Alicia Turner – författare

Saving Buddhism explores the dissonance between the goals of the colonial state and the Buddhist worldview that animated Burmese Buddhism at the turn of the twentieth century. For many Burmese, the salient and ordering discourse was not nation or modernity but sasana, the life of the Buddha’s teachings. Burmese Buddhists interpreted the political and social changes between 1890 and 1920 as signs that the Buddha’s sasana was deteriorating. This fear of decline drove waves of activity and organizing to prevent the loss of the Buddha’s teachings. Burmese set out to save Buddhism, but achieved much more: they took advantage of the indeterminacy of the moment to challenge the colonial frameworks that were beginning to shape their world. Author Alicia Turner has examined thousands of rarely used sources - newspapers and Buddhist journals, donation lists, and colonial reports—to trace three discourses set in motion by the colonial encounter: the evolving understanding of sasana as an orienting framework for change, the adaptive modes of identity made possible in the moral community, and the ongoing definition of religion as a site of conflict and negotiation of autonomy. Beginning from an understanding that defining and redefining the boundaries of religion operated as a key technique of colonial power—shaping subjects through European categories and authorizing projects of colonial governmentality—she explores how Burmese Buddhists became actively engaged in defining and inflecting religion to shape their colonial situation and forward their own local projects.Saving Buddhism intervenes not just in scholarly conversations about religion and colonialism, but in theoretical work in religious studies on the categories of “religion” and “secular.” It contributes to ongoing studies of colonialism, nation, and identity in Southeast Asian studies by working to denaturalize nationalist histories. It also engages conversations on millennialism and the construction of identity in Buddhist studies by tracing the fluid nature of sasana as a discourse. The layers of Buddhist history that emerge challenge us to see multiple modes of identity in colonial modernity and offer insights into the instabilities of categories we too often take for granted.

The Irish Buddhist is the biography of an extraordinary Irish emigrant, sailor, and migrant worker who became a Buddhist monk and anti-colonial activist in early twentieth-century Asia. Born in Dublin in the 1850s, U Dhammaloka energetically challenged the values and power of the British Empire and scandalized the colonial establishment of the 1900s. He rallied Buddhists across Asia, set up schools, and argued down Christian missionaries--often using western atheist arguments. He was tried for sedition, tracked by police and intelligence services, and died at least twice. His story illuminates the forgotten margins and interstices of imperial power, the complexities of class, ethnicity and religious belonging in colonial Asia, and the fluidity of identity in the high Victorian period.Too often, the story of the pan-Asian Buddhist revival movement and Buddhism's remaking as a world religion has been told 'from above,' highlighting scholarly writers, middle-class reformers and ecclesiastical hierarchies. By turns fraught, hilarious, pioneering, and improbable, Dhammaloka's adventures 'from below' highlight the changing and contested meanings of Buddhism in colonial Asia. Through his story, authors Alicia Turner, Brian Bocking, and Laurence Cox offer a window into the worlds of ethnic minorities and diasporas, transnational networks, poor whites, and social movements. Dhammaloka's dramatic life rewrites the previously accepted story of how Buddhism became a modern global religion.

The Irish Buddhist is the biography of an extraordinary Irish emigrant, sailor, and migrant worker who became a Buddhist monk and anti-colonial activist in early twentieth-century Asia. Born in Dublin in the 1850s, U Dhammaloka energetically challenged the values and power of the British Empire and scandalized the colonial establishment of the 1900s. He rallied Buddhists across Asia, set up schools, and argued down Christian missionaries--often using western atheist arguments. He was tried for sedition, tracked by police and intelligence services, and died at least twice. His story illuminates the forgotten margins and interstices of imperial power, the complexities of class, ethnicity and religious belonging in colonial Asia, and the fluidity of identity in the high Victorian period.Too often, the story of the pan-Asian Buddhist revival movement and Buddhism''s remaking as a world religion has been told ''from above,'' highlighting scholarly writers, middle-class reformers and ecclesiastical hierarchies. By turns fraught, hilarious, pioneering, and improbable, Dhammaloka''s adventures ''from below'' highlight the changing and contested meanings of Buddhism in colonial Asia. Through his story, authors Alicia Turner, Brian Bocking, and Laurence Cox offer a window into the worlds of ethnic minorities and diasporas, transnational networks, poor whites, and social movements. Dhammaloka''s dramatic life rewrites the previously accepted story of how Buddhism became a modern global religion.

The Irish Buddhist is the biography of an extraordinary Irish emigrant, sailor, and migrant worker who became a Buddhist monk and anti-colonial activist in early twentieth-century Asia. Born in Dublin in the 1850s, U Dhammaloka energetically challenged the values and power of the British Empire and scandalized the colonial establishment of the 1900s. He rallied Buddhists across Asia, set up schools, and argued down Christian missionaries--often using western atheist arguments. He was tried for sedition, tracked by police and intelligence services, and died at least twice. His story illuminates the forgotten margins and interstices of imperial power, the complexities of class, ethnicity and religious belonging in colonial Asia, and the fluidity of identity in the high Victorian period.Too often, the story of the pan-Asian Buddhist revival movement and Buddhism''s remaking as a world religion has been told ''from above,'' highlighting scholarly writers, middle-class reformers and ecclesiastical hierarchies. By turns fraught, hilarious, pioneering, and improbable, Dhammaloka''s adventures ''from below'' highlight the changing and contested meanings of Buddhism in colonial Asia. Through his story, authors Alicia Turner, Brian Bocking, and Laurence Cox offer a window into the worlds of ethnic minorities and diasporas, transnational networks, poor whites, and social movements. Dhammaloka''s dramatic life rewrites the previously accepted story of how Buddhism became a modern global religion.