Ashley Jackson – författare

History tells us that the Second World War broke Britain as a great power, diminishing its military strength, ruining its economy, and precipitating a striking wave of decolonization. Nationalists and new superpowers dominated the post-war landscape, and the country was on the slide. But no one knew this in 1945 - the leading politicians, the top civil servants, and the most knowledgeable experts, all expected the British Empire to remain intact long into the future. There was no hint of imminent collapse, and the governing elite and key opinion-shapers weren't considering decline and decolonization, evincing instead a new zeal for imperial renovation and a belief that an empire which had just survived another global conflict was vital for the peace and security of all humankind. They were even looking to expansion, securing the spoils of victory as they had done at the end of the First World War. Fully expecting to continue leading a great empire as well as a bloc of European nations recovering from war, the British had their own vision of the new world order. Furthermore, and astonishingly given what actually happened, British leaders were convinced that parity could be gained with the Americans and the Soviets: Britain was to remain a superpower in its own right. What actually happened differed radically from these expectations. The question is, how do we account for the difference between what it was thought would happen and the actual course of events? Superpower Britain is the first book to focus in depth on this fascinating counterpoint and to fully integrate the history of Britain and the effects of the Second World War with the history of the British Empire. It explains what the British planned to do in the post-war world, why they thought their plans for regeneration and the future world order were viable, and what the war had actually done to British world power and its imperial foundations.

This is the first full study of an African country during the Second World War. Unusually, it provides both an Africanist and an imperial perspective. Using extensive archival and oral evidence, Ashley Jackson explores the social, economic, political, agricultural, and military history of Botswana. He examines Botswana's military contribution to the war effort and the impact of the war on the African home front. The book focuses on events and personalities `on the ground' in Africa and also on their interaction with and impact upon events and personalities in distant imperial centres, such as Whitehall and the wartime British Army headquarters in the Middle East. The attitudes, aims, and actions of all levels of colonial society - British rulers, African chiefs, military officials, ordinary African men and women - are considered, producing a `total history' of an African country at war.

Buildings of Empire takes the reader on an exciting journey through thirteen territories of the British Empire. From Dublin Castle to the glass and steel of Sir Norman Foster's Hong Kong and Shanghai Bank skyscraper, these buildings capture the essence of the imperial experience, painting an intimate portrait of the biggest empire the world has ever seen: the people who made it and the people who resisted it, as well as the legacy of the imperial project throughout the world.Ashley Jackson visits classic examples of the buildings that the British governed from, the forts they (often brutally) imposed their rule from, the railway stations they travelled from, the banks they traded from, the educational establishments they spread their values from, as well as the grand colonial hotels they stayed in, the sporting clubs and botanical gardens where they took their leisure, and the monumental exhibition spaces in which they celebrated the achievements of settlement and imperial endeavour. The history of these buildings does not end with the empire that built them. Their story in the aftermath of empire highlights the continuing legacy of many of the structures and institutions the British left behind, as well as the sometimes unexpected role that these former symbols of alien rule have played in the establishment of new national identities in the years since independence.

From the eighteenth century until the 1950s the British Empire was the biggest political entity in the world. The territories forming this empire ranged from tiny islands to vast segments of the world's major continental land masses. The British Empire left its mark on the world in a multitude of ways, many of them permanent. In this Very Short Introduction, Ashley Jackson introduces and defines the British Empire, reviewing its historiography by answering a series of key questions: What was the British Empire, and what were its main constituent parts? What were the phases of imperial expansion and contraction and the general causes of expansion and contraction? How was the Empire ruled? What were its economic effects? What were the cultural implications of empire, in Britain and its colonies? What was life like for people living under imperial rule? What are the legacies of the British Empire and how should we view its place in world history?ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A new history of the long-overlooked WWII theater in Iran and Iraq, its unrecognized significance, and its impact on local society and politicsThis dynamic history is the first to construct a total picture of the experience and impact of World War II in Iran and Iraq. Contending that these two countries were more important to the Allied forces’ war operations than has ever been acknowledged, historian Ashley Jackson investigates the grand strategy of the Allies and their operations in the region and the continuing legacy of Western intervention in the Middle East.  Iran and Iraq served as the first WWII theater in which the U.S., the U.K., and the U.S.S.R. fought alongside each other. Jackson charts the intense Allied military activity in Iran and Iraq and reveals how deeply the war impacted common people’s lives. He also provides revelations about the true nature of Anglo-American relations in the region, the beginnings of the Cold War, and the continuing corrosive legacy of Western influence in these lands.

This collection of essays, written by authors of different nationalities, explores the experiences of the countries that were not numbered among the Second World War’s major belligerents, including colonies, 'lesser' powers, and neutral nation states. The story of the war is often dominated by the experiences, actions, and historical narratives of the major belligerent powers. By focusing on the war history of ten diverse countries, this analysis of the conflict’s global manifestations facilitates greater empathy with the experience of polities and societies dragged into regional and international conflicts. The volume offers valuable insights on the war’s place in national culture and collective memory. National Perspectives on the Global Second World War is an essential contribution to the study of the Second World War and will be of particular interest to scholars of imperial and colonial history, military history, and global history.

This collection of essays, written by authors of different nationalities, explores the experiences of the countries that were not numbered among the Second World War’s major belligerents, including colonies, 'lesser' powers, and neutral nation states. The story of the war is often dominated by the experiences, actions, and historical narratives of the major belligerent powers. By focusing on the war history of ten diverse countries, this analysis of the conflict’s global manifestations facilitates greater empathy with the experience of polities and societies dragged into regional and international conflicts. The volume offers valuable insights on the war’s place in national culture and collective memory. National Perspectives on the Global Second World War is an essential contribution to the study of the Second World War and will be of particular interest to scholars of imperial and colonial history, military history, and global history.

At the start of the Second World War, Britain was at the height of its imperial power, and it is no surprise that it drew upon the global resources of the Empire once war had been declared. Whilst this international aspect of Britain’s war effort has been well-studied in relation to the military contribution of individual dominions and colonies, relatively little has been written about the Empire as a whole. As such, An Imperial World at War makes an important contribution to the historiography relating to the British Empire and its wartime experience. It argues that the war needs to be viewed in imperial terms, that the role of forces drawn from the Empire is poorly understood and that the war's impact on colonial societies is barely grasped at all in conventional accounts. Through a series of case studies, the volume demonstrates the fundamental role played by the Empire in Britain’s war effort and highlights some of the consequences for both Britain and its imperial territories.Themes include the recruitment and utilization of military formations drawn from imperial territories, the experience of British forces stationed overseas, the use of strategic bases located in the colonies, British policy in the Middle East and the challenge posed by growing American power, the occupation of enemy colonies and the enemy occupation of British colonies, colonial civil defence measures, financial support for the war effort supplied by the Empire, and the commemoration of the war. The Afterword anticipates a new, decentred history of the war that properly acknowledges the role and importance of people and places throughout the colonial and semi-colonial world.’This volume emanates from a conference organized as part of the ‘Home Fronts of the Empire – Commonwealth’ project. The project was generously funded by the Arts and Humanities Research Council and led by Yasmin Khan and Ashley Jackson with Gajendra Singh as Postdoctoral Research Assistant.

Winston Churchill attracted far more criticism alive than he has since his death. He was, according to Evelyn Waugh, 'always in the wrong, surrounded by crooks, a terrible father, a radio personality'. Whatever one's view of 'the greatest Briton', and despite the best efforts of an army of writers who have penned portraits of him, Winston Churchill remains splendidly unreduced. In this new biography Ashley Jackson describes the contours of Winston Churchill's remarkable life and political career, and gives a sense of the man behind the dark eyes and bulldog features. From Cabinet outcast to the greatest war leader ever, this is the eternally fascinating story of Winston Churchill's appointment with destiny.

The British Empire played a crucial part in the First World War, supplying hundreds of thousands of soldiers and labourers as well as a range of essential resources, from foodstuffs to minerals, mules, and munitions. In turn, many imperial territories were deeply affected by wartime phenomena, such as inflation, food shortages, combat, and the presence of large numbers of foreign troops.This collection offers a comprehensive selection of essays illuminating the extent of the Empire’s war contribution and experience, and the richness of scholarly research on the subject. Whether supporting British military operations, aiding the British imperial economy, or experiencing significant wartime effects on the home fronts of the Empire, the war had a profound impact on the colonies and their people.The chapters in this volume were originally published in Australian Historical Studies, The Journal of Imperial and Commonwealth History, First World War Studies or The Round Table: The Commonwealth Journal of International Affairs.

The British Empire played a crucial part in the First World War, supplying hundreds of thousands of soldiers and labourers as well as a range of essential resources, from foodstuffs to minerals, mules, and munitions. In turn, many imperial territories were deeply affected by wartime phenomena, such as inflation, food shortages, combat, and the presence of large numbers of foreign troops.This collection offers a comprehensive selection of essays illuminating the extent of the Empire’s war contribution and experience, and the richness of scholarly research on the subject. Whether supporting British military operations, aiding the British imperial economy, or experiencing significant wartime effects on the home fronts of the Empire, the war had a profound impact on the colonies and their people.The chapters in this volume were originally published in Australian Historical Studies, The Journal of Imperial and Commonwealth History, First World War Studies or The Round Table: The Commonwealth Journal of International Affairs.

At the start of the Second World War, Britain was at the height of its imperial power, and it is no surprise that it drew upon the global resources of the Empire once war had been declared. Whilst this international aspect of Britain’s war effort has been well-studied in relation to the military contribution of individual dominions and colonies, relatively little has been written about the Empire as a whole. As such, An Imperial World at War makes an important contribution to the historiography relating to the British Empire and its wartime experience. It argues that the war needs to be viewed in imperial terms, that the role of forces drawn from the Empire is poorly understood and that the war's impact on colonial societies is barely grasped at all in conventional accounts. Through a series of case studies, the volume demonstrates the fundamental role played by the Empire in Britain’s war effort and highlights some of the consequences for both Britain and its imperial territories.Themes include the recruitment and utilization of military formations drawn from imperial territories, the experience of British forces stationed overseas, the use of strategic bases located in the colonies, British policy in the Middle East and the challenge posed by growing American power, the occupation of enemy colonies and the enemy occupation of British colonies, colonial civil defence measures, financial support for the war effort supplied by the Empire, and the commemoration of the war. The Afterword anticipates a new, decentred history of the war that properly acknowledges the role and importance of people and places throughout the colonial and semi-colonial world.’This volume emanates from a conference organized as part of the ‘Home Fronts of the Empire – Commonwealth’ project. The project was generously funded by the Arts and Humanities Research Council and led by Yasmin Khan and Ashley Jackson with Gajendra Singh as Postdoctoral Research Assistant.

'Ashley Jackson The Yorkshire Artist' contains a collection of paintings that have been personally chosen by the artist to bring together his personal memories and intimate reflections of the emotions and atmosphere that he has captured in each watercolour painting. As he explains, 'All artists paint what inspires them, what allows them to capture what they see with their eyes with their hands and heart. We all have differing inspirations, mediums and connections with our subject mine is the Yorkshire Moors.' From the open moorland of Marsden Moor to the inhabited landscape of Whitby, this book brims with what Ashley does best; capturing the atmospheric skies and drama of the landscape. As Ashley explains, 'I have strived throughout my life to witness and portray every mood swing of nature as she takes a stand against all that the elements throw at her, whether that be rain, wind, snow or fire.' You will truly find Ashley Jackson and his 'Yorkshire Mistress', as he calls the Yorkshire landscape, laid bare in these stunning paintings.

I am not one for pretty pictures.' Perhaps when I am long gone this will be a quote that I am remembered for alongside my paintings. For you will mostly find me in the gallery on a sunny day and out on the moors when it is at its most inhospitable, for these are the days that captivate me. All your senses are alive, so that what you visibly see is not the whole painting , the rest comes from you.Ashley Jackson's Watercolour sketches is a collection of these raw drawings combined with my intimate thoughts and feelings, together they may become a finished painting. I suppose you could say that I use my sketchbook in the same way that others create a diary of words, they are a reflection of my relationship with the Yorkshire landscape.In all honesty, they were never intended for anything other than my personal recollections.I can go back to the drawing months later and mentally open that moment as if I was stood in that same location, I could tell you the weather, the sounds and smells , whilst the colours are as vivid as if I had gone back in time and revisited the day itself.This book allows you to step back from my dramatic and atmospheric watercolour paintings and see the landscape in its nakedness, through my private, personal sketches you can join me in my artistic journey and conversation with nature.

Two decades on from 9/11, the Taliban now control more than half of Afghanistan. Few would have foreseen such an outcome, and there is little understanding of how Afghans living in Taliban territory have navigated life under insurgent rule. Based on over 400 interviews with Taliban and civilians, this book tells the story of how civilians have not only bargained with the Taliban for their survival, but also ultimately influenced the course of the war in Afghanistan. While the Taliban have the power of violence on their side, they nonetheless need civilians to comply with their authority. Both strategically and by necessity, civilians have leveraged this reliance on their obedience in order to influence Taliban behaviour.Challenging prevailing beliefs about civilians in wartime, Negotiating Survival presents a new model for understanding how civilian agency can shape the conduct of insurgencies. It also provides timely insights into Taliban strategy and objectives, explaining how the organisation has so nearly triumphed on the battlefield and in peace talks. While Afghanistan's future is deeply unpredictable, there is one certainty: it is as critical as ever to understand the Taliban--and how civilians survive their rule.

"Distant Drums" reveals how colonies were central to the defence of the British Empire and the command of the oceans that underpinned it. It blends sweeping overviews of the nature of imperial defence with grass-roots explanations of how individual colonies were mobilised for war, drawing on the author's specialist knowledge of the Indian Ocean and colonies such as Bechuanaland, Ceylon, Mauritius, and Swaziland. This permits the full and dramatic range of action involved in imperial warfare -- from policy-makers and military planners in Whitehall to chiefs recruiting soldiers in African villages -- to be viewed as part of an interconnected whole. After examining the martial reasons for acquiring colonies, the book considers the colonial role in the First World War. It then turns to the Second World War, documenting the recruitment of colonial soldiers, their manifold roles in British military formations, and the impact of war upon colonial home fronts. It reveals the problems associated with the use of colonial troops far from home, and the networks used to achieve the mobilisation of a global empire, such as those formed by colonial governors and regional naval commanders. The book is an important contribution to our understanding of the role of British colonies in twentieth-century warfare. The defence of empire has traditionally been associated with the military endeavours of Britain and the 'white' Dominions, with the Indian Army sometimes in the background. This book champions the crucial role played by the other parts of the British Empire -- the sixty or so colonies spread across the globe -- in delivering victory during the world wars of the twentieth century.

Illustrating Empire tells the history of the British Empire through the ephemeral images used to promote, record, and celebrate its development. The narrative is told through more than 200 striking and original images accompanied by illuminating story captions which unlock the history and meaning behind the illustrations. Following a general introduction which provides an overarching discussion of Empire and its many facets, the book is structured around eight major themes associated with the British Empire and Britain’s encounter with non-Europeans: emigration and settlement; imperial authority; exploration and knowledge; trade and commerce; travel and communications; popular culture; exhibitions and jubilees; and politics. Each chapter opens with an introduction which sets the overall context for the visual narrative to follow. The book examines the significance of a range of media in purveying ideas about empire and the non-European world. It also provides a clear summary of scholarly debates regarding the significance of empire in terms of British culture. This book represents a significant contribution to the literature on culture and empire, and will be an engaging and useful source for scholars as well as students and general readers.

Oxford played a unique part in the national endeavour to defend Britain in the Second World War. During the Blitz and beyond, thanks to its proximity to London, the city provided an alternative base for civil servants from the Ministry of Food, the Foreign Office, the Ministry of Home Security, the Ministry of Information and the Ministry of Works. The Admiralty, the War Office, the Air Ministry, MI5, and Bletchley Park all also had a presence in Oxford. Colleges became military hospitals, evacuee centres and both cadet and senior officer schools. Students fit for active service took shortened degree courses and underwent military training while they studied. Grassy quadrangles were converted into vegetable plots and the New Bodleian Library provided underground storage for treasures from Parliament and national museums. Drawing on first-hand narratives and material from University and college archives, this pioneering account reveals the essential role Oxford played in producing military intelligence, creating propaganda, and developing radar and the atomic bomb. It also explores the city’s role in bringing penicillin to market and laying the foundations of the welfare state. It shows how the Cowley car works was heavily involved in arms production and the salvage of RAF fighter planes, and also how the University provided a place of sanctuary for academics fleeing fascism who in turn made significant contributions in their fields of expertise. Together these accounts paint an extraordinary picture of the war’s profound impact on an ancient seat of learning.

In 1939 Hitler went to war not just with Great Britain; he also went to war with the whole of the British Empire, the greatest empire that there had ever been. In the years since 1945 that empire has disappeared, and the crucial fact that the British Empire fought together as a whole during the war has been forgotten. All the parts of the empire joined the struggle and were involved in it from the beginning, undergoing huge changes and sometimes suffering great losses as a result. The war in the desert, the defence of Malta and the Malayan campaign, and the contribution of the empire as a whole in terms of supplies, communications and troops, all reflect the strategic importance of Britain's imperial status. Men and women not only from Australia, New Zealand and India but from many parts of Africa and the Middle East all played their part. Winston Churchill saw the war throughout in imperial terms. The British Empire and the Second World War emphasises a central fact about the Second World War that is often forgotten.