Anders Kold – författare

The first overview in a decade on Arke's poetical explorations of dual ethnicityCentral to the multimedia oeuvre of Pia Arke (1958–2007) was the artist’s dual ethnicity in Greenland and Denmark, excavated in video works, collaged maps and landscape photographs that addressed themes of exploration, the complexities of ethnicity. Famed for her film Arctic Hysteria, Arke died of cancer at 48, and her work has only gained recognition over the past decade. With reproductions and essays, this volume introduces her to a wider audience.Kim Leine discusses themes of mortality; Darren Almond charts Arke’s depictions of the landscapes of Greenland; Minik Rosing looks at spirituality in relation to Greenland; Laura Smith examines “Arctic hysteria”; Erik Steffensen recounts the artist’s early years; Stefan Jonsson gives a biographical portrait; Erik Gant delves into the relationship between art and reality; Jessie Kleemann is interviewed about Arke’s legacy; and the exhibition’s curator, Anders Kold, explores Arke’s motifs of body and map.

Consumer critique meets absurdist humor in the “socal surrealist” works of the installation and video artistBorn in Argentina, raised in Israel and now living in New York, Mika Rottenberg (born 1976) explores connections between people in the global consumer society through film, installation, sculpture and drawing. In Rottenberg’s work, people—most often women—and machines are engaged in incessant production. Rhythmic editing and sound design whirl us into labyrinthine processes in which goods are manufactured and conveyed in one big, surreal hamster wheel. Her scenarios are funhouse versions of our own world; like science labs investigating naturally occurring phenomena, the artist’s installations can be seen as designs and models testing social concepts and abstract systems. Rottenberg herself calls her art “social surrealism.”This catalog, designed by the internationally acclaimed Dutch designer Irma Boom, presents some of Rottenberg’s most trenchant work, as well as an interview with the artist by Anders Kold, curator at the Louisiana Museum of Modern Art, and an introduction by William Pym.

With a vast selection of works from the last two decades and Polaroids of the artist's studio, this mid-career catalog provides unique perspective on Schutz's oeuvre and methodsDana Schutz is one of the great figurative painters of our time—an eminent storyteller who depicts people in complex and often gigantic compositions. For two decades now, Schutz has distinguished herself with her tremendous narrative power, vigorous sense of color and ability to merge the gruesome, grotesque, absurd and comic.This richly illustrated catalog presents paintings, drawings, prints and sculpture, providing an overview of Schutz's entire career to date. Alongside a thorough analysis of Schutz's work by curator Anaël Pigeat, it presents a studio visit described in detail by art critic (and friend of the artist) Jarrett Earnest, whose text is accompanied by Polaroids of the studio that unfold Schutz’s working methods. Also featured is a conversation between curator Anders Kold and the artist, and a poetic essay by award-winning author Lauren Groff.Dana Schutz was born in 1976 in Livonia, Michigan, and received her BFA from the Cleveland Institute of Art, Ohio, and her MFA from Columbia University, New York. She lives and works in Brooklyn, New York. Recent solo museum exhibitions include Dana Schutz: Eating Atom Bombs held at the Transformer Station, Cleveland, Ohio (2018), which debuted a series of paintings by the artist; an exhibition of new work at the Institute of Contemporary Art, Boston (2017); a career survey at the Musée d’art contemporain de Montréal (2015); and a solo exhibition at the Hepworth Wakefield, England (2013), which traveled to the kestnergesellschaft, Hanover, Germany (2014).