Amy F. Ogata – författare
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2 produkter
2 produkter
Häftad, Engelska, 2014
454 kr
Skickas inom 5-8 vardagar
The Swedish toy industry has long produced vast quantities of colorful, quality wooden items that reflect Scandinavian design and craft traditions. This superbly illustrated book, including specially commissioned photography, looks at over 200 years of Swedish toys, from historic dollhouses to the latest designs for children. Featuring rattles, full-size rocking horses, dollhouses, and building blocks to skis, sleds, and tabletop games with intricate moving parts, Swedish Wooden Toys also addresses images of Swedish childhood, the role of the beloved red Dala horse in the creation of national identity, the vibrant tradition of educational toys, and the challenges of maintaining craft manufacturing in an era of global mass-production. Published in association with the Bard Graduate CenterExhibition Schedule:Paris, Musée des Arts Décoratifs(06/18/14–01/11/15)Bard Graduate CenterMarch 2015StockholmSummer 2015
Häftad, Engelska, 2013
386 kr
Skickas inom 5-8 vardagar
The postwar American stereotypes of suburban sameness, traditional gender roles, and educational conservatism have masked an alternate self-image tailor-made for the Cold War. The creative child, an idealized future citizen, was the darling of baby boom parents, psychologists, marketers, and designers who saw in the next generation promise that appeared to answer the most pressing worries of the age. Designing the Creative Child reveals how a postwar cult of childhood creativity developed and continues to this day. Exploring how the idea of children as imaginative and naturally creative was constructed, disseminated, and consumed in the United States after World War II, Amy F. Ogata argues that educational toys, playgrounds, small middle-class houses, new schools, and children’s museums were designed to cultivate imagination in a growing cohort of baby boom children. Enthusiasm for encouraging creativity in children countered Cold War fears of failing competitiveness and the postwar critique of social conformity, making creativity an emblem of national revitalization.Ogata describes how a historically rooted belief in children’s capacity for independent thinking was transformed from an elite concern of the interwar years to a fully consumable and aspirational ideal that persists today. From building blocks to Gumby, playhouses to Playskool trains, Creative Playthings to the Eames House of Cards, Crayola fingerpaint to children’s museums, material goods and spaces shaped a popular understanding of creativity, and Designing the Creative Child demonstrates how this notion has been woven into the fabric of American culture.