Anastasija Ropa – författare

This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

This volume features approaches to equine studies from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. This volume explores the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

Wild Horses and Their Relatives in the Middle Ages offers a comprehensive and interdisciplinary exploration of the presence, perception, and treatment of wild and feral horses across medieval Europe and adjacent regions. Drawing on archaeological evidence, genetic studies, medieval legal codes, hippiatric treatises, chronicles, and visual culture, the book interrogates the ambiguous status of wild horses in the historical record and challenges modern assumptions about equine domestication.Anastasija Ropa traces the biological and legal distinctions between wild and domestic horses, and examines how medieval authors and artists depicted equine life. From breeding advice in hippiatric treatises to frescoes showing horse hunts, these sources reveal how horses were embedded in medieval economies, landscapes, and imaginations—not only as laborers and companions but also as symbols of status, wilderness, and power.

This book explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author’s hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date.

Wild Horses and Their Relatives in the Middle Ages offers a comprehensive and interdisciplinary exploration of the presence, perception, and treatment of wild and feral horses across medieval Europe and adjacent regions. Drawing on archaeological evidence, genetic studies, medieval legal codes, hippiatric treatises, chronicles, and visual culture, the book interrogates the ambiguous status of wild horses in the historical record and challenges modern assumptions about equine domestication.Anastasija Ropa traces the biological and legal distinctions between wild and domestic horses, and examines how medieval authors and artists depicted equine life. From breeding advice in hippiatric treatises to frescoes showing horse hunts, these sources reveal how horses were embedded in medieval economies, landscapes, and imaginations-not only as laborers and companions but also as symbols of status, wilderness, and power.

Essay from the year 2008 in the subject Literature - Modern Literature, grade: Top, University of Latvia (Faculty of Modern Languages), course: MA in English Literature, language: English, abstract: According to Finke, "e;[i]n mediaeval scientific writing woman is both weaker than and inferior to man"e; (ibid.) Classical writers, such as Galen and Aristotle did not even believe that there were two separate genders but viewed women as defective, underdeveloped men. Christian writers, in turn, viewed women as seductresses, the agents of the original sin and the fall of mankind, associating the daughters of Eve "e;with the material (as opposed to the spiritual) world"e; (op. cit., 13). For the novel's protagonist, Nicholas, women are as foreign in their way of reasoning and as unimportant as animals, and his treatment of the only woman in the actors' company does not significantly differ from his treatment of the dog. In this, Nicolas follows the teachings of the contemporary ecclesiastic authorities, who depicted women as "e;more bestial (they are often compared to animals, serpents and insects), more fleshly than men, and hence more lustful."e;

The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.

New things are forgotten old things – this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication.The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.

Medievalism has been a common and hardly innocent practice in Eastern European political discourses ever since the dissolution of the USSR in the 1990s. To use but one example, both Russia and Ukraine have laid claims on such prominent historical figures as Prince Vladimir / Volodymyr the Great, Princess Olga, Boris and Gleb/Hlib, as well as on such semi-legendary characters as Ilya of Murom. The recent military conflict has led to a renewal of interest in the history of medieval Rus' and to the rewriting and falsification of this history, particularly in the public sphere, education and political discourse. This multidisciplinary volume draws together contributions from scholars from different countries and different disciplinary backgrounds, who analyze a variety of media and sources in which medievalisms can be manifested. The authors examine the uses of medievalising statues, fiction, cartoons, tourism and popular history in Ukrainian and Russian political discourses. The aim of this volume is to take a balanced and wide-ranging approach to medievalism as a political weapon and a cultural mainstay and to facilitate a fruitful and respectful dialogue among scholars coming from diverse cultural and ethnic backgrounds with an interest in Slavic studies, medievalism, the use of history in public discourse and the history of ex-Soviet and post-communist countries.

John Clark's groundbreaking work in medieval equestrian history has shaped and inspired generations of scholars, transforming our understanding of horses in the past. A pioneer of archaeological and historical research on the medieval horse, Clark's influential 1995 work, The Medieval Horse and its Equipment, set the stage for much of the academic exploration that followed. In this celebratory volume, international scholars come together to honor his legacy with new perspectives on the history, culture, and significance of horses across the medieval world.Spanning from Roman Britain to the Elizabethan court, this interdisciplinary collection covers a diverse range of topics including equestrian equipment, horse training, folklore, and the symbolic role of horses in literature. Featuring in-depth studies on archaeological finds and providing innovative approaches to equestrian practices and the gendered dynamics of horse-riding, the essays in this book reflect the profound influence of John Clark's work.This Festschrift provides a fitting tribute to a scholar whose pioneering research continues to inspire and shape the field of equestrian history. Each chapter not only reflects John Clark's enduring influence but also showcases the breadth of scholarly engagement with the historical horse, from its practical use to its deeper cultural and symbolic meanings.

The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how one reconciles the very different roles played by the horse in human history.