Andrew Stephenson – författare

The essays in this volume explore those aspects of Kant''s writings which concern issues in the philosophy of mind. These issues are central to any understanding of Kant''s critical philosophy and they bear upon contemporary discussions in the philosophy of mind. Fourteen specially written essays address such questions as: What role does mental processing play in Kant''s account of intuition? What kinds of empirical models can be given of these operations? In whatsense, and in what ways, are intuitions object-dependent? How should we understand the nature of the imagination? What is inner sense, and what does it mean to say that time is the form of inner sense? Can we cognize ourselves through inner sense? How do we self-ascribe our beliefs and what role doesself-consciousness play in our judgments? Is the will involved in judging? What kind of knowledge can we have of the self? And what kind of knowledge of the self does Kant proscribe?These essays showcase the depth of Kant''s writings in the philosophy of mind, and the centrality of those writings to his wider philosophical project. Moreover, they show the continued relevance of Kant''s writings to contemporary debates about the nature of mind and self.

The essays in this volume explore those aspects of Kant''s writings which concern issues in the philosophy of mind. These issues are central to any understanding of Kant''s critical philosophy and they bear upon contemporary discussions in the philosophy of mind. Fourteen specially written essays address such questions as: What role does mental processing play in Kant''s account of intuition? What kinds of empirical models can be given of these operations? In whatsense, and in what ways, are intuitions object-dependent? How should we understand the nature of the imagination? What is inner sense, and what does it mean to say that time is the form of inner sense? Can we cognize ourselves through inner sense? How do we self-ascribe our beliefs and what role doesself-consciousness play in our judgments? Is the will involved in judging? What kind of knowledge can we have of the self? And what kind of knowledge of the self does Kant proscribe?These essays showcase the depth of Kant''s writings in the philosophy of mind, and the centrality of those writings to his wider philosophical project. Moreover, they show the continued relevance of Kant''s writings to contemporary debates about the nature of mind and self.

The essays in this volume explore those aspects of Kant's writings which concern issues in the philosophy of mind. These issues are central to any understanding of Kant's critical philosophy and they bear upon contemporary discussions in the philosophy of mind. Fourteen specially written essays address such questions as: What role does mental processing play in Kant's account of intuition? What kinds of empirical models can be given of these operations? In what sense, and in what ways, are intuitions object-dependent? How should we understand the nature of the imagination? What is inner sense, and what does it mean to say that time is the form of inner sense? Can we cognize ourselves through inner sense? How do we self-ascribe our beliefs and what role does self-consciousness play in our judgments? Is the will involved in judging? What kind of knowledge can we have of the self? And what kind of knowledge of the self does Kant proscribe?These essays showcase the depth of Kant's writings in the philosophy of mind, and the centrality of those writings to his wider philosophical project. Moreover, they show the continued relevance of Kant's writings to contemporary debates about the nature of mind and self.

Immanuel Kant (1724-1804) is a towering figure of modern Western philosophy, someone whose thought continues to exert an influence across all areas of the discipline. His work is characterized by both breadth and unity: he writes powerfully about mind, epistemology, metaphysics, logic, mathematics, natural science, ethics, politics, aesthetics, education, and more. And across those areas, his work is concerned with defending a view of human beings and their place in nature according to which our own reason enables us to discover and uphold the laws of nature and freedomthat is, to think for ourselves.The Oxford Handbook of Kant provides an up-to-date account of recent scholarship on Kant's philosophy, taking in all areas of his writings. It will be essential reading for students and researchers who want to think for themselves about the topics he wrote with such insight. The individual chapters to this Handbook each provide a scholarly analysis and assessment of some aspect of Kant's thought, and the collection ranges across all the areas to which Kant contributed. It collectively presents a picture of where the study of Kant's philosophy finds itself at this point in the twenty-first century.

This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.

This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.

This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.