Andrew Hodgson – författare

The boys’ plan to sneak off Kibujima may have been thwarted by the clapping of the devil Gira’s dummy thicc buttcheeks, but they’re not about to give up! If that tightly guarded tush is sitting in their way, then they’ll just have to plow right through it!!

Magical girls—guardians of the people, vanquishers of witches, and defenders of the innocent, all while putting smiles on the faces of children in a flashy spectacle of mass-marketable entertainment. However, things aren’t always so family friendly behind the scenes! When the villains get too gruesome for Saturday morning cartoons, these youthful protectors are, in turn, protected by…grizzled middle-aged men? They may be a bunch of old farts, but these geezers have one job—to use their wealth of experience (and some kick-ass magic) to support the mystical maidens from the shadows!

Trapped on an island full of lust-devouring succubi who see human men as little more than livestock, Kaoru and the other boys make plans for their escape. But standing in the way are the members of the student council-powerful, seductive devils who rule over Kibujima. Faced with the bombshells of their dreams, can the boys resist temptation and keep it in their pants long enough slip away?

With the conquest of the entire labyrinth and the rescue of an elf village under his belt, Saya sure has come a long way from the weakling skeleton he used to be. But as a gang of humans launches another attack on the elves and his underlings fall one by one, Saya will have to face his toughest opponents yet...!

'If there were dreams to sell What would you buy?'Thomas Lovell Beddoes (1803-1849) was among the most talented writers of the Romantic age. A prodigiously gifted poet and dramatist, he already had two published volumes to his name and seemed set to assume a role at the vanguard of English letters when, in 1825, he left England to pursue anatomical studies at the University of Göttingen. He continued to write while overseas, treating his great themes of love, death, and nature, and attempting to unite the spirits of scientific and artistic enquiry, but published almost nothing. When he died by suicide in Basel in 1849, Beddoes left behind him a trail of thwarted hopes and ruined ambitions, but also a body of work that speaks eloquently and without self-pity about its own failures and disappointments. This volume presents a wide selection of Beddoes's writings across a variety of genres. At its heart lies his sprawling masterpiece Death's Jest-Book, an extravagant attempt to resurrect the tradition of Shakespearean verse drama that obsessed Beddoes throughout his writing life. Also included are a range of Beddoes's intricate and tender lyric poems, a sample of his grotesque comic verse, a number of dramatic fragments, and a selection of his witty and opinionated letters, which present his views on the writers of his age and reflect on his life in the German lands.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Elizabeth Hitchener (1783-1821) is best known to literary history for a brief but intense friendship with Percy Bysshe Shelley, during which he declared her 'the sister of my soul'. When, in 1812, the friendship fell apart, Shelley turned on her. She was, he said, 'an ugly, hermaphroditical beast of a woman'. He labelled her 'The Brown Demon'. This Element is the first biographical and critical study of a schoolmistress, letter-writer, and poet, whose achievements transcend Shelley's denigrating characterisation. Drawing on fresh archival research, it uncovers a wealth of new information about Hitchener's life and shows how she benefitted from and engaged with late-eighteenth century traditions of radical and proto-feminist thought. It offers a revisionary account both of Hitchener's correspondence with Shelley-based on newly-edited manuscripts-and her achievements as a poet, attending in particular to the generic and argumentative complexity of her topographical poem The Weald of Sussex (1822).

Elizabeth Hitchener (1783-1821) is best known to literary history for a brief but intense friendship with Percy Bysshe Shelley, during which he declared her 'the sister of my soul'. When, in 1812, the friendship fell apart, Shelley turned on her. She was, he said, 'an ugly, hermaphroditical beast of a woman'. He labelled her 'The Brown Demon'. This Element is the first biographical and critical study of a schoolmistress, letter-writer, and poet, whose achievements transcend Shelley's denigrating characterisation. Drawing on fresh archival research, it uncovers a wealth of new information about Hitchener's life and shows how she benefitted from and engaged with late-eighteenth century traditions of radical and proto-feminist thought. It offers a revisionary account both of Hitchener's correspondence with Shelley-based on newly-edited manuscripts-and her achievements as a poet, attending in particular to the generic and argumentative complexity of her topographical poem The Weald of Sussex (1822).

At the heart of this book is a belief that poetry matters, and that it enables us to enjoy and understand life. In this accessible guide, Andrew Hodgson equips the reader for the challenging and rewarding experience of unlocking poetry, considering the key questions about language, technique, feeling and subject matter which illuminate what a poem has to say. In a lucid and sympathetic manner, he considers a diverse range of poets writing in English to demonstrate how their work enlarges our perception of ourselves and our world. The process of independent research is modeled step-by-step, as the guide shows where to start, how to develop ideas, and how to draw conclusions. Providing guidance on how to plan, organise and write essays, close readings and commentaries, from initial annotation to final editing, this book will provide you with the confidence to discover and express your own personal response to poetry.

At the heart of this book is a belief that poetry matters, and that it enables us to enjoy and understand life. In this accessible guide, Andrew Hodgson equips the reader for the challenging and rewarding experience of unlocking poetry, considering the key questions about language, technique, feeling and subject matter which illuminate what a poem has to say. In a lucid and sympathetic manner, he considers a diverse range of poets writing in English to demonstrate how their work enlarges our perception of ourselves and our world. The process of independent research is modeled step-by-step, as the guide shows where to start, how to develop ideas, and how to draw conclusions. Providing guidance on how to plan, organise and write essays, close readings and commentaries, from initial annotation to final editing, this book will provide you with the confidence to discover and express your own personal response to poetry.

At the heart of this book is a belief that poetry matters, and that it enables us to enjoy and understand life. In this accessible guide, Andrew Hodgson equips the reader for the challenging and rewarding experience of unlocking poetry, considering the key questions about language, technique, feeling and subject matter which illuminate what a poem has to say. In a lucid and sympathetic manner, he considers a diverse range of poets writing in English to demonstrate how their work enlarges our perception of ourselves and our world. The process of independent research is modeled step-by-step, as the guide shows where to start, how to develop ideas, and how to draw conclusions. Providing guidance on how to plan, organise and write essays, close readings and commentaries, from initial annotation to final editing, this book will provide you with the confidence to discover and express your own personal response to poetry.

Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies’ perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader’s will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink.Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.

Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies'' perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader''s will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink. Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.

Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies'' perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader''s will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink. Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.

Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies’ perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader’s will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink.Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.

An epic tale of swords, sorcery, and smartphone apps begins!After a freak accident involving some lightning winds up zapping him dead, 15-year-old Mochizuki Touya wakes up to find himself face-to-face with God. “I am afraid to say that I have made a bit of a blunder...” laments the old coot. But all is not lost! God says that he can reincarnate Touya into a world of fantasy, and as a bonus, he gets to bring his smartphone along with! So begins Touya's adventure in a new, anachronistic pseudo-medieval world. Friends! Laughs! Tears! Inexplicable Deus ex Machina! He sets off on a journey full of wonder as he absentmindedly travels from place to place, following whatever goal catches his fancy.

The curtains lift once again on an epic tale of sorcery, smartphone apps, and... gunblades?!Undeterred by his untimely death on Earth, 15-year-old Mochizuki Touya continues to meander around in another world! After a series of misadventures, the young man has assembled a motley crew of adventurers including the timid mage Linze, the feisty brawler Elze, the ever-hungry samurai Yae, and even the young archer Yumina, heir to the Belfast throne. Together with his party (and a divine white tiger), Touya sets his sights on the horizon, heading for the demi-human kingdom of Mismede! But all is not what it seems... the beastman king issues a personal challenge, and a black-scaled dragon could soon spell out Touya's doom!

Once more the sun rises upon an epic tale of sorcery, smartphones, and floating cities!Stalwart as ever, 16-year-old Mochizuki Touya heads off to the far eastern land of Eashen with his party in tow. For what purpose? The Matriarch of the Fairy Clan wishes to delve into some ancient ruins, of course! But it's never quite that simple for Touya and his friends, oh no. The party is thrust into the midst of a clash between the warlords Takeda Schingen and Tokugawa Ieyahsu, while a nefarious necromancer makes his move in the shadows... Throw in a Gynoid or two, an ancient legacy, another ridiculous summoning pact, and you've got yourself a brand new recipe for disaster!

The bells toll for a riveting tale of swords, sorcery, and... savage tribals?!The newly-crowned 16-year-old Grand Duke of Brunhild, Mochizuki Touya, is just starting to get the hang of managing a nation. What better way to christen his Duchy than to host a party with all the other royals in the region? Laughter! Fun! Pinball! But it's not all fun and games, Touya's search to uncover the truth behind the Phrase and Babylon bring him to the depths of the darkest forests, and the caps of the snowiest mountains. Not only that, but new territory means new responsibilities, and soon enough the eyes of the Vatican fall upon him. “Blasphemy!” they scream, “God is no old man, he is a magnificent being of light!” How will Touya react when even the Pope challenges the honor of the old man that gave him a new lease on life.

Put on your thinking caps for a tale of swords, sorcery, and custom-built mechatronics!Mochizuki Touya continues his work as grand duke of Brunhild. He's the proud inheritor of the (almost) complete Babylon Islands, the mighty master of the Frame Gear Mechs, and a slowly flowering bud of divine power, but that doesn't mean he has any room to relax! The time has come for answers! A new threat emerges within the Roadmare Union! But can Touya convince the mighty doge that his Frame Gears are the right method to deal with the oncoming danger? Just who is the enigmatic Ende, and what does he have to do with the crystal creatures that so recklessly bring the world closer to despair? Just what is the secret of Touya's divinity?

Set a very cautious course for a tale of swords, sorcery, and advanced cryogenics!Spring has sprung in Brunhild, and Mochizuki Touya continues to live his happy-go-lucky life. Flowers bloom, parties come and go, and everything seems just about fine... But wait! The mysterious pink-haired girl, Sakura, is identified by someone. Just what could this mean for her? Who exactly is Farnese Forneus, and what is her connection to the overlord of Xenoahs? But wait, a more pressing issue is the final piece of Babylon, and the remarkably twisted secret it has in store for our heroes…

The population of Brunhild is booming, which can mean only one thing. Guards, guards! We need more guards! A mass call is set out. "Knights Wanted: Apply Within!" But Touya might end up with more than he bargained for... Meanwhile, in the floating halls of Babylon, a certain resurrected doctor begins her mad machinations... Just what kind of crazy machine does she intend to build next? Set a chivalrous course for a tale of swords, sorcery, and burning sands!

Mochizuki Touya carries on his carefree life in another world, the looming birth of a wicked god and the peculiar behavior of the intelligent Phrase are no reason for him to panic! A distress call from a mysterious island forces him to jump into action, but what he discovers there may very well flip his entire world upside down... Pass through the open door to find a tale of swords, sorcery, and ancient legacies of antiquated mystery!

Mochizuki Touya has no time to rest. The fate of two worlds hang in the balance, after all. The Metal Devils, guided by Yula and seemingly supported by two mysterious twins, are on the rampage... They've mercilessly targeted the souls of people in both the world Touya knows, and the Reverse World! Armed with his new Frame Gear, Reginleif, will Touya be able to stop the malignant machinations of a wicked god? Fissures in space begin to crack, revealing a story of swords, sorcery, and a corrupted knight!

After a series of troubling events, Mochizuki Touya takes some much-needed downtime. The fate of two worlds still hangs in the balance, he needs to secure more allies in the Reverse World, and Yula and the wicked god continue their dark machinations in the background, but that doesn't mean that our hero can't take a little time for romance and relaxation. But unbeknownst to our crew, another god may have set his eyes on the mortal realm... Lovers waltz and blades clash, unveiling a story of swords, sorcery, and fun in the sun!

Still struggling to unite two worlds, fledgling god Mochizuki Touya carries on with his work. The mutants continue to attack the Reverse World, hungrily devouring the souls of the fallen in service of Yula and the wicked god. And so, it's up to Touya to teach another set of off-worlders how to pilot the Frame Gears! Hopefully he's not too late... Elsewhere, a mystery unfurls regarding a long-lost prince of a devastated kingdom... Perhaps the Mage-King of Isengard has the answers Touya seeks? Chaos runs rampant, tearing open the veil upon a story of swords, sorcery, and heterochromia!

You’re Toxic, I’m Slippin’ UnderThe time has come for the final showdown against the wicked god. There’s just one pesky little problem to deal with first—Touya and company need to purify the venom surrounding Isengard! But don’t worry, Uncle Kousuke is here to help; he just needs a little assistance nurturing a very special sapling. Meanwhile, Touya thinks back to his life on Earth and wonders about the family he left behind.At last, the final battle begins, ringing in a story of swords, sorcery, and some very unhelpful Unicorns.

It’s a Prehistoric RitualThe conflict with the wicked god has finally come to an end, and Touya now presides over a unified planet. There may be peace, but this world is still far from a paradise! It’s time for him to help resolve centuries-long misunderstandings between feuding nations, deal with new matters of interest in the divine realm, and handle a few small national matters that are tossed his way...all while planning his long-awaited weddings. What’s a groom-to-be to do?

The Visions Dancing in My Mind…Touya’s honeymoon might be over, but love’s still lingering in the air in Brunhild! Can poor Endymion cope with being part of an alien ménage à quatre? Who else might be looking for a match made in heaven? Having sealed the deal on his own romances, Touya’s free to stick his nose into the love lives of those around him...but at what cost? Meanwhile, a ripple and quake rip through time, revealing images from a far-flung future. Just what—or who—might emerge?Find out in this riveting tale of swords, sorcery, and progeny!

Airships in the Sky with...Engineers?A group of curious Gollem engineers traveling in a great airship arrives in the Duchy of Brunhild. Their sudden appearance alone is puzzling enough, but what do these Seekers want with Yumina's white crown? Are there further secrets lurking within the ancient ruins of Gandhilis? And on top of that, will Yakumo ever come home?Hold fast for a tale of swords, sorcery, and mechanical marvels!