Andrew Laird - Böcker

In 1536, only fifteen years after the fall of the Aztec empire, Franciscan missionaries began teaching Latin, classical rhetoric, and Aristotelian philosophy to native youths in central Mexico. The remarkable linguistic and cultural exchanges that would result from that initiative are the subject of this book. Aztec Latin highlights the importance of Renaissance humanist education for early colonial indigenous history, showing how practices central to humanism — the cultivation of eloquence, the training of leaders, scholarly translation, and antiquarian research — were transformed in New Spain to serve Indian elites as well as the Spanish authorities and religious orders. While Franciscan friars, inspired by Erasmus' ideal of a common tongue, applied principles of Latin grammar to Amerindian languages, native scholars translated the Gospels, a range of devotional literature, and even Aesop's fables into the Mexican language of Nahuatl. They also produced significant new writings in Latin and Nahuatl, adorning accounts of their ancestral past with parallels from Greek and Roman history and importing themes from classical and Christian sources to interpret pre-Hispanic customs and beliefs. Aztec Latin reveals the full extent to which the first Mexican authors mastered and made use of European learning and provides a timely reassessment of what those indigenous authors really achieved.

Nowadays we can judge books by their covers. In antiquity, when a 'book' was a papyrus roll, its first few words advertised the nature of the text to follow. The Prologue of Apuleius' innovative novel, the Metamorphoses (or Golden Ass), is an extraordinary example of a programmatic opening, which has captivated readers and scholars from the Renaissance to the present day. This short text raises a variety of important questions about liberty, and about historical and linguistic interpretation. Along with a new text and translation of the Prologue, the twenty-four discussions in this volume, commissioned from internationally known specialists, cover issues ranging from philosophy and cultural history to intertextuality and Latinity. This collection of essays combines the broader perspectives of an interdisciplinary anthology with the closer focus of a traditional commentary. As a model for collaborative work, it displays the strength and diversity of existing approaches to ancient texts and is designed to stimulate new developments in the study of classics and later literatures.

Can a speaker's words ever be faithfully reported? History, philosophy, ethnography, political theory, linguistics, and literary criticism all involve debates about discourse and representation. By drawing from Plato's theory of discourse, the lively analysis of speech presentation in this book provides a coherent and original contribution to these debates, and highlights the problems involved when speech becomes both the object and the medium of narrative representation. The opening chapters offer fresh insights on ideology, intertextuality, literary language, and historiography, and reveal important connections between them. These insights are then applied in specific critical treatments of - Virgil's Aeneid, of Petronius' Satyricon, and of scenes involving messengers and angels in classical and European epic. Throughout this study, ancient texts are discussed in conjunction with examples from later traditions. Overall, this book uses Latin literature to demonstrate the theoretical and ideological importance of speech presentation for a number of contemporary disciplines.

The volume makes widely available some important scholarship on the canonical texts of ancient rhetoric and poetics. Whilst there are numerous studies of general trends in classical criticism, this collection offers direct discussions of primary sources, which provide a useful companion to the Russell and Winterbottom anthology, Ancient Literary Criticism. The volume contains a chronology, suggestions for further reading, a new translation of Bernays' 1857 essay on katharsis, and an important introductory chapter addressing the tension in ancient literary criticism between its place in the classical tradition and its role in contemporary endeavours to reconstruct ancient culture.

The volume makes widely available some important scholarship on the canonical texts of ancient rhetoric and poetics. Whilst there are numerous studies of general trends in classical criticism, this collection offers direct discussions of primary sources, which provide a useful companion to the Russell and Winterbottom anthology, Ancient Literary Criticism. The volume contains a chronology, suggestions for further reading, a new translation of Bernays' 1857 essay on katharsis, and an important introductory chapter addressing the tension in ancient literary criticism between its place in the classical tradition and its role in contemporary endeavours to reconstruct ancient culture.

A lively introduction to the rich and complex tradition of Latin literature from colonial Spanish America, and to its best known author, the poet Rafael Landivar. Rafael Landivar is the best known of all the poets from the Americas to write in Latin. In the 15 books of his Rusticatio Mexicana (1782), he described - in vivid epic verse - the lakes, volcanoes, and wildlife of Mexico and his native Guatemala, as well as the livelihoods and recreations of the people of the region. This panorama of nature, culture and production in colonial New Spain took classical didactic poetry into a new world of political conflict. But Landivar also writes with a strongly personal voice: elegiac and pastoral modes convey the pathos of displacement and the poet's overwhelming nostalgia for his American homeland. Andrew Laird's introduction provides information about Landivar's life and exile to Italy, explains his diverse intellectual heritage, and collects his shorter works (translated into English here for the first time). A 1948 text of the Rusticatio Mexicana, with a translation by Graydon W. Regenos, is included in this volume. This accessible and stimulating account of 'the American Virgil' hi

Italy's original fascination with its cultural origins in Greece and Rome first created what is now known as 'the Classical tradition' - the pervasive influence of ancient art and thought on later times. In response to a growing interest in Classical reception, this volume provides a timely reappraisal of the Greek and Roman legacies in Italian literary history. There are fresh insights on the early study of Greek and Latin texts in post-classical Italy and reassessments of the significance attached to ancient authors and ideas in the Renaissance, as well as some innovative interpretations of canonical Italian authors, including Dante, Petrarch and Alberti, in the light of their ancient influences and models. The wide range of essays in this volume - all by leading specialists - should appeal to anyone with an interest in Italian literature or the Classical tradition. Italy's early fascination with its Hellenic and Roman origins created what is now called 'the classical tradition'.This book focuses on the role of the Greek and Latin languages and texts in Italian humanist thought and Renaissance poetry: how ancient languages were mastered and used, and how ancient texts were acquired and appropriated. Fresh perspectives on the influences of Aristotle, Plutarch and Virgil accompany innovative interpretations of canonical Italian authors - including Dante, Petrarch and Alberti - in the light of their classical models. Treatments of more specialized forms of writing, such as the cento and commentary, and some opening chapters on linguistic history also prompt reassessment of Renaissance perceptions of both Greece and Rome in relation to early modern Latin and vernacular culture. The collection as a whole highlights the importance of Italy's unique legacy of antiquity for the history of ideas and philology, as well as for literary history. The essays in this volume, all by leading specialists, are supplemented by a detailed introduction and a subject bibliography.

This collection is the first concerted attempt to explore the significance of classical legacies for Latin American history – from the uses of antiquarian learning in colonial institutions to the currents of Romantic Hellenism which inspired liberators and nation-builders in the nineteenth and twentieth centuries. Discusses how the model of Roman imperialism, challenges to Aristotle’s theories of geography and natural slavery, and Cicero’s notion of the patria have had a pervasive influence on thought and politics throughout the Latin American regionBrings together essays by specialists in art history, cultural anthropology and literary studies, as well as Americanists and scholars of the classical traditionShows that appropriations of the Greco-Roman past are a recurrent catalyst for change in the AmericasCalls attention to ideas and developments which have been overlooked in standard narratives of intellectual history

A lively introduction to the rich and complex tradition of Latin literature from colonial Spanish America, and to its best known author, the poet Rafael Landivar. Rafael Landivar is the best known of all the poets from the Americas to write in Latin. In the 15 books of his Rusticatio Mexicana (1782), he described - in vivid epic verse - the lakes, volcanoes, and wildlife of Mexico and his native Guatemala, as well as the livelihoods and recreations of the people of the region. This panorama of nature, culture and production in colonial New Spain took classical didactic poetry into a new world of political conflict. But Landivar also writes with a strongly personal voice: elegiac and pastoral modes convey the pathos of displacement and the poet's overwhelming nostalgia for his American homeland. Andrew Laird's introduction provides information about Landivar's life and exile to Italy, explains his diverse intellectual heritage, and collects his shorter works (translated into English here for the first time). A 1948 text of the Rusticatio Mexicana, with a translation by Graydon W. Regenos, is included in this volume.

Italy's original fascination with its cultural origins in Greece and Rome first created what is now known as 'the Classical tradition' - the pervasive influence of ancient art and thought on later times. In response to a growing interest in Classical reception, this volume provides a timely reappraisal of the Greek and Roman legacies in Italian literary history. There are fresh insights on the early study of Greek and Latin texts in post-classical Italy and reassessments of the significance attached to ancient authors and ideas in the Renaissance, as well as some innovative interpretations of canonical Italian authors, including Dante, Petrarch and Alberti, in the light of their ancient influences and models. The wide range of essays in this volume - all by leading specialists - should appeal to anyone with an interest in Italian literature or the Classical tradition. Italy's early fascination with its Hellenic and Roman origins created what is now called 'the classical tradition'.This book focuses on the role of the Greek and Latin languages and texts in Italian humanist thought and Renaissance poetry: how ancient languages were mastered and used, and how ancient texts were acquired and appropriated. Fresh perspectives on the influences of Aristotle, Plutarch and Virgil accompany innovative interpretations of canonical Italian authors - including Dante, Petrarch and Alberti - in the light of their classical models. Treatments of more specialized forms of writing, such as the cento and commentary, and some opening chapters on linguistic history also prompt reassessment of Renaissance perceptions of both Greece and Rome in relation to early modern Latin and vernacular culture. The collection as a whole highlights the importance of Italy's unique legacy of antiquity for the history of ideas and philology, as well as for literary history. The essays in this volume, all by leading specialists, are supplemented by a detailed introduction and a subject bibliography.