Alfred Kazin – författare

Kazin’s memorable description of his life as a young man as he makes the journey from Brooklyn to “americanca”-the larger world that begins at the other end of the subway in Manhattan. A classic portrayal of the Jewish immigrant culture of the 1930s. Drawings by Marvin Bileck.

'SONGS OF INNOCENCE' AND 'SONGS OF EXPERIENCE', COMPLETE SELECTION FROM THE 'PROPHETIC BOOKS' AND FROM OTHER WORKS OF POETRY AND PROSE. THE COMPLETE DRAWINGS OF "THE BOOK OF JOB" 'AN INSPIRED SELECTION' - THE NEW YORK TIMES. "BLAKE IS NOWHERE BETTER PRESENTED FOR THE GENERAL READER. THE INTRODUCTION IS .. PROBABLY THE BEST ESSAY YET COMPOSED ON THE SUBJECT " - SATURDAY REVIEW.

In this illuminating study of the “crucial century” (1830–1930), Alfred Kazin views the major figures in American writing, beginning in the 1830s when Ralph Waldo Emerson founded a national literature on the basis of a religious revolution, and ending on the eve of the 1930s with modernism—Eliot, Pound, Hemingway, Fitzgerald—and with the revelation of the “postponed power” of those who had been modern before their time—Henry Adams, Melville, Whitman, Dickinson.

For more than sixty years Alfred Kazin has been one of the most eloquent witnesses to the literary life of the mind in America. Writing Was Everything is a summation of that life, a story of coming of age as a writer and critic that is also a vibrant cultural drama teeming with such characters as Hart Crane and Allen Ginsberg, Simone Weil and Flannery O'Connor, Hannah Arendt and Robert Lowell, Edmund Wilson and George Orwell.A deft blend of autobiography, history, and criticism that moves from New York in the 1930s to wartime England to the postwar South, Writing Was Everything emerges as a reaffirmation of literature in an age of deconstruction and critical dogma. In his encounters with books, Kazin shows us how great writing matters and how it involves us morally, socially, and personally on the deepest level. Whether reflecting on modernism, southern fiction, or black, Jewish, and New Yorker writing or reliving the work of Richard Wright, Saul Bellow, and John Cheever, he gives a penetrating, moving account of literature observed and lived. In his life as a critic, Kazin personifies the lesson that living and writing are necessarily intimate.Writing Was Everything encapsulates the lively wit and authority of this timeless critic's unmistakable voice. It stands as clear testimony to Kazin's belief that "literature is not theory but, at best, the value we can give to our experience, which in our century has been and remains beyond the imagination of mankind."

Gathers lyric poems, satire, and essays about the German countryside and literature, by the nineteenth-century romantic poet.