Amy Scott – författare

Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s playsIn Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves.The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levelsDiscusses 12 plays, making it a comprehensive study of Shakespeare’s workCovers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvreProvides a solid overall sense of each play and the major characters/plot lines in themProviding new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.

Out of Site explores the invisible landscapes of the American West through the interwoven forces of art and technology over the past 170 years. This interdisciplinary project features an array of visual media, including historical, modern, and contemporary photography, that punctuate a series of essays by art scholars alongside first-person perspectives from artists working “in the field” today. Beginning with the survey era, the publication mines the use of wet-plate photography to penetrate the visible surface of the land to visualize the geological processes, mineral resources, and human histories that formed the foundation of the American empire. With the turn of the century, the relationship between sight and site grew increasingly remote, revealing patterns of large-scale industrial transformation, including the rise of nuclear technology and the American military-industrial complex. And with the modern use of long-range drones, satellites, and other adapted photographic technologies in the postwar years, new matrices of power and surveillance are revealed alongside the human and environmental fallout they often leave behind.Contributors: William L. Fox, Mark Klett, Hillary Mushkin, Britt Salvesen, Kim Stringfellow, Jason Weems, and Will Wilson