Alexandra Schwartz – författare

Das Buch gibt eine Einführung in einige zentrale Konzepte der (mathematischen) Spieltheorie und legt seinen Fokus dabei auf die Lösung von Nash- und verallgemeinerten Nash-Gleichgewichtsproblemen.

Timeless illustrations of Saya Woolfalk’s artistic innovation in Afrofuturism and world-building Saya Woolfalk: The Empathic Universe is the first full-scale monograph on this internationally renowned multidisciplinary artist. Woolfalk’s immersive installations are as visually stunning as they are intellectually engaging, winning ardent admirers worldwide. Lavishly illustrated, this volume surveys two decades of Woolfalk’s groundbreaking work including the artist’s garment-based sculptures, installations, videos, paintings and live performances.“The Empathics” are a fictional race of women whose story runs throughout Woolfalk’s artworks. Their name reflects the hope that future societies will develop stronger empathy for one another, and their visual culture has its own distinctive imagery, symbolism and folklore, incorporating aspects of African, African-American, Japanese, European and Brazilian art, craft and storytelling.

Come as You Are: Art of the 1990s is the first major museum survey to historicize art made in the United States during this pivotal decade. Showcasing approximately sixty-five works by forty-five artists, the book includes installations, paintings, sculptures, drawings, prints, video, sound, and digital art. Come as You Are offers an overview of art made in the United States between 1989 and 2001, a period bookended by two indelible events: the fall of the Berlin Wall and 9/11. The book is organized around three principal themes - the identity politics" debates, the digital revolution, and globalization; its title refers to the 1992 song by Nirvana and to the issues of identity that were complicated by effects of new technologies and global migration. All the artists in the exhibition made their initial entry into the art historical discourse during the 1990s, and they reflect the increasingly heterogeneous nature of the art world during this time, when many women artists and artists of color attained unprecedented prominence. Contributors include Huey Copeland, Jennifer Gonzalez, Suzanne Hudson, Joan Kee, Frances Jacobus-Parker, Kris Paulsen, Paulina Pobocha, and John Tain.Published in association with the Montclair Art Museum.