Andrew Wynn Owen – författare

A London Review Bookshop Book of the Year. Infinite in Finite develops the inimitable style of The Multiverse, the author's first collection (2018), praised as showing 'some of the best technical skills of any living poet', the work of 'one who is not afraid of big subjects, whose enthusiastic gaze is directed outward with energy and gladness'. Then Auden and the Romantics lighted his way. To those influences are now added the challenges of a Modernist style, drawing on Marianne Moore, T.S. Eliot and Delmore Schwartz.In the long sequence 'Appearance and Reality' and throughout the collection's intricate polymetrical stanzas, readers experience more variation than most contemporary free verse provides. The poems challenge assumptions about the place of form in the modern artistic ecosystem.

In rural Wales, wandering the dunes west of Pwllheli, John Fuller has composed a letter on the subject of travel: warning against it, wondering about people''s presences and absences, and serenely admiring ''the Wales of sheep and song''. His correspondent, young Andrew Wynn Owen, replies with friendly enthusiasm, matching John''s poetic form while flouting his advice and hopping from gallery to garret via Luxembourg and Venice. Between them, they consider: is it better to risk seeming ''stay-at-home, | A stick in mud'' or ''to pass life scared | Of stillnesses'' AWOL is an infinitely charming collaboration between the eminent poet John Fuller, with a career spanning over 50 years, and bright young poet Andrew Wynn Owen, whose first pamphlet was published in 2014. Beautifully produced in a large square format, this book is illustrated throughout in full-colour with watercolours and line drawings by Emma Wright. The epistolary poems are composed in terza rima in tetrameter lines, reflecting both poets'' love of metre and formal challenges.

In an island kingdom, Don Armando dreams of a dragon-slaying adventure like heroes used to perform. And in a laboratory in a gleaming city, scientist Haplo Nous tinkers towards an atom bomb. Past, present and future collide in Andrew Wynn Owen''s rip-roaring tale, full of rhythmical fireworks and joyous anachronism. This is a clash between chivalric heroics and modern scientific enquiry, and a shaggy-dog story taking in farmers, fisherpeople, flying machines and general derring-do.