Alhena Gadotti – författare

Enheduana: Princess, Priestess, Poetess offers the first comprehensive biography of Enheduana, daughter of Sargon of Agade and one of the most intriguing, yet elusive, women from antiquity.

Royal princess, priestess, and alleged author, Enheduana deserves as much attention as her martial relatives. A crucial contributor to her father’s military ambitions, Enheduana nonetheless wielded religious and economic power, as evidenced by primary and secondary sources. Even more interestingly, Enheduana remained alive in the cultural memory of those who came after her, so much so that works attributed to her were integrated into the scribal curriculum centuries after her death. This book aims to situate Enheduana in her own historical context, allowing readers to gain a better understanding of this enigmatic figure, her roles as princess, priestess, and poetess, and the tumultuous times in which she lived.

This book is suitable for students, scholars, and the general reader interested in the history of the ancient Near East, ancient literature, and women in the ancient world.

Enheduana: Princess, Priestess, Poetess offers the first comprehensive biography of Enheduana, daughter of Sargon of Agade and one of the most intriguing, yet elusive, women from antiquity.

Royal princess, priestess, and alleged author, Enheduana deserves as much attention as her martial relatives. A crucial contributor to her father’s military ambitions, Enheduana nonetheless wielded religious and economic power, as evidenced by primary and secondary sources. Even more interestingly, Enheduana remained alive in the cultural memory of those who came after her, so much so that works attributed to her were integrated into the scribal curriculum centuries after her death. This book aims to situate Enheduana in her own historical context, allowing readers to gain a better understanding of this enigmatic figure, her roles as princess, priestess, and poetess, and the tumultuous times in which she lived.

This book is suitable for students, scholars, and the general reader interested in the history of the ancient Near East, ancient literature, and women in the ancient world.

Alhena Gadotti offers a much needed new edition of the Sumerian composition Gilgamesh, Enkidu, and the Netherworld, last published by Aaron Shaffer in his 1963 doctoral dissertation. Since then, several new manuscripts have come to light, prompting not only a new edition of the text, but also a re-examination of the composition. In this book, Gadotti argues that Gilgamesh, Enkidu, and the Netherworld was the first, not the last of the Sumerian stories about Gilgamesh. She also suggests that a Sumerian Gilgamesh Cycle, currently only attested in old Babylonian manuscripts (ca. 18th century BCE), was in fact developed during the Ur III period (ca. 2100-2000 BCE). Providing a new way to look at the Sumerian Gilgamesh stories, this book is relevant not only to scholars of the ancient Near East, but also to anyone interested in epic and epic cycle.

Alhena Gadotti offers a much needed new edition of the Sumerian composition Gilgamesh, Enkidu, and the Netherworld, last published by Aaron Shaffer in his 1963 doctoral dissertation. Since then, several new manuscripts have come to light, prompting not only a new edition of the text, but also a re-examination of the composition. In this book, Gadotti argues that Gilgamesh, Enkidu, and the Netherworld was the first, not the last of the Sumerian stories about Gilgamesh. She also suggests that a Sumerian Gilgamesh Cycle, currently only attested in old Babylonian manuscripts (ca. 18th century BCE), was in fact developed during the Ur III period (ca. 2100-2000 BCE). Providing a new way to look at the Sumerian Gilgamesh stories, this book is relevant not only to scholars of the ancient Near East, but also to anyone interested in epic and epic cycle.