Andrew Stewart – författare

History tells us that the Second World War broke Britain as a great power, diminishing its military strength, ruining its economy, and precipitating a striking wave of decolonization. Nationalists and new superpowers dominated the post-war landscape, and the country was on the slide. But no one knew this in 1945 - the leading politicians, the top civil servants, and the most knowledgeable experts, all expected the British Empire to remain intact long into the future. There was no hint of imminent collapse, and the governing elite and key opinion-shapers weren't considering decline and decolonization, evincing instead a new zeal for imperial renovation and a belief that an empire which had just survived another global conflict was vital for the peace and security of all humankind. They were even looking to expansion, securing the spoils of victory as they had done at the end of the First World War. Fully expecting to continue leading a great empire as well as a bloc of European nations recovering from war, the British had their own vision of the new world order. Furthermore, and astonishingly given what actually happened, British leaders were convinced that parity could be gained with the Americans and the Soviets: Britain was to remain a superpower in its own right. What actually happened differed radically from these expectations. The question is, how do we account for the difference between what it was thought would happen and the actual course of events? Superpower Britain is the first book to focus in depth on this fascinating counterpoint and to fully integrate the history of Britain and the effects of the Second World War with the history of the British Empire. It explains what the British planned to do in the post-war world, why they thought their plans for regeneration and the future world order were viable, and what the war had actually done to British world power and its imperial foundations.

History tells us that the Second World War broke Britain as a great power, diminishing its military strength, ruining its economy, and precipitating a striking wave of decolonization. Nationalists and new superpowers dominated the post-war landscape, and the country was on the slide. But no one knew this in 1945 - the leading politicians, the top civil servants, and the most knowledgeable experts, all expected the British Empire to remain intact long into the future. There was no hint of imminent collapse, and the governing elite and key opinion-shapers weren't considering decline and decolonization, evincing instead a new zeal for imperial renovation and a belief that an empire which had just survived another global conflict was vital for the peace and security of all humankind. They were even looking to expansion, securing the spoils of victory as they had done at the end of the First World War. Fully expecting to continue leading a great empire as well as a bloc of European nations recovering from war, the British had their own vision of the new world order. Furthermore, and astonishingly given what actually happened, British leaders were convinced that parity could be gained with the Americans and the Soviets: Britain was to remain a superpower in its own right. What actually happened differed radically from these expectations. The question is, how do we account for the difference between what it was thought would happen and the actual course of events? Superpower Britain is the first book to focus in depth on this fascinating counterpoint and to fully integrate the history of Britain and the effects of the Second World War with the history of the British Empire. It explains what the British planned to do in the post-war world, why they thought their plans for regeneration and the future world order were viable, and what the war had actually done to British world power and its imperial foundations.

History tells us that the Second World War broke Britain as a great power, diminishing its military strength, ruining its economy, and precipitating a striking wave of decolonization. Nationalists and new superpowers dominated the post-war landscape, and the country was on the slide. But no one knew this in 1945 - the leading politicians, the top civil servants, and the most knowledgeable experts, all expected the British Empire to remain intact long into the future. There was no hint of imminent collapse, and the governing elite and key opinion-shapers weren't considering decline and decolonization, evincing instead a new zeal for imperial renovation and a belief that an empire which had just survived another global conflict was vital for the peace and security of all humankind. They were even looking to expansion, securing the spoils of victory as they had done at the end of the First World War. Fully expecting to continue leading a great empire as well as a bloc of European nations recovering from war, the British had their own vision of the new world order. Furthermore, and astonishingly given what actually happened, British leaders were convinced that parity could be gained with the Americans and the Soviets: Britain was to remain a superpower in its own right. What actually happened differed radically from these expectations. The question is, how do we account for the difference between what it was thought would happen and the actual course of events? Superpower Britain is the first book to focus in depth on this fascinating counterpoint and to fully integrate the history of Britain and the effects of the Second World War with the history of the British Empire. It explains what the British planned to do in the post-war world, why they thought their plans for regeneration and the future world order were viable, and what the war had actually done to British world power and its imperial foundations.

A riveting new account of the long-overlooked achievement of British-led forces who, against all odds, scored the first major Allied victory of the Second World WarSurprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops. This compelling book draws on an array of previously unseen documents to provide both a detailed campaign history and a fresh appreciation of the first significant Allied success of the war.  Andrew Stewart investigates such topics as Britain’s African wartime strategy; how the fighting forces were assembled (most from British colonies, none from the U.S.); General Archibald Wavell’s command abilities and his difficult relationship with Winston Churchill; the resolute Italian defense at Keren, one of the most bitterly fought battles of the entire war; the legacy of the campaign in East Africa; and much more.

"Exciting . . . a comprehensive account of an overlooked campaign in which an outnumbered imperial army destroyed Mussolini''s dream of a new Roman Empire." —Ashley Jackson, author of Churchill Surprisingly neglected in accounts of Allied wartime triumphs, this is the story of the British and Commonwealth forces who, against all odds, completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent in 1941. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops. This compelling book draws on an array of previously unseen documents to provide both a detailed campaign history and a fresh appreciation of the first significant Allied success of the war. Andrew Stewart investigates such topics as Britain''s African wartime strategy; how the fighting forces were assembled (most from British colonies, none from the U.S.); General Archibald Wavell''s command abilities and his difficult relationship with Winston Churchill; the resolute Italian defense at Keren, one of the most bitterly fought battles of the entire war; the legacy of the campaign in East Africa; and much more. "The First Victory is that rarity of military history: groundbreaking research combined with first-rate narrative skills." —Open Letters Includes maps and photographs

This genuinely pocket-sized guide to being on call is ideal for medical students and newly qualified junior doctors seeking a convenient and concise handbook to refer to in busy clinical settings. Clear, concise and systematic, Pocket on Call contains exactly what you need to make rapid and appropriate decisions without overwhelming or extrane

Alexander the Great changed the face of the ancient world. During his life and after his death, his image in works of art exerted an unprecedented influence-on marbles, bronzes, ivories, frescoes, mosaics, coins, medals, even painted pottery and reliefware. Alexander's physiognomy became the most famous in history. But can we really know what meaning lies behind these images? Andrew Stewart demonstrates that these portraits--wildly divergent in character, quality, type, provenance, date, and purpose--actually transmit not so much a likeness of Alexander as a set of carefully crafted cliches that mobilize the notion "Alexander" for diverse ends and diverse audiences. Stewart discusses the portraits as studies in power and his original interpretation of them gives unprecedented fullness and shape to the idea and image called "Alexander."

What was the 'Classical Revolution' in Greek art? What were its contexts, aims, achievements, and impact? This book introduces students to these questions and guides them towards the answers. Andrew Stewart examines Greek architecture, painting, and sculpture of the fifth and fourth centuries BC in relation to the great political, social, cultural, and intellectual issues of the period.

This 2005 volume examines the 'little barbarians', ten highly expressive Roman marble figures of Giants, Amazons, Persians, and Gauls that were found in Rome in 1514 and are now recognized as copies of the Small (or Lesser) Attalid Dedication on the Athenian Akropolis. Manolis Korres' recent discovery of the monument's pedestals, fully published in this volume, has led Andrew Stewart to a complete reconsideration of the statues' form, date, and significance. He demonstrates that this is the only Hellenistic royal donation of sculpture whose donor, location, and form are all known; the only one securely identified in copy; and the only one whose life can be glimpsed from beginning to end, a period ranging over 2200 years. Illustrated with photographs of all ten Barbarians, and 26 drawings by Manolis Korres, it systematically traces the Barbarians' impact upon Roman and Renaissance art, and the intellectual history of art and archaeology.

What was the 'Classical Revolution' in Greek art? What were its contexts, aims, achievements, and impact? This book introduces students to these questions and guides them towards the answers. Andrew Stewart examines Greek architecture, painting, and sculpture of the fifth and fourth centuries BC in relation to the great political, social, cultural, and intellectual issues of the period.

Increasing attention is being paid to the needs of cancer patients who present acutely with issues relating to their diagnosis an management, complications of their cancer, complications arising from their treatment, or who require appropriate symptom control or palliative care. Recent years have seen substantial service development to ensure acute oncology is appropriately provided, to improve outcomes and wellbeing of patients.A team of experts in cancer care have completely revised and updated the previous edition of this book to produce a template that can be used by any professional involved in the planning and delivery of acute oncology care around the world.This title is formally supported by the Association of Cancer Physicians (ACP). This highly patient-centred, readable text will be of value to clinicians and healthcare professionals, healthcare strategic and operations managers, and doctors in training, in their daily work.

What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.

Contract Law: Principles and Context presents the development of contract law through a considered selection of cases that are both authoritative and used as factual examples to explain the law. The text introduces readers to the nature and range of contracts, the process for making a contract, rights and duties, adjustments to contracts, vitiating factors and unfair conduct, ending contracts, and remedies and restitution. The text considers the historical development of contracts through case law and legislation, then takes the reader to particular issues with contracts as they might arise in real life and navigates a legal pathway through them. Written in a clear and engaging style, Contract Law provides a fresh, topical and accessible account of the Australian law of contract, and is an invaluable resource for contract law students and practitioners.

Contract Law: Principles and Context presents the development of contract law through a considered selection of cases that are both authoritative and used as factual examples to explain the law. The text introduces readers to the nature and range of contracts, the process for making a contract, rights and duties, adjustments to contracts, vitiating factors and unfair conduct, ending contracts, and remedies and restitution. The text considers the historical development of contracts through case law and legislation, then takes the reader to particular issues with contracts as they might arise in real life and navigates a legal pathway through them. Written in a clear and engaging style, Contract Law provides a fresh, topical and accessible account of the Australian law of contract, and is an invaluable resource for contract law students and practitioners.

Andrew Stewart (1791-1872) advocated protectionist policies for nearly two decades in the House of Representatives, gaining national renown as Chairman of the House Committees on the Tariff and Internal Improvements in the 1820s. Many of Stewart’s congressional speeches on economic doctrine were reproduced in full by newspapers, and he himself collected into one volume, reproduced here, all his speeches relating to tariffs. They demonstrate his belief in protectionism, in the necessity in his eyes of protective tariffs so as to enable American capitalists catch up with their British counterparts.

Andrew Stewart (1791-1872) advocated protectionist policies for nearly two decades in the House of Representatives, gaining national renown as Chairman of the House Committees on the Tariff and Internal Improvements in the 1820s. Many of Stewart’s congressional speeches on economic doctrine were reproduced in full by newspapers, and he himself collected into one volume, reproduced here, all his speeches relating to tariffs. They demonstrate his belief in protectionism, in the necessity in his eyes of protective tariffs so as to enable American capitalists catch up with their British counterparts.

What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two ''focus'' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.

What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two ''focus'' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.