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Chapter 23 is published open access under a CC BY-NC-ND 4.0 license and is free to read or download from Oxford Academic.Archives have never been more complex, expansive, or ubiquitous. Gargantuan in scale and conception yet never sufficient or complete, the archive is on the one hand a space for empowerment and expression and on the other an instrument of constraint and repression. The way in which the archive is structured, made available, and developed plays a central role in how societies define their values and ethics. Archives: Power, Truth, and Fiction is a wide-ranging and innovative volume which highlights the vibrancy and urgency of the field by bringing together contributors from many different disciplines and backgrounds, including archivists, historians, literary scholars, digital researchers, and creative practitioners.The archive of the twenty-first century is a fluid and multi-vocal space that challenges at every point the hegemonic and positivistic assumptions which shaped traditional ideas of the archive. The massive growth of digital archives further complicates the picture. Archives: Power, Truth, and Fiction is designed to help the reader draw threads through the rapidly changing and shifting multiverse of archives. The interdisciplinary and international contributors use a wide range of examples, from the Middle Ages to the Windrush scandal, to unsettle preconceptions, encourage debate, and draw out issues generated by the perpetual motion of the archive.
Bess of Hardwick’s Letters
Language, Materiality, and Early Modern Epistolary Culture
Häftad, Engelska, 2019
732 kr
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Bess of Hardwick's Letters is the first book-length study of the c. 250 letters to and from the remarkable Elizabethan dynast, matriarch and builder of houses Bess of Hardwick (c. 1527–1608). By surveying the complete correspondence, author Alison Wiggins uncovers the wide range of uses to which Bess put letters: they were vital to her engagement in the overlapping realms of politics, patronage, business, legal negotiation, news-gathering and domestic life. Much more than a case study of Bess's letters, the discussions of language, handwriting and materiality found here have fundamental implications for the way we approach and read Renaissance letters. Wiggins offers readings which show how Renaissance letters communicated meaning through the interweaving linguistic, palaeographic and material forms, according to socio-historical context and function. The study goes beyond the letters themselves and incorporates a range of historical sources to situate circumstances of production and reception, which include Account Books, inventories, needlework and textile art and architecture. The study is therefore essential reading for scholars in historical linguistics, historical pragmatics, palaeography and manuscript studies, material culture, English literature and social history.
Bess of Hardwick’s Letters
Language, Materiality, and Early Modern Epistolary Culture
Inbunden, Engelska, 2016
2 376 kr
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Bess of Hardwick's Letters is the first book-length study of the c. 250 letters to and from the remarkable Elizabethan dynast, matriarch and builder of houses Bess of Hardwick (c. 1527–1608). By surveying the complete correspondence, author Alison Wiggins uncovers the wide range of uses to which Bess put letters: they were vital to her engagement in the overlapping realms of politics, patronage, business, legal negotiation, news-gathering and domestic life. Much more than a case study of Bess's letters, the discussions of language, handwriting and materiality found here have fundamental implications for the way we approach and read Renaissance letters. Wiggins offers readings which show how Renaissance letters communicated meaning through the interweaving linguistic, palaeographic and material forms, according to socio-historical context and function. The study goes beyond the letters themselves and incorporates a range of historical sources to situate circumstances of production and reception, which include Account Books, inventories, needlework and textile art and architecture. The study is therefore essential reading for scholars in historical linguistics, historical pragmatics, palaeography and manuscript studies, material culture, English literature and social history.
224 kr
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The poem, which survives only in the Auchinleck Manuscript, deals with the later years of Guy's life, beginning with his return to Warwick after having established himself on the Continent as a pre-eminent model of knighthood. After his marriage, however, he is stricken by remorse for the very actions that have brought him fame, and he sets out anonymously on a series of pilgrimages of atonement.
1 363 kr
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The first interdisciplinary enquiry into a key figure in medieval and early modern culture.Guy of Warwick is England's other Arthur. Elevated to the status of national hero, his legend occupied a central place in the nation's cultural heritage from the Middle Ages to the modern period. Guy of Warwick: Icon and Ancestor spans the Guy tradition from its beginnings in Anglo-Norman and Middle English romance right through to the plays and prints of the early modern period and Spenser's Faerie Queene, including the visual tradition in manuscript illustration and material culture as well as the intersection of the legend with local and national history. This volume addresses important questions regarding the continuities and remaking of romance material, and therelation between life and literature. Topics discussed are sensitive to current critical concerns and include translation, reception, magnate ambition, East-West relations, the construction of "Englishness" and national identity,and the literary value of "popular" romance. ALISON WIGGINS is Lecturer in English Language at the University of Glasgow; ROSALIND FIELD is Reader in Medieval Literature at Royal Holloway, University of London.Note on ebook images: Due to limited rights we are unable to make all images in this book available in the ebook version. If you'd like to purchase the ebook regardless, please email us on trading@boydell.co.uk to obtain a PDF of the images. We apologise for the inconvenience caused.CONTRIBUTORS: JUDITH WEISS, MARIANNE AILES, IVANA DJORDJEVIC, ROSALIND FIELD, ALISON WIGGINS, A.S.G. EDWARDS, ROBERT ALLEN ROUSE, DAVID GRIFFITH, MARTHA W. DRIVER, SIAN ECHARD, ANDREW KING, HELEN COOPER
313 kr
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From King Arthur and the Round Table to Alexander the Great’s global conquests, the stories of romance appear in some of the most beautiful books of the Middle Ages, and still resonate today. This book provides an engaging, scholarly and richly illustrated guide to medieval romance and its continuing influence on literature and art. Romance’s conjunctions of chivalric violence, love and piety, and its openness to the miraculous, monstrous or bizarre mark it out as the most fertile narrative form of the Western Middle Ages. This book examines the development of romance as a literary genre, its place in medieval culture, and the scribes and readers who copied, owned and commented on romance books – from magnificent illuminated manuscripts to personal notebooks and chance survivals. It also explores the complex anatomy of human desire in romance, as portrayed by writers including Dante, Chaucer and Thomas Malory. Medieval romance was hugely popular after the Middle Ages. Shakespeare, Spenser and Walter Scott imbibed its motifs, Mark Twain parodied them, and the Pre-Raphaelites based an aesthetic movement around them. The Romance of the Middle Ages traces the influence of the genre to the twentieth century and beyond, encompassing the stories of J.R.R. Tolkien, C.S. Lewis and J.K. Rowling, the Jedi knights of Star Wars and Monty Python’s Knights who say ‘Ni!’.