Andrew Hammond – författare

A fantastic blend of teenage spies, horror and ghost-busting for fans of CHERUB, YOUNG BOND and Darren ShanWhen a brutal crime is committed...But there''s no human explanation...Who can the police turn to?Covert Response Youth Paranormal TeamThis secret MI5 division recruits gifted teenagers to be paranormal investigators. The elite CRYPT team, including star agent Jud Lester, cracks the cases no one else can.An ancient treasure trove off the coast of England.A lone diver, searching for riches.A horror unleashed.Once disturbed, the treasure''s protectors are out to enact terrifying revenge...Have the CRYPT team got what it takes to silence the ghosts of the past?

The fifth in Andrew Hammond''s fast-paced and action-packed CRYPT series, for fans of CHERUB, YOUNG BOND and Darren Shan.Jud Lester is the Covert Response Youth Paranormal Team''s star agent. When the police are unable to solve a crime, they call in CRYPT. But with four deadly and dangerous missions behind them, can Jud and the team get to the bottom of yet another mystery?

The Cold War was the longest conflict in a century defined by the scale and brutality of its conflicts. In the battle between the democratic West and the communist East there was barely a year in which the West was not organising, fighting or financing some foreign war. It was an engagement that resulted – in Korea, Guatemala, Nicaragua and elsewhere – in some twenty million dead. This collection of essays analyses the literary response to the coups, insurgencies and invasions that took place around the globe, and explores the various thematic and stylistic trends that Cold War hostilities engendered in world writing.

Drawing together scholars of various cultural backgrounds, the volume focuses upon such themes as representation, nationalism, political resistance, globalisation and ideological scepticism. Eschewing the typical focus in Cold War scholarship on Western authors and genres, there is an emphasis on the literary voices that emerged from what are often considered the ‘peripheral’ regions of Cold War geo-politics.

Ranging in focus from American postmodernism to Vietnamese poetry, from Cuban autobiography to Maoist theatre, and from African fiction to Soviet propaganda, this book will be of real interest to all those working in twentieth-century literary studies, cultural studies, history and politics.

The Cold War was the longest conflict in a century defined by the scale and brutality of its conflicts. In the battle between the democratic West and the communist East there was barely a year in which the West was not organising, fighting or financing some foreign war. It was an engagement that resulted – in Korea, Guatemala, Nicaragua and elsewhere – in some twenty million dead. This collection of essays analyses the literary response to the coups, insurgencies and invasions that took place around the globe, and explores the various thematic and stylistic trends that Cold War hostilities engendered in world writing.

Drawing together scholars of various cultural backgrounds, the volume focuses upon such themes as representation, nationalism, political resistance, globalisation and ideological scepticism. Eschewing the typical focus in Cold War scholarship on Western authors and genres, there is an emphasis on the literary voices that emerged from what are often considered the ‘peripheral’ regions of Cold War geo-politics.

Ranging in focus from American postmodernism to Vietnamese poetry, from Cuban autobiography to Maoist theatre, and from African fiction to Soviet propaganda, this book will be of real interest to all those working in twentieth-century literary studies, cultural studies, history and politics.

In countries worldwide, the Cold War dominated politics, society and culture during the second half of the twentieth century. Global Cold War Literatures offers a unique look at the multiple ways in which writers from Asia, Africa, Europe and North and South America addressed the military conflicts, revolutions, propaganda wars and ideological debates of the era.

While including essays on western European and North American literature, the volume views First World writing, not as central to the period, but as part of an international discussion of Cold War realities in which the most interesting contributions often came from marginal or subordinate cultures. To this end, there is an emphasis on the literatures of the Second and Third Worlds, including essays on Latin American poetry, Soviet travel writing, Chinese autobiography, African theatre, North Korean literature, Cuban and eastern European fiction, and Middle Eastern fiction and poetry.

With the post-Cold War era still in a condition of emergence, it is essential that we look back to the 1945-89 period to understand the political and cultural forces that shaped the modern world. The volume’s analysis of those forces and its focus on many of the ‘hot spots’ – Afghanistan, Iran, North Korea – that define the contemporary ‘war on terror’, make this an essential resources for those working in Postcolonial, American and English Literatures, as well as in History, Comparative Literature, European Studies and Cultural Studies. Global Cold War Literatures is a suitable companion volume to Hammond''s Cold War Literature: Writing the Global Conflict, also available from Routledge.

In countries worldwide, the Cold War dominated politics, society and culture during the second half of the twentieth century. Global Cold War Literatures offers a unique look at the multiple ways in which writers from Asia, Africa, Europe and North and South America addressed the military conflicts, revolutions, propaganda wars and ideological debates of the era.

While including essays on western European and North American literature, the volume views First World writing, not as central to the period, but as part of an international discussion of Cold War realities in which the most interesting contributions often came from marginal or subordinate cultures. To this end, there is an emphasis on the literatures of the Second and Third Worlds, including essays on Latin American poetry, Soviet travel writing, Chinese autobiography, African theatre, North Korean literature, Cuban and eastern European fiction, and Middle Eastern fiction and poetry.

With the post-Cold War era still in a condition of emergence, it is essential that we look back to the 1945-89 period to understand the political and cultural forces that shaped the modern world. The volume’s analysis of those forces and its focus on many of the ‘hot spots’ – Afghanistan, Iran, North Korea – that define the contemporary ‘war on terror’, make this an essential resources for those working in Postcolonial, American and English Literatures, as well as in History, Comparative Literature, European Studies and Cultural Studies. Global Cold War Literatures is a suitable companion volume to Hammond''s Cold War Literature: Writing the Global Conflict, also available from Routledge.

This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.