged object of inquiry for an archaeological study of the unconscious; a study whose object is not the alleged ‘origin’ of a pre-made theoretical construct, but rather the stratifications by which that specific construct was assembled. In line with Michel Foucault’s Archéologie du savoir (1969), this volume will analyze the formation and the circulation, across different authors and texts, of a network of ideas and discourses on interconnected themes, including dreams, memory, recollection, desire, imagination, fantasy, madness, creativity, inspiration, magnetism, and somnambulism. Alongside questioning pre-given narratives of the ‘history of the unconscious’, this book will employ the Italian ‘difference’ as a powerful perspective from whence to address the undeveloped potentialities of the pre-Freudian unconscious, beyond uniquely psychoanalytical viewpoints.

In reconstructing the birth and development of the notion of ‘unconscious’, historians of ideas have heavily relied on the Freudian concept of Unbewussten, retroactively projecting the psychoanalytic unconscious over a constellation of diverse cultural experiences taking place in the eighteenth and nineteenth centuries between France and Germany. Archaeology of the Unconscious aims to challenge this perspective by adopting an unusual and thought-provoking viewpoint as the one offered by the Italian case from the 1770s to the immediate aftermath of WWI, when Italo Svevo’s La coscienza di Zeno provides Italy with the first example of a ‘psychoanalytic novel’. Italy’s vibrant culture of the long nineteenth century, characterised by the sedimentation, circulation, intersection, and synergy of different cultural, philosophical, and literary traditions, proves itself to be a privileged object of inquiry for an archaeological study of the unconscious; a study whose object is not the alleged ‘origin’ of a pre-made theoretical construct, but rather the stratifications by which that specific construct was assembled. In line with Michel Foucault’s Archéologie du savoir (1969), this volume will analyze the formation and the circulation, across different authors and texts, of a network of ideas and discourses on interconnected themes, including dreams, memory, recollection, desire, imagination, fantasy, madness, creativity, inspiration, magnetism, and somnambulism. Alongside questioning pre-given narratives of the ‘history of the unconscious’, this book will employ the Italian ‘difference’ as a powerful perspective from whence to address the undeveloped potentialities of the pre-Freudian unconscious, beyond uniquely psychoanalytical viewpoints.

Written when Maine de Biran was coming into his philosophical maturity, in 1807, 'Of Immediate Apperception' was the first complete statement of his own philosophy of the will. It was the winning entry to a competition organised by the Berlin Académie des Sciences et Belles-Lettres on the subject of self-awareness and of the possibility of an ‘immediate apperception’ of the self. It contains the core of Biran’s philosophy of effort, as it is developed in dialogue with the tradition of British empiricism in particular. Notably, it is in this work that Biran first reflects on the ‘lived body’ and it marks the moment in which he fully accomplishes his break away from Condillac and the Ideological school. With enlightening critical apparatus, including an editor's introduction, glossary, and bibliography, the publication of this edition shows how Biran's work is pivotal for the development of French philosophy, and makes clear his influence on the later writings of Ravaisson and Bergson.

Written when Maine de Biran was coming into his philosophical maturity, in 1807, 'Of Immediate Apperception' was the first complete statement of his own philosophy of the will. It was the winning entry to a competition organised by the Berlin Académie des Sciences et Belles-Lettres on the subject of self-awareness and of the possibility of an ‘immediate apperception’ of the self. It contains the core of Biran’s philosophy of effort, as it is developed in dialogue with the tradition of British empiricism in particular. Notably, it is in this work that Biran first reflects on the ‘lived body’ and it marks the moment in which he fully accomplishes his break away from Condillac and the Ideological school. With enlightening critical apparatus, including an editor's introduction, glossary, and bibliography, the publication of this edition shows how Biran's work is pivotal for the development of French philosophy, and makes clear his influence on the later writings of Ravaisson and Bergson.

From Pascal to contemporary anxieties about attention, we have constantly been urged to avoid distraction if we want to live and work better. But Alessandra Aloisi argues that we are missing the point.Drawing on a broad range ofEuropean philosophy and literature, this book considers distraction not as an expression of human imperfection, but as a creative, subversive, and aesthetic capability. In contrast to the traditional accounts, from Saint Augustine to Robert Burton, which either associated distraction with sin or considered it as a symptom of melancholy, Aloisi argues that it is often precisely when we stop thinking about something that inspiration finds us. Why else are artists described as having their heads in the clouds? This book demonstrates the serendipity of distraction through close readings of cultural and visual sources ranging from the mathematician Poincaré to the Netflix show, Black Mirror.With inspiration from La Bruyère, Rousseau, Leopardi, Stendhal, Baudelaire, and others, Aloisi further examines the political value of distraction. After all, in an age of ubiquitous technology and 24/7 availability fighting for our attention, distraction provides what Bergson called a ‘slight revolt’ from the codes and behaviors that society dictates.Combining philosophy, literature, art, and politics, The Power of Distraction encourages us to think differently about our attention and considers just how productive daydreams can be.