Andrew Hoskins – författare

It has long been believed that individual human memory has been strengthened by the storage, representational, reproductive, and connective capacities of technologies and media. However, such views of how memory works are being challenged amidst today's digital maelstrom. In particular, the Internet, and social media platforms, have profoundly transformed the ways individuals receive, store, share, and lose information. Memory has become more externalized, dialogical, and transactive, yet at the same time, unwieldy, opaque, and inaccessible.In The Remaking of Memory in the Age of the Internet and Social Media, Qi Wang and Andrew Hoskins have assembled scholars from cognitive psychology, philosophy, neuroscience, and media and communication studies to synthesize emerging social and cognitive science research on the impact of the Internet and social media on remembering and forgetting. They probe whether human memory is being threatened by a shift from a healthy reliance to a dependency on digital media and technologies. The book illuminates theoretical and empirical research which shows the consequences of human entanglements with the Internet and social media for memory representation, expression, and socialization in individuals and the implications for the family, community, and society. Gathering the leading international scholars of Memory Studies together, this volume offers a new interdisciplinary agenda of inquiry into the digital remaking of individual, collective, and cultural memory.

The AI Memory Machine tells the story of the forces and consequences of the twenty-first century's AI machinic revolution of memory.Generative AI has turbocharged the technologies of memory to find, capture, and mine the individual as the pre-eminent commodity of this age. It is a paradoxical set of social and technological conditions for memory, guided by the framework of capitalism. Your past is already digitally marketed and exploited, with every message, like, and swipe accumulating a life already shared, traceable, hackable, saleable, and memorable.This new AI industry of memory determines who controls the memory machine, through the apps, platforms, devices, and services, which enable our capturing, sharing, and re-generation of data and information about ourselves and experiences. This work tackles these machinic and human transformations through engaging in interdisciplinary sociological and human science approaches to memory studies. Drawing on interviews with experts in the industry of memory, it shows how memory technologies and wider algorithmic processes of data, duplicate, displace, and substitute for the once human.As the AI Memory Machine messes with the cognitive and social forces and boundaries of remembering, is the past already all over? Or does it give new hope in the revelatory potential of what can now be found and seen anew?

Risk and Hyperconnectivity brings together for the first time three paradigms: new risk theory, neoliberalization theory, and connectivity theory, to illuminate how the kaleidoscope of risk events in the opening years of the new century has recharged a neoliberal battlespace of media, economy, and security. Hoskins and Tulloch argue that hyperconnectivity is both a conduit of risk and a form of risk in itself, and that it alters the ways in which we experience events and remember them. Through interdisciplinary dialogue and case study analysis they offer original perspectives on the key questions of risk of our age, including: What is the path to a balance between individual privacy and state (or corporate) security? Is hyperconnectivity itself a new risk condition of our time? How do remembering and forgetting shape citizen insecurity and cultures of risk, and legitimize neoliberal governance? How do journalists operate as public intellectuals of risk? Through probing a series of risk events that have already scarred the twenty-first century, Hoskins and Tulloch show how both established and emergent media are central in shaping past, present and future horizons of neoliberalism, while also propelling wide pressure for its alternatives on those ranging from economics students worldwide to potential political leaders cultivated by austerity policies.

Risk and Hyperconnectivity brings together for the first time three paradigms: new risk theory, neoliberalization theory, and connectivity theory, to illuminate how the kaleidoscope of risk events in the opening years of the new century has recharged a neoliberal battlespace of media, economy, and security. Hoskins and Tulloch argue that hyperconnectivity is both a conduit of risk and a form of risk in itself, and that it alters the ways in which we experience events and remember them. Through interdisciplinary dialogue and case study analysis they offer original perspectives on the key questions of risk of our age, including: What is the path to a 'balance' between individual privacy and state (or corporate) security? Is hyperconnectivity itself a new risk condition of our time? How do remembering and forgetting shape citizen insecurity and cultures of risk, and legitimize neoliberal governance? How do journalists operate as 'public intellectuals' of risk? Through probing a series of risk events that have already scarred the twenty-first century, Hoskins and Tulloch show how both established and emergent media are central in shaping past, present and future horizons of neoliberalism, while also propelling wide pressure for its alternatives on those ranging from economics students worldwide to potential political leaders cultivated by austerity policies.

This book examines the circulation and effects of radical discourse by analysing the role of mass media coverage in promoting or hindering radicalisation and acts of political violence.There is a new environment of conflict in the post-9/11 age, in which there appears to be emerging threats to security and stability in the shape of individuals and groups holding or espousing radical views about religion, ideology, often represented in the media as oppositional to Western values. This book asks what, if anything is new about these radicalising discourses, how and why they relate to political acts of violence and terror, and what the role of the mass media is in promoting or hindering them.This includes exploring how the acts themselves and explanations for them on the web are picked up and represented in mainstream television news media or Big Media, through the journalistic and editorial uses of words, phrases, graphics, images, and videos. It analyses how interpretations of the term 'radicalisation' are shaped by news representations through investigating audience responses, understandings and misunderstandings. Transnational in scope, this book seeks to contribute to an understanding of the connectivity and relationships that make up the new media ecology, especially those that appear to transcend the local and the global, accelerate the dissemination of radicalising discourses, and amplify media/public fears of political violence.This book will be of interest to students of security studies, media studies, terrorism studies, political science and sociology.

This book examines the circulation and effects of radical discourse by analysing the role of mass media coverage in promoting or hindering radicalisation and acts of political violence.There is a new environment of conflict in the post-9/11 age, in which there appears to be emerging threats to security and stability in the shape of individuals and groups holding or espousing radical views about religion, ideology, often represented in the media as oppositional to Western values. This book asks what, if anything is new about these radicalising discourses, how and why they relate to political acts of violence and terror, and what the role of the mass media is in promoting or hindering them.This includes exploring how the acts themselves and explanations for them on the web are picked up and represented in mainstream television news media or Big Media, through the journalistic and editorial uses of words, phrases, graphics, images, and videos. It analyses how interpretations of the term 'radicalisation' are shaped by news representations through investigating audience responses, understandings and misunderstandings. Transnational in scope, this book seeks to contribute to an understanding of the connectivity and relationships that make up the new media ecology, especially those that appear to transcend the local and the global, accelerate the dissemination of radicalising discourses, and amplify media/public fears of political violence.This book will be of interest to students of security studies, media studies, terrorism studies, political science and sociology.

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics.This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics.This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.

The recent Iraq War has been heavily scrutinised by all aspects of the media. Never before have so many images of conflict been so accessible to the public. Andrew Hoskins analyses the relationship the media has had on the public's perception on the Iraq war and how the governments in the US, the UK and Iraq have tried to manipulate the public conscience via the media.

Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary interventions.Digital Memory Studies seizes this challenge and pioneers an agenda that interrogates concepts, theories and histories of media and memory studies, to map a holistic vision for the study of the digital remaking of memory. Through the lenses of connectivity, archaeology, economy, and archive, contributors illuminate the uses and abuses of the digital past via an array of media and topics, including television, videogames and social media, and memory institutions, network politics and the digital afterlife.

Digital media, networks and archives reimagine and revitalize individual, social and cultural memory but they also ensnare it, bringing it under new forms of control. Understanding these paradoxical conditions of remembering and forgetting through today’s technologies needs bold interdisciplinary interventions.Digital Memory Studies seizes this challenge and pioneers an agenda that interrogates concepts, theories and histories of media and memory studies, to map a holistic vision for the study of the digital remaking of memory. Through the lenses of connectivity, archaeology, economy, and archive, contributors illuminate the uses and abuses of the digital past via an array of media and topics, including television, videogames and social media, and memory institutions, network politics and the digital afterlife.

From a murdered teenager being interviewed as though he were alive, to a widow speaking with a chatbot made through voice cloning the digital relics of her late husband, AI-generated versions of the deceased are becoming uncanny in their humanlike form. Are personal memories, so central to our sense of personality, individuality and agency, already lost to a future in which we feel compelled to embrace the humanlike comfort of bots?Memorybot is the story of the consequences of generative AI on human memory. It reveals how in regenerating past lives, and through mining and sharing present ones, AI removes the once memorial limits of a living individual. The most traumatic and joyous parts of human existence are perpetually subject to a continuous extraction of memories. Hoskins argues that we are witnessing the emergence of a new societal paradigm, characterised by the increasing dominance of hybrid memory, the erosion of anonymity, and the effective end of human forgetting.Written by a leading international scholar of memory studies, Memorybot is a haunting read for anyone concerned about the growing influence of AI technologies and services, and for the fields of media, cultural studies, psychology, sociology, history and memory studies.

From a murdered teenager being interviewed as though he were alive, to a widow speaking with a chatbot made through voice cloning the digital relics of her late husband, AI-generated versions of the deceased are becoming uncanny in their humanlike form. Are personal memories, so central to our sense of personality, individuality and agency, already lost to a future in which we feel compelled to embrace the humanlike comfort of bots?Memorybot is the story of the consequences of generative AI on human memory. It reveals how in regenerating past lives, and through mining and sharing present ones, AI removes the once memorial limits of a living individual. The most traumatic and joyous parts of human existence are perpetually subject to a continuous extraction of memories. Hoskins argues that we are witnessing the emergence of a new societal paradigm, characterised by the increasing dominance of hybrid memory, the erosion of anonymity, and the effective end of human forgetting.Written by a leading international scholar of memory studies, Memorybot is a haunting read for anyone concerned about the growing influence of AI technologies and services, and for the fields of media, cultural studies, psychology, sociology, history and memory studies.

This book examines the digital explosion that has ripped across the battlefield, weaponising our attention and making everyone a participant in wars without end.'Smart' devices, apps, archives and algorithms remove the bystander from war, collapsing the distinctions between audience and actor, soldier and civilian, media and weapon. This has ruptured our capacity to make sense of war. Now we are all either victims or perpetrators.In 'Radical War', Ford and Hoskins reveal how contemporary war is legitimised, planned, fought, experienced, remembered and forgotten in a continuous and connected way, through digitally saturated fields of perception.Plotting the emerging relationship between data, attention and the power to control war, the authors chart the complex digital and human interdependencies that sustain political violence today. Through a unique, interdisciplinary lens, they map our disjointed experiences of conflict and illuminate this dystopian new ecology of war.

Sharded Media is the story of how the unleashing of individual public opinion and rage became the most valuable of political currency.

The election of Donald Trump as US President in 2016 seemed to catch the world napping. Like the vote for Brexit in the UK, there seemed to be a new de-synchronicity – a huge reality gap – between the unfolding of history and the mainstream news media’s interpretations of and reporting of contemporary events. Through a series of short, sharp interventions from academics and journalists, this book interrogates the emergent media war around Donald Trump. A series of interconnected themes are used to set an agenda for exploration of Trump as the lynch-pin in the fall of the liberal mainstream and the rise of the right media mainstream in the USA. By exploring topics such as Trump’s television celebrity, his presidential candidacy and data-driven election campaign, his use of social media, his press conferences and combative relationship with the mainstream media, and the question of ‘fake news’ and his administration’s defence of ‘alternative facts’, the contributors rally together to map the parallels of the seemingly momentous and continuing shifts in the wider relationship between media and politics.