Rebecca Scofield – författare

Out of Site explores the invisible landscapes of the American West through the interwoven forces of art and technology over the past 170 years. This interdisciplinary project features an array of visual media, including historical, modern, and contemporary photography, that punctuate a series of essays by art scholars alongside first-person perspectives from artists working “in the field” today. Beginning with the survey era, the publication mines the use of wet-plate photography to penetrate the visible surface of the land to visualize the geological processes, mineral resources, and human histories that formed the foundation of the American empire. With the turn of the century, the relationship between sight and site grew increasingly remote, revealing patterns of large-scale industrial transformation, including the rise of nuclear technology and the American military-industrial complex. And with the modern use of long-range drones, satellites, and other adapted photographic technologies in the postwar years, new matrices of power and surveillance are revealed alongside the human and environmental fallout they often leave behind.Contributors: William L. Fox, Mark Klett, Hillary Mushkin, Britt Salvesen, Kim Stringfellow, Jason Weems, and Will Wilson

Unapologetically brings gay rodeo out of the closetCampy and competitive, gay rodeo offers a community of refuge that straddles the urban and rural. Since the mid-1970s, gay rodeos have provided space to both embrace and challenge the idealized masculinity associated with the iconic cowboy of the US West. Slapping Leather traces the history and growth of gay rodeo over the decades, demonstrating how queer cowfolx have fought to build a community where LGBTQ+ people can escape discrimination in both mainstream rodeos and broader society. Yet not all LGBTQ+ groups have found full acceptance in gay rodeo. Originally formed by gay men for gay men, the rodeo has at times perpetuated historically problematic ideas about the US West, the iconic cowboy, and the meaning of masculinity. Despite the gay rodeo's credo of acceptance, its history reveals complicated relationships with straight rodeo, gender stereotypes, and women competitors. Drawing from multiple archives and over seventy oral history interviews, historians Elyssa Ford and Rebecca Scofield demonstrate how amid these tensions, participants, volunteers, and spectators continue to redefine the performance of the cowboy and national belonging.