Alex Wilkie – författare

Is another future possible? So called ‘late modernity’ is marked by the escalating rise in and proliferation of uncertainties and unforeseen events brought about by the interplay between and patterning of social–natural, techno–scientific and political-economic developments. The future has indeed become problematic. The question of how heterogeneous actors engage futures, what intellectual and practical strategies they put into play and what the implications of such strategies are, have become key concerns of recent social and cultural research addressing a diverse range of fields of practice and experience. Exploring questions of speculation, possibilities and futures in contemporary societies, Speculative Research responds to the pressing need to not only critically account for the role of calculative logics and rationalities in managing societal futures, but to develop alternative approaches and sensibilities that take futures seriously as possibilities and that demand new habits and practices of attention, invention, and experimentation.

The first of a two volume set showcasing current research in model theory and its connections with number theory, algebraic geometry, real analytic geometry and differential algebra. Each volume contains a series of expository essays and research papers around the subject matter of a Newton Institute Semester on Model Theory and Applications to Algebra and Analysis. The articles convey outstanding new research on topics such as model theory and conjectures around Mordell-Lang; arithmetic of differential equations, and Galois theory of difference equations; model theory and complex analytic geometry; o-minimality; model theory and noncommutative geometry; definable groups of finite dimension; Hilbert's tenth problem; and Hrushovski constructions. With contributions from so many leaders in the field, this book will undoubtedly appeal to all mathematicians with an interest in model theory and its applications, from graduate students to senior researchers and from beginners to experts.

The second of a two volume set showcasing current research in model theory and its connections with number theory, algebraic geometry, real analytic geometry and differential algebra. Each volume contains a series of expository essays and research papers around the subject matter of a Newton Institute Semester on Model Theory and Applications to Algebra and Analysis. The articles convey outstanding new research on topics such as model theory and conjectures around Mordell-Lang; arithmetic of differential equations, and Galois theory of difference equations; model theory and complex analytic geometry; o-minimality; model theory and non-commutative geometry; definable groups of finite dimension; Hilbert's tenth problem; and Hrushovski constructions. With contributions from so many leaders in the field, this book will undoubtedly appeal to all mathematicians with an interest in model theory and its applications, from graduate students to senior researchers and from beginners to experts.

Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.

Is another future possible? So called ‘late modernity’ is marked by the escalating rise in and proliferation of uncertainties and unforeseen events brought about by the interplay between and patterning of social–natural, techno–scientific and political-economic developments. The future has indeed become problematic. The question of how heterogeneous actors engage futures, what intellectual and practical strategies they put into play and what the implications of such strategies are, have become key concerns of recent social and cultural research addressing a diverse range of fields of practice and experience. Exploring questions of speculation, possibilities and futures in contemporary societies, Speculative Research responds to the pressing need to not only critically account for the role of calculative logics and rationalities in managing societal futures, but to develop alternative approaches and sensibilities that take futures seriously as possibilities and that demand new habits and practices of attention, invention, and experimentation.

Consider the vast array of things around you, from the building you are in, the lights illuminating the interior, the computational devices mediating your life, the music in the background, even the crockery, furniture and glassware you are in the presence of. Common to all these objects is that their concrete, visual and technological forms were invariably conceived, modelled, finished and tested in sites characterised as studios. Remarkably, the studio remains a peculiar lacuna in our understanding of how cultural artefacts are brought into being and how ‘creativity’ operates as a located practice. Studio Studies is an agenda setting volume that presents a set of empirical case studies that explore and examine the studio as a key setting for aesthetic and material production. As such, Studio Studies responds to three contemporary concerns in social and cultural thought: first, how to account for the situated nature of creative and cultural production; second, the challenge of reimagining creativity as a socio-materially distributed practice rather than the cognitive privilege of the individual; and finally, to unravel the parallels, contrasts and interconnections between studios and other sites of cultural-aesthetic and technoscientific production, notably laboratories. By enquiring into the operations, topologies and displacements that shape and format studios, this volume aims to demarcate a novel and important object of analysis for empirical social and cultural research as well to develop new conceptual repertoires to unpack the multiple ways studio processes shape our everyday lives.

This volume presents an empirically rich and theoretically grounded exploration of the dynamic and emergent interplay between Design and Science and Technology Studies (STS).Tracing the interwoven histories of both fields, Alex Wilkie and Mike Michael explore their evolving interrelations. Whether as a substantive topic, a source of methodological innovation, or a novel model of engagement with users and publics, Design has come to influence how research is conducted in STS. Conversely, STS now informs ongoing developments in Design’s research practices, providing a rich source of concepts, an analytically inspiring resource, and a means to empirical complexification.Cutting across an array of conceptual, methodological and substantive registers, Enfolding Design and STS develops a new treatment of recent interdisciplinary engagements where knowledge production, interventionist methods and practices of making are brought together, re-thought and transformed at both theoretical and empirical levels. Along the way, the authors draw on a diverse set of case studies including examples of environmental, biomedical, computational and domestic processes, and a variety of theoretical framings such as post-Actor-Network Theory, assemblage theory, Whiteheadian process philosophy, and ontological aesthetics. Building on these discussions, this book offers a fresh topological perspective that, tentatively and heuristically, provides a conceptual vocabulary and a methodological toolkit for navigating the unfolding interdisciplinary mutualities of STS and Design

This volume presents an empirically rich and theoretically grounded exploration of the dynamic and emergent interplay between Design and Science and Technology Studies (STS).Tracing the interwoven histories of both fields, Alex Wilkie and Mike Michael explore their evolving interrelations. Whether as a substantive topic, a source of methodological innovation, or a novel model of engagement with users and publics, Design has come to influence how research is conducted in STS. Conversely, STS now informs ongoing developments in Design’s research practices, providing a rich source of concepts, an analytically inspiring resource, and a means to empirical complexification.Cutting across an array of conceptual, methodological and substantive registers, Enfolding Design and STS develops a new treatment of recent interdisciplinary engagements where knowledge production, interventionist methods and practices of making are brought together, re-thought and transformed at both theoretical and empirical levels. Along the way, the authors draw on a diverse set of case studies including examples of environmental, biomedical, computational and domestic processes, and a variety of theoretical framings such as post-Actor-Network Theory, assemblage theory, Whiteheadian process philosophy, and ontological aesthetics. Building on these discussions, this book offers a fresh topological perspective that, tentatively and heuristically, provides a conceptual vocabulary and a methodological toolkit for navigating the unfolding interdisciplinary mutualities of STS and Design

In a present marked by planetary crisis, a radical rethinking of aesthetics is necessary. This inspirational collection proposes a new way of thinking about aesthetics as fundamental to cultivating more liveable futures. Drawing on the philosophies of Alfred North Whitehead and Félix Guattari, the book develops aesthetics as central to all more-than-human forms of experience, including knowledge practices. Each contribution invites readers on an adventure to explore how this broader view of aesthetics can reshape areas including biomedicine, geological forensics, nuclear waste, race, as well as arts and education. This is an agenda-setting contribution to understanding the significance of aesthetics in science and technology studies, as well social and cultural research more broadly.